Beadwork 2013 06 - PDFCOFFEE.COM (2024)

YO U R #1 B E A D W E AV I N G S O U R C E S I N C E 19 9 6 ®

INSPIRED DESIGNS FOR THE PASSIONATE BEADER

make these

DIAMONDBACK

PEYOTE BRACELETS

all-new jewelry designs STITCH THIS STUNNING

soutache necklace p. 38

plus!

• create fun bracelets with peanut beads • learn to make a Russian spiral rope • bead tubes for a leather bracelet

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Instant Glam

™

FERnando

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SMOOTH AS LIGHT SILK

SIMPLY SOPHISTICATED CREATE YOUR STYLE with SWAROVSKI ELEMENTS presents the exciting

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contents

J U N E /J U LY 2 013 V O L U M E 16 N U M B E R 4

Designer of the Year Projects 22

PICK UP STICKS BRACELET Jill Wiseman

This easier-than-it-looks, avant-garde piece offers a rewarding way to learn cubic right-angle weave

RADIANT WHEEL PENDANT Sabine Lippert

Bezel sixteen chatons around a ring to create this spinning, sparkling pendant

BARCELONA TILE EARRINGS Maggie Meister

Conjure the majolica tiles of Barcelona with these colorful, peyote-stitch earrings

TIBETAN SUNSET NECKLACE Smadar Grossman

Light-casting crystal bicones, briolettes, and rivolis converge in this brilliant necklace

Projects 38

AURORA PENDANT NECKLACE Miriam Shimon

BOHO BANGLE Pamela Kearns

JEWELS OF ATLANTIS BRACELET Yasmin Sarfati

CROSS PENDANT Alice Coelho

PEANUT PINWHEELS BRACELET Carole Rodgers

MOROCCAN ESSENCE BRACELET Barbara Falkowitz and Amy Haftkowycz

PAISLEY PARADE NECKLACE Jayashree Paramesh

BELLA CORDA BRACELET Michelle Heim

FLOWER BASKET EARRINGS Barbara Falkowitz

DOUBLE DIAMONDBACK BRACELET Alice Coelho

ABBINGTON BRACELET Sandie Bachand

STITCH INDEX BACKSTITCH BEAD EMBROIDERY 38 CRIMPING 22 FRINGE 38 HERRINGBONE STITCH 60 LADDER STITCH 76 NETTING 46, 76, 80 PEYOTE STITCH 22, 26, 30, 34, 38, 42, 50, 60, 70, 72 PICOT 26, 34, 38, 50, 60

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RIGHT-ANGLE WEAVE 22, 26, 34, 46, 54, 56, 66, 76 RUSSIAN SPIRAL 14 SOUTACHE EMBROIDERY 38 SPIRAL ROPE 38 SQUARE STITCH 30, 34, 60 ST. PETERSBURG CHAIN 80 STRINGING 22, 54, 56 WIREWORKING 34, 42, 60, 70

Tibetan Sunset Necklace by Smadar Grossman

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contents

Departments 6 8 10 12 14 20 80 92 95 96

Passing Through W.O.R.D. (What Our Readers Did) Contributors The Challenge Stitch Pro: Russian Spiral Cool Stuff Simply Seeds Samx Kilgore Techniques Bead Buzz Bead Artist: Paul Medeiros Chloe Chatenever

PROJECT RATING

on the cover

Double Diamondback Bracelet by Alice Coelho, page 72

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Our three-level project rating system, found on the opening page of each project, is your guide to deciding which projects to make first:

Projects suited to those new to seed beading or to experienced beaders looking for a quick project

Designs for an intermediate beader, a beginner ready to expand his/her skills, or an advanced beader looking for a project that won’t take weeks to complete

Start here if you are up for a challenge or looking for a detailed project that requires a longer time commitment

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passing through Something for Everyone

Lately there’s been a lot of excitement in the bead community about the great new bead shapes on the market. New bead finishes, sizes, and shapes certainly keep beading interesting. But one of the most important aspects of beading that keeps my work fresh is the wide array of stitch techniques available for putting beads together. The extensive range of techniques featured in this issue proves we beaders are always innovating with the wide range of stitches available to us. Turn back to our Stitch Index on page 3 for a complete listing of the sixteen different techniques we have in store. Which technique will you try first? For me, I have yet to try soutache but have already ordered materials to make Miriam Shimon’s beautiful Aurora Pendant Necklace (page 38). Perhaps you’ve never tried your hand at Russian spiral stitch. Fall in love with it—or gain a new appreciation—after reading this issue’s Stitch Pro lesson from Jean Campbell (page 14). Have yet to try cubic right-angle weave? Don’t be intimidated! Jill Wiseman’s Pick Up Sticks project (page 22) is the perfect introduction to CRAW. Pamela Kearns paired a simple wireworking technique with much-loved peyote stitch in her trendy Boho Bangle (page 42). First she beaded two patterned, flat peyote bands, then she wrapped the bands—plus a few coils of wire—around licorice leather cord to create a quick-and-easy bracelet. I’ve always been intrigued by the unique construction of St. Petersburg chain. Samx Kilgore’s necklace chain (page 80) uses this fun stitch, plus her two extra embellishment rows turn the seemingly plain band into an exciting spiral. Dive into this issue and choose a technique that’s new to you—or one that you’ve long forgotten about—and share your experience with us by email (beadwork@inter weave.com), on our Inside Beadwork Magazine blog (click the Blogs tab on beading daily.com), or on Facebook (beadworkmagazine.com/facebook). Have fun, [emailprotected]

Follow Beadwork on Facebook: beadworkmagazine.com/facebook

HAPPENINGS New Shaped Beads DVD. Join Editor Melinda Barta in her newest video workshop—Beading with Shaped Beads: Tilas, Superduos, Peanuts, and More—as she discusses today’s most popular shaped beads and how to use them successfully in beadweaving projects. Visit interweave.com to download a digital copy or purchase the DVD. And the Winners Are . . . Stay tuned for our October/November issue (on newsstands September 17) for a showcase of the jewelry that won big in this year’s Bead Star contest. For more details, visit beadstar.com. Quick and Easy Beadwork. Don’t miss our supersized collection of all-new, easy-to-bead, and quick-to-make beadwoven designs: Quick and Easy Beadwork. This special issue will be available on newsstands October 8.

EDITORIAL DIRECTOR Danielle Fox EDITOR Melinda Barta SENIOR EDITOR Jean Campbell ASSOCIATE EDITOR Linda Harty ASSISTANT EDITOR Chloe Chatenever PROJECT EDITOR Kate Wilson CONTRIBUTING EDITOR Mindy Brooks COPY EDITOR Liz McGehee BEADING DAILY EDITOR Jennifer VanBenschoten SENIOR DESIGNER Connie Poole PRODUCTION COORDINATOR Mark Dobroth PROJECT PHOTOGRAPHY Joe Coca, Ann Swanson ILLUSTRATION Bonnie Brooks ADVERTISING TEAM LEADER, BEAD & JEWELRY Marilyn C. Koponen [emailprotected], (877) 613-4613 ADVERTISING REPRESENTATIVE Jennifer McIntosh [emailprotected], (877) 613-4634 AD TRAFFICKERS Melissa Marie Brown, Kathy Depperschmidt CLASSIFIED ADVERTISING Monica Turner MARKETING MANAGER Jessi Zilk

FOUNDER, CREATIVE DIRECTOR Linda Ligon VICE PRESIDENT, GROUP PUBLISHER Jamie Bogner VICE PRESIDENT, CONTENT Helen Gregory VICE PRESIDENT, MEDIA SALES Julie MacDonald DIRECTOR OF PRODUCTION Trish Faubion DESIGN MANAGER Larissa Davis ONLINE CIRCULATION SPECIALIST Jodi Smith

F+W MEDIA, INC. CHAIRMAN & CEO David Nussbaum CHIEF FINANCIAL OFFICER James Ogle PRESIDENT Sara Domville CHIEF DIGITAL OFFICER Chad Phelps SENIOR VICE PRESIDENT, OPERATIONS Phil Graham VICE PRESIDENT, ECOMMERCE Lucas Hilbert COMMUNICATIONS DIRECTOR Stacie Berger Designs in this issue of Beadwork® are for inspiration and personal use only. Beadwork does not recommend, approve, or endorse any of the advertisers, products, services, or views advertised in Beadwork . Nor does Beadwork evaluate the advertisers’ claims in any way. You should, therefore, use your own judgment in evaluating the advertisers, products, services, and views advertised in Beadwork. Exact reproduction for commercial purposes is contrary to the spirit of good craftsmanship. Beadwork (ISSN 1528-5634) is published bimonthly by Interweave, a division of F+W Media, Inc., 201 E. Fourth St., Loveland, CO 80537-5655. (970) 669-7672. USPS #018-351. Periodicals postage paid at Loveland, CO 80538, and additional mailing offices. © 2013 F+W Media, Inc. All rights reserved. Reproduction in whole or in part is prohibited, except by permission of the publisher. Subscription rate is $29.95/one year in the U.S., $34.95/one year (U.S. funds) in Canada and $39.95 (U.S. funds) in other countries (surface delivery). Printed in the U.S.A. POSTMASTER: Please send address changes to Beadwork, PO Box 6338-1838, Harlan, IA 51537. Retailers: If you are interested in carrying this magazine in your store, please call (866) 949-1646, email [emailprotected], or visit www.interweaveretailer.com. For Beadwork subscription questions or concerns, contact us: Email address: [emailprotected] U.S. Customer Service: (800) 849-8753 Intl. Customer Service: (515) 247-3657 Fax number: (712) 733-1277 U.S. Mail: PO Box 469105, Escondido, CA 92046-9105 VISIT US ON THE WEB: beadingdaily.com • interweave.com • fwmedia.com

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WHAT OUR READERS DID

w.o.r.d. READER’S TIP I altered the shape, added five bicone crystals, and joined them in the middle to make a three-dimensional effect.

KRISTEN HO of Ashburn, Virginia, created this project based on Kelli Rae Burns’s Pearlvescent bracelet in the October/November 2011 issue. The star is from Jean Campbell’s Stitch Pro article in the August/September 2012 issue.

SYLVIE CAMPS of Fort Myers, Florida, says that Sára Zsadon’s Simple Star earrings in the October/ November 2012 issue inspired her to make this necklace.

READER’S TIP I opted to use firepolished glass beads in place of the bicones, using shades of blue and green in varying finishes to create a softer feel to the bracelet.

KRISTA QUANTRILL of Kanata, Ontario, Canada, offers her version of Callie Mitchell’s Industrial Chic bracelet from the June/July 2012 issue.

ROSE RUSHBROOKE of Safety Harbor, Florida, was so fired up by Jean Power’s work as one of Beadwork’s 2012 Designers of the Year that she took a class with Jean in England. Jean taught her how to make triangles and pentagons. Afterward, Rose made this bangle.

We want to hear from you! If you’ve been inspired by projects in our magazine or have tips to share, email us at [emailprotected]. Check our website, beadworkmagazine.com, for corrections, announcements, and free projects.

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Go Inside

JEAN CAMPBELL’S CLASSROOM!

Learn step by step how to stitch 4 favorite floral projects

2- DISC DVD SET

Join Jean Campbell, senior editor of Beadwork magazine, Jo as she takes you inside four of her most popular beading classes. Enjoy 181 minutes of beading bliss in this 2-disc DVD set you won’t want to be without! Whether you’re new to bead stitching, or a seasoned pro there’s something for you in this dynamic video.

Order your copy of this bead workshop DVD today to: O Learn how to stitch Jean’s popular projects.

OR KSH OP S

E L L’S JE A N CA M P B IN G BEST BEAD WO R K S H O P S

Floral Designs

Enjoy printable step-by-step instructions for each project. Get started the right way with a comprehensive look at the materials and tools needed. Discover tips and tricks for starting and ending threads, making turnarounds, attaching clasps, and more. Create beautiful floral components that can be transformed into gorgeous jewelry.

And more! Start stitching Jean’s beautiful designs at

shop.beadingdaily.com/JeanFloral

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What’s your favorite shaped bead?

THIS ISSUE’S FEATURED ARTISTS

contributors The most exciting part of beading is the thrill of discovery! Any brand-new bead shape is my favorite, teasing me to think “outside the bead.” I love a good challenge and am always jazzed by the surprises that take shape on my beading table as the latest and greatest is paired with the tried and true. —SANDIE BACHAND

I get really excited every time I see a new kind of bead, and then I go right back to Delicas. They are so uniform and fit together very well when used with peyote stitch or brick stitch. I like to show as little thread as possible, and for that they are perfect. They come in so many different color finishes that you can achieve almost any look. —ALICE COELHO

I am addicted to Superduos! I love the way they look in circular patterns, and I love their versatility in forming connections between beaded sections. I think their slightly rounded shape in the middle adds interest and dimension to projects. It’s fun to be challenged by those little cuties!

I’ve really been hooked on peanuts and Superduos lately! I love the uniformity of the Superduos, but I love peanuts for the irregularity. I like working with drops, especially the 2.8mm ones. I just love the possibilities these little bits of glass offer. And who could forget the scrumptious colors? —MICHELLE HEIM

I love the drop beads of varying sizes. They are perfect for my design aesthetic, and I often find myself reaching for my box of drop beads to add finishing touches to my jewelry. Drop beads look pretty when grouped together in little clusters or stitched along the edges. I have even stitched them along the neckline of my blouses to add some glamour! —JAYASHREE PARAMESH

—BARBARA FALKOWITZ

I’ve always been addicted to glass beads from the Czech Republic, and my newest, latest addiction is Czech-glass druks! The newest druks come in such stunning colors and finishes that make them so versatile; they look fabulous whether you dress them up with fancy filigree and crystals or dress them down with cord and rustic elements. I can’t get enough of ’em!

Great question! I have to admit, though, because peyote was the first stitch I learned, Delicas are my first go-to bead, with seed beads coming in a close second. I’ve lately started creating peyote beads to wrap around braids and ropes and am using drops as accents. —PAMELA KEARNS

One of my favorite new bead shapes is the double-drilled dagger. I love the look they add to a piece, and they can be used in a variety of ways. They can be hard to find, but I’m hoping that they become more popular. —SAMX KILGORE

—AMY HAFTKOWYCZ

Of all the new shaped beads, the Czech two-hole tile beads would get my vote for favorite because of their silky finish. I’ve been collecting multiplehole and unusual beads for years, so I have really enjoyed designing with all the new shapes. —CAROLE RODGERS

My favorite beads these days are the Superduo beads. The color range and the possibilities are endless, and I can incorporate them in almost any design, with seed beads, fancy stones, and sparkly crystals. —YASMIN SARFATI

Want to become a Beadwork contributor?

I love all the new beads out there, but my current favorite is definitely the tile beads. They are so versatile and can be used in so many ways. I’m also in love with the Superduos for that same reason. —MIRIAM SHIMON

See our submissions guidelines at

beadworkmagazine.com/submissions

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Quality in the Making Ask For Us At Your Local Bead Store

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FOUR DESIGNERS, ONE STASH

the challenge Melinda Barta, Katie Litchfield, Christina Neit, Kate Wilson What happens when you give two editors and two lucky readers matching sets of materials to play with? We work with products we might not have considered using, and our creative sides get stretched one more notch. Attention bead artists, retailers, and wholesalers: If you would like to contribute materials and supplies to The Challenge, please contact Linda Harty at [emailprotected].

name this necklace! For details, visit beadingdaily.com/ beadingchallenge.

melinda barta (editor)

kate wilson (project editor)

To incorporate the deep ocean-blue shades of the glass swirl beads into my beaded ropes, I added dark blue iris size 11°s from my stash between columns of tubular herringbone. When the flared bead caps didn’t quite work for the beaded rope ends, I turned them around and quickly found how nice they look with the chains. The aqua leather cord is woven through many links in the large chain and helps give the piece a more casual look.

The material colors and shapes in this kit remind me of photos I’ve seen from Greece—the blues, golds, and whites remind me of the fabulous architecture of cities surrounded by brilliant ocean waters. So I created this Grecian-inspired piece with bead-dangle columns and a bead-embroidered Greek key crescent. The chains and leaf clasp add more metallic elements without excessive bling for a bit of old-world charm. I can’t wait to wear the piece this summer!

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THE RULES: We use our favorites from the materials provided and, where necessary, round out projects with our own supplies.

THE STASH: This sea-and-sand– colored kit from Goody Beads included ocean-blue lampwork beads, peridot crystal beads, turquoise and green cords, and

antiqued brass flower and leaf findings. Seed beads in sunlit, sandy shades rounded out this summery collection.

THE SOURCE: Goody Beads, (952) 938-2324, www.goody beads.com.

READER PARTICIPANTS For your chance to play, see beadworkmagazine.com/ go/challenge

katie litchfield (reader participant)

christina neit (reader participant)

When I opened the kit, an asymmetrical design immediately came to mind. The idea of a beaded rope hanging between the chains was there from the first. After much debate, I settled for a six-strand queen’s crown knot woven from single strands, having no idea if it was even possible. Soon after, I was inspired by the golden color scheme to create the midsummer leaves and flowers, and I used the blue pieces to add drops of color throughout the necklace.

I used bead embroidery for this necklace and based the theme on the wide range of color options from the lampwork beads. I used mountain jade and river-stone cabochons, vintage cabochons/crystals/chatons, metal studs, vintage brass stampings, fire-polished beads, and bunches of different-sized seed beads in the embroidery.

BEADWORK

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TECHNIQUES YOU CAN' T BEAD WITHOUT

stitch pro { RUSSIAN SPIR AL }

Jean Campbell

MATERIALS & TOOLS Size 11° seed beads (A) Size 8° seed beads (B) Size D nylon or 6 lb braided beading thread Scissors Beading needle

In the late 1990s, a handful of Russianlanguage beadwork books hit the United States. Beaders here went wild, deciphering the instructions despite the language barrier, because they were so excited to try techniques they had never seen before. The leaves, fringes, chains, and ropes that graced the pages of these books would forever be known as “Russian” to beaders here, including the lovely spiral rope I’d like to show you in this installment of Stitch Pro. Russian spiral is one of the easiest spiral ropes to do, but I also like it because it’s so versatile. You can interchange bead color, size, and type fairly easily for dramatically different results. And because you add several beads at a time when you stitch, it works up fairly quickly.

Round 1: Place the needle on the thread

and string {1B and 3A} three times, leaving a short tail to weave in later. Tie a knot with the working and tail threads to form a tight circle. Pass through the first B strung (Fig.1). Note: In this example, the A beads are purple and B beads are green. Round 2: String 3A and 1B, then pass through the next B of Round 1; repeat twice (Fig.2).

Fig. 1 Fig. 2

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Try this! • I’ve used size 11° and size 8° beads in my sample to accentuate the spiral in this rope, but you may use just about any combination of bead sizes for nice results. Just be careful one size of bead isn’t so small that it slips inside the holes of the other beads.

Fig. 3

• Slowly increase the number of size 11° beads between the size 8° beads to form a cone, as I've done in the black/silver sample on page 14. For extra interest, pepper in long magatamas to make a spiky cone, as in the purple/gold sample. • For a very boxy chain, use bugle beads instead of the 3A in each net.

Rounds 3 and on: String 3A and 1B, skip

the nearest 3A, then pass through the next B of the previous round; repeat to the desired length (Fig.3). Note: There is no step-up with this technique, as the nets created with each stitch just continue to spiral up like a staircase.✦

JEAN CAMPBELL is senior editor of Beadwork magazine and a jewelry-design artist and teacher. She is the author of several beading books and appears as “Stitch Pro” on Beads, Baubles, and Jewels. Visit her at www.jeancampbellink.blogspot.com.

Make beaded necklaces for any occasion! Download your FREE collection today:

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perfect peyote Take a master class in peyote stitch with Beadwork Editor Melinda Barta, PLUS seven Beadwork Designers of the Year. With 15 styles in all, this fundamental guide to peyote stitch contains everything you need to know—including every variation, from beginner to advanced.

Projects by Cynthia Rutledge and Jean Power

Mastering Peyote Stitch: 15 Inspiring Projects Melinda Barta • 160 pages, paperback, 8½ × 9 $24.95 • ISBN: 978-1-59668-633-5

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RETAIL THERAPY

cool stuff

Chloe Chatenever and Linda Harty

1. These new Rizo drop beads are taking the beading world by storm! Designed by Sabine Lippert (one of our Designers of the Year), these rice-shaped beads (about 2.5×6mm) have a hole drilled in one end, making them perfect for adding beaded fringe or design accents. Browse through the 80+ color and finish options at www.whimbeads.com, (707) 664-8343. 2. Lark Books continues its new I Can series of instructional beading books with Mabeline Gidez’s I Can Right Angle Weave. With 25 projects and 475 illustrations, this book offers a complete course in right-angle weave. Each chapter covers the basics of a single skill—such as increases and decreases, embellishing, and making curves—followed by several jewelry projects that use the technique. Lark Books, $24.95

3. Indulge your sweet tooth without gaining an ounce! Sweet Treats: A Collection of Designs for Beaded Jewellery and Gifts to Make Your Mouth Water by Katie Dean features 15 designs to make beaded delicacies, such as chocolate-dipped strawberries, cupcakes, and Swiss rolls. Each design gives ideas and instructions for multiple projects, including necklaces, bracelets, earrings, key rings, magnets, and ornaments. www.beadflowers.co.uk, £16.95 (about $27) 4. This new line of findings from TierraCast are intended for use with leather, but they also lend themselves to interesting stitched designs. Start experimenting with a new tri-buckle, Z hook, 3-hole bar, 2-hole bar, distressed oval, or distressed slide with a loop in antique pewter, antique copper, bright gold, or brass oxide (Z hook also available in black). (866) 715-2323, www.artbeads.com

5. Magnetic clasps can be bulky and heavy, but these beauties from Ezel Findings would be an asset to any jewelry design. Low profile and lightweight, these magnetic clasps come in gold, rose gold, bronze, and rhodium. Choose one with rhinestone accents for a touch of sparkle, or opt for a more classic motif. (800) 977-9904, www.ezelfindings.com 6. A silver, gold, black, or copper flexible wire necklace from S & S Lapidary is the perfect way to show off a dramatic focal. These durable wire necklaces will hold their shape and close securely with a silver screw-barrel clasp. Mix and match your favorite focals and wide-hole beads to match any outfit or accessory! (865) 278-3548, www.sandslapidary.com 7. With BeadSmith’s foam macramé board, knotting and braiding have never been easier! Avoid tangled cords by using the notches around the outside of the board to secure long tails and threads. This board is self-healing, so you can secure your work with pins without damaging the material. Pick yours up for just $16.99 at www.beadaholique.com.

8. Lillypilly Designs has introduced a new line of patterned suede. Decorative patterns are embossed onto pieces of suede in a variety of colors. Use them in your next mixed-media project or as a pretty backing for your bead embroidery. (303) 543-8673, www.lillypillydesigns.com 9. Miyuki’s new long drop beads measure 3×5.5mm and are made in matte, metallic, shiny, and iridescent finishes. The holes in these drops are large enough to accommodate wire or jump rings as well as beading thread, so they can be stitched into structured designs, hung from chain links, or turned into mini dangles with wrapped-loop bails. Look for all 37 colors, expected in stores this summer.

10. Alacarte Clasps is now carrying WireLuxe knit wire. Pictured here in Sprig and Laguna, the line includes 14 different color options. The striated open-weave center panel and tight-knit edge make these knit wires a perfect base to embellish. The self-locking knit will keep the wires from unraveling after they are cut. (707) 887-2825, www.alacarteclasps.com

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8 9

THE STAFF OF BEADWORK INVITES YOU TO SEND YOUR NEW BEADWORKING PRODUCTS FOR CONSIDERATION IN COOL STUFF. PLEASE SEND ALL SUBMISSIONS TO [emailprotected] TOGETHER WITH COMPLETE PRODUCT INFORMATION.

BEADWORK

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DESIGNER of the Year

TECHNIQUES cubic right-angle weave peyote stitch stringing crimping See p. 92 for helpful technique information.

PROJEC T LEVEL See project-level information. 22 p. 4 for beadworkmagazine.com

22-24 Pick Up Sticks-Wiseman.indd 22

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DESIGNER of the Year

Jill Wiseman

pick up sticks bracelet

Jill Wiseman fell in love with beading in 2001 and now works full-time as a national beading teacher. She is the author of Jill Wiseman’s Beautiful Beaded Ropes (Lark, 2012). Jill is known for writing clear and detailed instructions for all experience levels, and her kits and patterns are sold online at www.tapestry beads.com. Contact Jill at jill@ tapestrybeads.com.

THE BARS OF THIS fashion-forward bracelet are

made individually and then strung together with beading wire, resulting in an easy introduction to cubic right-angle weave. 1) BAR 1. Stitch an embellished cubic

Cube 1, Face 4: String 1A; pass down

right-angle weave bar, then finish the edges with peyote stitch: Cube 1, bottom: Use 4' of thread to string 4A, leaving an 8" tail. Tie the working and tail threads together to form a tight circle. Pass through the first 3A strung (Fig.1, black thread). Cube 1, Face 1: String 1A, 1C, and 1A; pass through the last bottom A exited and the first A just added (Fig.1, orange thread). Cube 1, Face 2: String 2A; pass back through the next bottom A, up through the nearest side A of Face 1, through the 2A just added, and the next bottom A (Fig.1, purple thread). Cube 1, Face 3: String 2A; pass down through the nearest side A of Face 2, through the last bottom A exited, and up through the first A just added (Fig.1, green thread).

through the nearest side A of Face 1, back through the next bottom A, up through the nearest side A of Face 3, and through the A just added (Fig.1, blue thread). Cube 1, top: Pass through the 4 top beads of the cube faces, exiting from the C (Fig.1, red thread). Pull the thread tight to complete the first cube. Note: The top of this cube is the bottom of the next cube. Cubes 2–9: Repeat Cube 1, Faces 1–4 and top, eight times to form a bar 9 cubes long, using the top of the previous cube as the bottom of the new cube and making sure the C align. Cube 10: Repeat Cube 1, this time using A in place of C. First corner: Pass through the top 4 beads of Cube 10 (Fig.2, blue thread). String 1A and pass through the next bead at the top of Cube 10; repeat three times to add 4 corners to the top of Cube 10 (Fig.2, red thread).

MATERIALS 20 g metallic nickel size 11° seed beads (A) 2 g metallic nickel size 8° seed beads (B) 38 Montana blue AB2X 3mm crystal bicones (C) 38 aquamarine AB 3mm crystal bicones (D) 49 padparadscha AB 3mm crystal bicones (E) 23 crystal AB 3mm crystal bicones (F) 31 bright gold 3mm crystal pearl rounds (G) 33 light gray 3mm crystal pearl rounds (H) 26 midnight-blue 3mm crystal pearl rounds (I) 4 sterling silver 2mm crimp tubes 1 sterling silver 12mm square 2-strand box clasp with crystal inlay Smoke 6 lb braided beading thread 18" of .019 beading wire

TOOLS Scissors Size 11 beading needle Wire cutters Crimping pliers Bead stop

FINISHED SIZE: 7½"

Fig. 1: Forming Cube 1 and the bottom of Cube 2

Fig. 2: Adding the corners to the top of Cube 10

BEADWORK

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DESIGNER of the Year

Option Create a simple necklace by working several bars and stringing them with seed beads onto beading wire.

Fig. 3: Attaching the clasp and stringing Bars 1 and 2

Back edges: Weave through beads to

exit the side A of Face 3 in Cube 10, toward the work. String 1A and pass through the nearest side A of the next unit along the long edge of the bar; repeat eight times for a total of 9A. Weave through beads to exit the opposite side A of Cube 1, Face 3. String 1A and pass through the nearest side A of the next unit; repeat to add 1A between the side A of each unit along the other long edge of the bar. Note: These peyotestitch beads are placed along the edges of the bar opposite the side with the bicones. Secure the working thread and trim. Second corner: Use the tail thread to add 1A to each corner at the bottom of Cube 1 in a similar manner to the corners of Cube 10. Secure the tail thread and trim. Set the bar aside. 2) BARS 2–24. Repeat Step 1 twenty-three

times for a total of 24 bars with the following number of cubes; use the colors indicated in place of C and continue to use A for all other stitches: Bar 2 with D and 8 cubes. Bar 3 with E and 14 cubes. Bar 4 with G and 12 cubes. Bar 5 with C and 8 cubes. Bar 6 with H and 14 cubes. Bar 7 with F and 10 cubes. Bar 8 with D and 12 cubes. Bar 9 with E and 8 cubes. Bar 10 with I and 14 cubes. Bar 11 with G and 10 cubes. Bar 12 with D and 8 cubes. Bar 13 with H and 12 cubes. Bar 14 with C and 14 cubes. Bar 15 with E and 24

Artist’s Tips • When stringing the bars on the beading wire, hold the bracelet up and shake it a little to let the bars settle into place before adding the second half of the clasp. This action will help eliminate any extra beading wire that might show otherwise. • As you are making and arranging the bars, play with the placement. When you find an arrangement you like, take a photo to ensure that you string them together in the same way.

12 cubes. Bar 16 with F and 8 cubes. Bar 17 with C and 10 cubes. Bar 18 with D and 14 cubes. Bar 19 with G and 12 cubes. Bar 20 with E and 8 cubes. Bar 21 with I and 14 cubes. Bar 22 with H and 10 cubes. Bar 23 with E and 12 cubes. Bar 24 with F and 8 cubes. 3) ASSEMBLY. String the bars to form the bracelet: Wires: *Use one 9" piece of wire to string 1 crimp tube and 1 clasp loop; pass back through the tube and crimp. Repeat from * using the second loop of the same clasp half. Bars: Use each wire to string 1B. Pass 1 wire through the fourth cube of Bar 1; pass the second wire through the seventh cube. Use each wire to string 1B. Pass the top wire through the third cube of Bar 2; pass the bottom wire through the sixth cube, making sure the bicones of Bars 1 and 2 face up (Fig.3). Continue

adding 1B to each wire, then stringing the bars in the order in which they were made. Note: Center each bar on the wires, continuing to leave 2 open cubes between wires. Ensure the embellishment bicones and pearls face up. Clasp: Place the bead stop on one of the wires. Use the other wire to *string 1B, 1 crimp tube, and the corresponding loop on the other half of the clasp; pass back through the tube and crimp. Remove the bead stop and repeat from *. Note: Take care that the clasp is positioned correctly so that it will close.✦ RESOURCES Check your local bead shop or contact: Seed beads, Swarovski crystal bicones and pearls, FireLine braided beading thread, and SoftFlex beading wire: Beyond Beadery, (800) 840-5548, www.beyondbeadery.com. Crimp tubes and clasp: Beadaholique, (866) 834-4618, www.beadaholique .com. Kits: Tapestry Beads, www.tapestrybeads.com.

beadworkmagazine.com

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BEADWORK

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DESIGNER of the Year

TECHNIQUES cubic right-angle weave tubular peyote stitch picot See p. 92 for helpful technique information.

PROJEC T LEVEL See p. 4 for project-level information.

beadworkmagazine.com

26-29 Radiant Wheel Pendant-Lippert.indd 26

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DESIGNER of the Year

radiant wheel pendant FESTOON A CUBIC-RIGHT-ANGLE-WEAVE RING

with bezeled chatons to create this spinning, sparkling pendant. 1) BASE RING. Use cubic right-angle

Cube 1, Face 4: String 1D; pass down

weave to form a base ring: Cube 1, bottom: Use 6' of thread to string 4D, leaving a 12" tail; pass through the beads again to form a tight circle and tie a square knot to secure. Pass through the first D strung (Fig.1, black thread). Cube 1, Face 1: String 3D; pass through the last bottom D exited and the first D just added (Fig.1, orange thread). Cube 1, Face 2: String 2D; pass back through the next bottom D, up through the nearest side D of Face 1, through the 2D just added, and the next bottom D (Fig.1, purple thread). Cube 1, Face 3: String 2D; pass down through the nearest side D of Face 2, through the last bottom D exited, and up through the first D just added (Fig.1, green thread).

through the nearest side D of Face 1, back through the next bottom D, up through the nearest side D of Face 3, and through the D just added (Fig.1, blue thread). Cube 1, top: Pass through the 4 top D of the cube faces; pull the thread tight to complete the first cube (Fig.1, red thread). Note: The top of this cube is the bottom of the next cube. Cubes 2–15: Repeat Cube 1, Faces 1–4 and the top, fourteen times, using the top of the previous cube as the bottom of the new cube to form a cubic-right-angleweave rope. Don’t trim the threads.

Sabine Lippert Originally a physician, Sabine Lippert is a crafter by passion. In 2007 she started beading and hasn’t looked back. She is the author of Sabine Lippert’s Beaded Fantasies (Lark Books, 2012) and teaches beading classes internationally. Visit Sabine at www.try tobead.com.

MATERIALS 3 g light bronze size 15° Japanese seed beads (A) 9 g permanent galvanized light rose size 11° Japanese seed beads (B) 6 g chalk luster 5×3mm 2-hole seed beads (C) 128 purple iris 3mm fire-polished rounds (D) 64 rosaline 3mm crystal bicones (E) 16 foil-back rosewater opal SS39 (about 8mm) crystal chatons (F) Crystal 6 lb braided beading thread

TOOLS Scissors Size 12 beading needle

FINISHED SIZE: 2"

Cube 16: Match the ends of the rope so

Fig. 1: Forming the first cube of the rope

the bottom of Cube 1 touches the top of Cube 15. Use the tail thread, D, and cubic right-angle weave to connect the 2 cubes into a ring. Exit from a D along the inside edge of the ring just formed (Fig.2, blue thread). Tighten: Pass through the vertical D along the inside edge of the ring to tighten it. Weave through beads to exit from a horizontal D on the top of the ring, toward the center (Fig.2, red thread).

Fig. 2: Joining the rope ends to form a base ring and tightening the ring

BEADWORK

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DESIGNER of the Year

Fig. 3: Forming the top inner edge of the base ring

Fig. 6: Forming Round 3 of the bezel

2) INNER EDGES. Add rounds of B to the top and bottom inside edges of the base ring: Top edge, Round 1: String 1B and pass back through the last D exited, then weave through beads to exit from the horizontal D of the same face in the next cube; repeat for a total of 16B. Step up through the first B added in this round (Fig.3, blue thread). Top edge, Round 2: String 1B and pass through the next B added in Round 1; repeat for a total of 16B (Fig.3, red thread). Weave through beads to exit toward the center of the ring from a horizontal D on the opposite side of the base ring from which you worked the top inner edge. Note: The B just added and the following B for the bottom edge form rings that sit alongside the D tightened at the end of Step 1. Bottom edge: Repeat Rounds 1 and 2 on the other side of the base ring, adding

Fig. 4: Adding Round 1 of the bezel (base ring removed for clarity)

Fig. 7: Placing the chaton and tightening Round 3

a bottom inside edge. Secure the thread and trim. 3) BEZELS. Stitch bezels for the chatons: Round 1: Start 6' of new thread that exits

from 1D at the outer edge of the base ring. *String 1B, 1C, and 3B; pass back through the second hole of the C just added to form a picot. String 1B and pass through the next D of the same base-ring unit. Repeat from * three times. Weave through beads to exit from the fourth B added in this round (the third B of the picot) (Fig.4). Round 2: **String 2A; pass through the first 2B of the next Round 1 picot (Fig.5, orange thread). String 3A; pass through the last B exited and the following B to form a picot (Fig.5, green thread). Repeat from ** twice (Fig.5, blue thread). String 2A; pass through the first 2B of the next Round 1 picot. String 3A; pass through the last B exited and the first 2A just added

Fig. 5: Stitching Round 2 of the bezel

Fig. 8: Stitching Rounds 4 and 5 of the bezel

(Fig.5, red thread). Note: You will now begin working in the opposite direction. Round 3: Use loose tension to string 1B, 1E, and 1B, then pass through the center A of the next Round 2 picot; repeat three times. Don’t pull tight (Fig.6). Place 1F, faceup, into the beadwork. Weave through the beads of this round again, pulling tight, to snug them around the F. Weave through beads to exit from the center B of a Round 1 picot (Fig.7). Note: You will now switch stitching direction again. Round 4: String 2A, 1B, and 2A, then pass through the center B of the next Round 1 picot; repeat three times. Step up for the next round by passing through the first 2A/1B/2A added in this round (Fig.8, blue thread). Round 5: String 3B and pass through the next 2A/1B/2A of Round 4; repeat three times (Fig.8, red thread). Repeat the thread path again to reinforce.

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Sabine Lippert

Fig. 9: Placing the bezels on the base ring (shown flat for clarity)

Weave through beads to exit from the base-ring unit nearest the center. Repeat this entire step fifteen times using the working thread to form 16 bezels that alternate between the top and bottom outer units of the base ring (noted with red circles on Fig.9). Secure the thread and trim.

RESOURCES Check your local bead shop or contact: Miyuki seed beads: Caravan Beads, (800) 230-8941, www.caravanbeads.net. FireLine braided beading thread and Swarovski crystal bicones and chatons: FusionBeads.com, (888) 781-3559. Fire-polished rounds: Fire Mountain Gems and Beads, (800) 355-2137, www.firemountaingems.com. Superduo 2-hole seed beads: Out On A Whim, (800) 232-3111, www.whimbeads.com. Kits: Sabine Lippert, www.trytobead.com.

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BEADWORK

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DESIGNER of the Year

TECHNIQUES circular peyote stitch square stitch See p. 92 for helpful technique information.

PROJEC T LEVEL

30 p. 4 for beadworkmagazine.com See project-level information.

30-33 Barcelona Tile Earrings-Meister.indd 30

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DESIGNER of the Year

barcelona tile earrings THESE STUNNING POST EARRINGS were inspired by

the majolica tiles found throughout Western Europe, especially Barcelona. 1) COMPONENT. Use circular peyote

Round 3: Work 6 stitches with 1D in each

stitch to form a double-sided component: Round 1: Use 3' of thread to string 6C, leaving a 4" tail. Pass through the beads again to form a tight circle. Pass through the first bead (Fig.1, blue thread). Center: String 1A, one 2mm round, and 1A; pass through 1C on the other side of Round 1, then pass back through the 1A/round/1A just strung and through the last C exited on the other side of Round 1 (Fig.1, red thread). Round 2: String 1C and pass through the next C of Round 1; repeat five times for a total of 6C. Step up through the first C added in this round (Fig.2, green thread).

stitch. Step up through the first D added in this round (Fig.2, blue thread). Round 4: Work 6 stitches with 2E in each stitch. Step up through the first 2E added in this round (Fig.2, red thread). Round 5: Work 6 stitches with 1E in each stitch, treating the 2E sets added in the previous round as 1 bead. Step up through the first E added in this round (Fig.3, green thread). Round 6: Work 6 stitches with 3C in each stitch. Step up through the first 3C added in this round (Fig.3, blue thread). Round 7: Work 6 stitches with 2C in each stitch, treating the 3C sets added in the previous round as 1 bead (Fig.3, red thread).

Maggie Meister The rich culture of the Neapolitan people and the ancient mosaics, frescoes, and jewelry designs from the Vesuvius area are a major source of inspiration for Maggie Meister’s designs. She loves teaching and traveling with her small groups through Beadventure Travel. Maggie’s book, Classical Elegance (Lark, 2012), is part of the Beadweaving Master Class series. Visit www.mmmbeads.com.

MATERIALS 1 g gold size 15° seed beads (A) 5 g silver-lined blue size 15° seed beads (B) 7 g metallic gold size 11° cylinder beads (C) 5 g metallic blue iris size 11° cylinder beads (D) 5 g matte terra-cotta size 11° cylinder beads (E) 10 lapis lazuli 2mm rounds 2 lapis lazuli 10×10mm flat briolettes 1 pair of silver earring posts with 10mm pads and ear nuts Gold size D nylon beading thread Double-sided craft tape

TOOLS Scissors Size 10 or 12 English beading needle Size 12 sharp beading needle

FINISHED SIZE: 2½"

Fig.1: Forming Round 1 and the center embellishment of the component

Fig.2: Adding Rounds 2–4 of the component

Fig.3: Stitching Rounds 5–7 of the component

BEADWORK

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DESIGNER of the Year Round 8: String 1C and pass through

the next 3C of Round 6; repeat five times. Step up through the first C added in this round (Fig.4, orange thread). Note: You’ll now be forming the back of the component. Round 9: Work 6 stitches with 2C in each stitch. Step up through the first 2C added in this round (Fig.4, green thread). Round 10: Work 6 stitches with 1C in each stitch, treating the 2C sets added in the previous round as 1 bead. Step up through the first C added in this round (Fig.4, blue thread). Fig.4: Adding Rounds 8–11 of the component

Fig.5: Stitching Round 12 of the component

Fig.6: Adding the earring post

Fig.7: Connecting the post component to a blue component

Fig.8: Assembling the body of the earring

Fig.9: Adding the briolette and edging

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Maggie Meister Round 11: Work 6 stitches with 1C in each

stitch. Step up through the first C added in this round (Fig.4, red thread). Round 12: String 1C and pass through the next C of Round 11, the nearest C of Round 10, and the following C of Round 11; repeat twice for a total of 3C. Step up through the first C added in this round (Fig.5, blue thread). Pass through the 3C just added to tighten the center (Fig.5, red thread). Secure the thread and trim. Set the component aside. Repeat this entire step for a second terracotta component. Repeat this entire step twice more, substituting D for E and E for D, to form 2 blue components. 2) POST COMPONENT. Use 5' of thread

to repeat Step 1 to form a terra-cotta component, but after completing Round 9, place a small piece of double-sided tape on the front of 1 earring pad and adhere it to the beadwork as shown (Fig.6). Continue working Rounds 10–12, firmly securing

the earring finding within the beadwork. Exit from 2C at the edge of the component (Round 7). Don’t trim the thread. 3) ASSEMBLY. Use square stitch to connect Round 7 of the components: Post: Use the working thread on the post to string 1C; pass through 2C at the corner edge of 1 blue component, vertically aligning each 1A/round/1A center embellishment. String 1C; pass through the last 2C exited on the post component to connect (Fig.7). Body: Arrange the components as shown in Fig.8, vertically aligning each 1A/ round/1A center embellishment. Weave the working thread through beads to square-stitch 1C to 1C at the points indicated, completely connecting the components and repeating each connection to secure. Briolette: Weave through beads to exit from 2C at the bottom point of the bottom component. String 2C, 1 briolette,

and 2C, then pass through the last 2C exited from the component to form a loop; repeat the thread path to reinforce and exit from 1C of the bottom point (Fig.9, blue thread). Edge: String 1B; pass through the next C at the bottom point. *Weave through beads to exit from the first of the next 2C at the edge of the component. String 1B; pass through the next C at the edge. Repeat from * around the entire edge of the earring to embellish the edge (Fig.9, red thread). Secure the thread and trim. 4) Repeat Steps 1–3 for a second earring.✦ RESOURCES Check your local bead shop or contact: Seed beads, Aiko or Delica cylinder beads, and lapis lazuli rounds and briolettes: City Beads Chicago, (312) 316-1910, www.citybeadschicago .com. Delica cylinder beads, earring posts, and Nymo or One G beading thread: Creative Castle, (805) 499-1377, www.creativecastle.com.

BEADWORK

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DESIGNER of the Year

TECHNIQUES tubular peyote stitch picot square stitch right-angle weave wireworking See p. 92 for helpful technique information.

PROJEC T LEVEL See project-level information. 34 p. 4 for beadworkmagazine.com

34-37 Tibetan Sunset-Grossman.indd 34

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DESIGNER of the Year

tibetan sunset necklace USE TWO-HOLE SEED BEADS and crystals to form

beautifully versatile triangular motifs that embellish a bezeled rivoli, form a bail, and decorate chains. 1) BEZEL. Use tubular peyote stitch and square stitch to bezel the rivoli: Rounds 1 and 2: Use 6' of thread to string 36B, leaving a 4" tail; pass through the first B to form a tight circle (Fig.1, black thread). Round 3: String 1A, skip 1B of the previous round, and pass through the following 2B; repeat eleven times. Step up through the nearest B (the first B skipped in this round) (Fig.1, orange thread). Round 4: Work 12 stitches with 2B in each stitch. Step up through the first 2B added in this round (Fig.1, purple thread).

Round 5: Work 12 stitches with 1D in each

stitch, treating each 2B set of the previous round as 1 bead. Step up through the first D added in this round (Fig.1, green thread). Round 6: Work 12 stitches with 2D in each stitch. Step up through the first D added in this round (Fig.1, blue thread). Round 7: String 1B and weave through beads to exit from the first D of the next 2D set added in the previous round; repeat eleven times to add 12D. Weave through beads to exit from Round 5 (Fig.1, red thread).

Smadar Grossman Smadar Grossman is a jewelry designer who lives in Israel. Her work is often influenced by Far East ethnic patterns, which she likes to give an updated twist to by using modern materials. Smadar sells tutorials for her designs online at www.smadarstreasure.etsy.com. Contact her at [emailprotected].

MATERIALS 1 g gold size 15° Japanese seed beads (A) 5 g gold size 11° Japanese seed beads (B) 1 g fuchsia-lined clear size 11° Japanese seed beads (C) 4 g gold size 8° Japanese seed beads (D) 6 g dark purple terra pearl 5×3mm 2-hole seed beads (E) 22 red magma 4mm crystal bicones (F) 2 tanzanite 6mm crystal bicones (G) 1 tanzanite 6.5×13mm crystal briolette 1 gold foil–back volcano 18mm crystal rivoli 1 gold-plated 8×14mm lobster clasp 1 gold-plated 5mm jump ring 4 gold-plated 6.5mm jump rings 18½" of gold-plated 3.5×5mm textured oval chain 8" of gold-filled 20-gauge wire Smoke 6 lb braided beading thread

TOOLS

Artist’s Tips

Size 10 and 12 beading needles Scissors 2 pairs of chain- or flat-nose pliers Round-nose pliers Wire cutters

• Work with tight thread tension throughout the project. • Substitute any other top-drilled drop or large dagger bead for the crystal briolette.

FINISHED SIZE: 23¾" (necklace); 2 × 3¼" (pendant)

• Shorten or lengthen the long chain to reach the desired necklace length.

Fig.1: Stitching Rounds 1–7 of the bezel

BEADWORK

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DESIGNER of the Year Fig.2: Forming Rounds 8–11 at the back of the bezel

Fig.3: Stitching the first bezel fringe

Round 8: Work 12 stitches with 2B

Stitch 2: String 3E; pass though the

in each stitch. Step up through the first 2B added in this round (Fig.2, orange thread). Round 9: Work 12 stitches with 1B in each stitch, treating each 2B set of the previous round as 1 bead. Step up through the first B added in this round (Fig.2, green thread). Round 10: Place the rivoli facedown in the center of the beadwork. Work 12 stitches with 2B in each stitch. Step up through the first 2B added in this round (Fig.2, blue thread). Round 11: String 2A, pass through the 2B of Round 10 just exited, and through the 2A just strung to form a square stitch. Note: You will now be working in the opposite direction. *String 2A, pass through the next 2B of Round 10, and the 2A just added. Repeat from * ten times. Pass through the first 2A to complete the round. Pass through all the A added in this round again to reinforce. Weave through beads to exit from 1B of Round 7 (Fig.2, red thread).

last D exited. Stitch 3: String 2B; pass through the open hole of the first E added in Stitch 2. Stitch 4: String 1F; pass through the open hole of the second E added in Stitch 2. Stitch 5: String 1C, 1B, and 1C; pass through the last E exited. Stitch 6: String 1F; pass through the open hole of the third E added in Stitch 2. Stitch 7: String 2B; pass through the nearest D of Stitch 1. Weave through beads to exit from the B of the next Round 7 picot (Fig.3). Repeat Stitches 1–7 four times for a total of 5 fringes, reinforcing the stitches as needed. Weave through beads to exit from the B of Round 7 opposite the center fringe.

2) BEZEL FRINGE. Use right-angle weave

to form embellishments off the bezel: Stitch 1: String 1C, 1D, and 1C; pass

through the last B exited and the next C and D to form a circle. 36

3) BAIL. Stitch the pendant’s bail: Stitches 1–4: Repeat Step 2, Stitches 1–4

(Fig.4, orange thread). Stitch 5: String 1C, 1B, and 1C; pass

through the last E exited and the C/B just added (Fig.4, green thread). Stitch 6: String 1D, 4B, and 1D; pass through the last B exited in Stitch 5. Repeat the thread path to reinforce, then weave through beads to exit the nearest hole of the nearest E (Fig.4, blue thread).

Fig.4: Adding the bail

Stitches 7 and 8: Repeat Step 2, Stitches 6

and 7 (Fig.4, red thread). Weave through beads to exit from the B at the tip of the first fringe formed in Step 2. 4) PICOTS AND CENTER DROP. Connect

the fringes and add the center drop: Picot: String 1D, 1B, and 1D; pass through

the last Step 2 B exited and continue through the next 1C/1F/1E (Fig.5, purple thread). Connect: String 1A; pass down through the nearest E of the next fringe, then weave through beads as before to exit the B at the tip of that fringe (Fig.5, orange thread). Repeat the picot/connect sequence (Fig.5, green thread). Center briolette: String 1D, 1B, and 1D; pass through the last B exited and the first D/B just added. Repeat Step 2, Stitches 2–7, off of the last B just added, but in Stitch 5, add 1C, 1B, the briolette, 1B, and 1C; reinforce this stitch to secure. Weave through beads to exit up through the outside hole of the center fringe’s next E (Fig.5, blue thread). Repeat the connect/picot sequence twice (Fig.5, red thread). Secure the thread and trim. Set the pendant aside.

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Smadar Grossman 5) CONNECTORS. Stitch double-ended

fringes to use as connectors for the necklace: Connector top, Stitch 1: Use 3' of thread to string 1D, 1C, 1D, and 1C, leaving an 18" tail. Pass through the first 1D/1C/1D (Fig.6, green thread). Connector top, Stitches 2–8: Form a fringe that looks like the bail: Repeat Step 2, Stitches 2–4. Repeat Step 3, Stitches 5 and 6. Repeat Step 2, Stitches 6 and 7. Weave through beads to exit the first D strung (Fig.6, blue thread). Secure the working thread only and trim. Connector bottom, Stitches 2–9: Use the tail to repeat the connector top to form another fringe that looks like the bail (Fig.6, red thread). Secure the tail thread and trim. Set aside. Repeat this entire step to form a second connector.

6) ASSEMBLY. Use the 5mm jump ring to

Fig.5: Forming the picots and adding the center briolette

Fig.6: Stitching a connector

attach the clasp to one end of one 8¼" piece of chain. *Use one 6.5mm jump ring to attach the other end of the chain to one end of 1 connector. Use one 4" piece of wire to form a wrapped loop that attaches to the other end of the connector. String 1G; form a wrapped loop that attaches to one end of one 1½" (11-link) piece of chain. Attach one 6.5mm jump ring to one end of one 8¼" piece of chain. Repeat from *, attaching the final wrapped loop to the other end of the 1½" piece of chain. Use one 6.5mm jump ring to attach the pendant to the center link of the 1½" piece of chain.✦ RESOURCES Check your local bead shop or contact: Seed beads, Twin 2-hole seed beads, Swarovski crystal bicones and briolette, FireLine braided beading thread, clasp, jump rings, chain, and wire: Artbeads.com, (866) 715-2323. Swarovski crystal rivoli (article #1122): Fire Mountain Gems and Beads, (800) 355-2137, www.firemountaingems.com.

BEADWORK

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aurora pendant necklace

MIRIAM SHIMON

Learn how to combine soutache embroidery with beadwork to create a beautiful necklace. It’s a fun way to merge two great techniques.

TECHNIQUES backstitch bead embroidery soutache embroidery spiral rope fringe picot flat and tubular peyote stitch See p. 92 for helpful technique information.

PROJEC T LEVEL See p. 4 for project-level information.

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1) PENDANT. Use soutache and backstitch

bead embroidery to form the necklace pendant: Cabochon: Use the adhesive to adhere the cabochon to the center of the beading foundation. Take care that no glue oozes from the sides. Let dry completely. Round 1: Tie a knot at the end of 3' of thread; pass up through the beading foundation to exit right next to the bottom of the cabochon. *String 2G; lay the beads along the edge of the cabochon. Pass down through the beading foundation in front of the second G and up through the beading foundation between the 2G just added. Pass through the last G added. Repeat from * to backstitch around the cabochon. Prepare ribbon: Align the green ribbon and 6" of rose ribbon. Use the lighter to melt the ends of the ribbons to seal. Wrap the 2 ribbons around Round 1, rose ribbon on the inside, centering the ribbons at the bottom of Round 1. There should be 2" of ribbon sticking up from the top of the cabochon on each side. Round 2: **Sew through the center of both ribbons. Pass down through the foundation directly on the other side of the ribbon and up through the foundation about 1⁄8" from the last stitch. Repeat from ** around the left side of the cabochon. Weave through Round 1 to exit from the bottom of the cabochon

(Fig.1, blue thread). Use the same technique to stitch the ribbons to the right side of the cabochon. Stitch all 4 ribbons together where they meet at the top of the cabochon (Fig.1, red thread). Pass down, then up through the foundation next to the last stitch. Round 3: Place the chain around Round 2. Neatly stitch the chain to the foundation, passing the thread between the chain links and stitching down and up through the foundation to secure it, as in Round 2. Secure the thread and trim. Round 4: Layer the dark gold ribbon and 6" of rose ribbon. Melt the ends as before. Wrap the ribbons around Round3, as with Round2, gold ribbon on the inside. Start 3' of new thread that exits from the beading foundation at the bottom of Round 3. As in Round 2, stitch the left, then the right side of the ribbons to the beading foundation. Stitch the 8 ribbons (from Rounds 2 and 4) together where they meet at the top of the round as before. Exit from the lower-left side of the meeting point (Fig.2, green thread). Trim: Carefully trim the excess foundation along the outside edge of Round 4, taking care you don’t cut any stitches. Also trim the foundation under the ribbons’ meeting point.

MATERIALS 5 g bronze size 15° seed beads (A) 2 g light rose gold size 15° seed beads (B) 1 g olive luster size 11° cylinder beads (C) 1 g light mint size 11° cylinder beads (D) 5 g bronze size 11° seed beads (E) 8 g bronze size 11° triangle beads (F) 1 g bronze size 8° seed beads (G) 24 light mint 4mm fire-polished rounds (H) 108 fuchsia 4mm fire-polished rounds (I) 19 metallic bronze 4×3mm fire-polished rondelles (J) 1 rose 3mm crystal bicone 4 fuchsia 6mm crystal bicones 1 fuchsia 11×15mm crystal baroque pendant 4" of rose 2.5mm crystal rhinestone chain 4 matte antiqued gold 4mm crystal pearl rounds 1 matte antiqued gold 6mm crystal pearl round 1 iridescent gold/rose crackled foil 17×25mm glass cabochon 2 gold 5×1mm daisy spacers 1 gold-plated 6×5mm filigree bead cap 1 gold-plated 10×2.5mm filigree flower 18" of rose 1⁄8" soutache ribbon 6" of dark gold 1⁄8" soutache ribbon 6" of light green 1⁄8" soutache ribbon 8" of light gold 1⁄8" soutache ribbon Smoke 6 lb braided beading thread 2" square of white beading foundation 3" square of fuchsia Ultrasuede Clear jeweler’s craft adhesive

TOOLS Size 10 beading needle Scissors Lighter Ballpoint pen FINISHED SIZE: 19½" (necklace);

2¼ × 3" (pendant)

Artist’s Tips • Always align your soutache ribbons in advance before stitching to ensure that they remain straight while you’re working. • Use pearls or crystals in place of the fire-polished beads for a different look. • Always melt the edges of the ribbons to avoid fraying. Fig. 1: Stitching down Round 2

Fig. 2: Forming the upper-left swirl

BEADWORK

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Fig. 5: Forming the rope

Fig. 3: Adding the flower, drop fringe, left side of Round 5, and lower-left swirl

Upper-left swirl: String one 6mm bicone;

wrap the left 4 ribbons around the top side of the bicone and stitch through the 4 ribbons where the thread exits the bicone. Pass back through the 4 ribbons, the bicone, and in and out of the Round 4 ribbons. Pass through the bicone again (Fig.2, blue thread). Pass through the ribbons at an angle to exit ¼" down from the last connection point. String one 4mm pearl round; wrap the left 4 ribbons around the bottom side of the pearl and stitch through the ribbons where the thread exits the pearl. Pass back through the ribbons and the pearl, wrap the ribbons up around the pearl, and stitch through the ribbons where the thread exits the top of the pearl. Pass back through the ribbons and the pearl again, then stitch the ribbons wrapped around the pearl to the upperleft side of Round 4 (Fig.2, red thread). Tuck the 4left ribbon ends so they sit on the back of the pendant; neatly stitch the ends onto the back of the foundation. Exit from the right side of the 8-ribbon meeting point at the top of the cabochon. 40

Fig. 4: Stitching Round 6

Upper-right swirl: Repeat the upper-left

swirl. Exit from the center of the 8-ribbon meeting point at the top of the cabochon. Flower: String the flower filigree back to front and the 3mm bicone; pass back through the filigree and pass down through the ribbon to cover the gap just below the 8-ribbon meeting point. Repeat the thread path to reinforce. Stitch along the back of the foundation to exit out through the ribbons at the bottom center of Round 4. Drop fringe: String 1 spacer, one 6mm pearl round, 1 spacer, the bead cap (from outside to inside), and the pendant; pass back through the bead cap, spacer, pearl, spacer, and back into the ribbon (Fig.3, green thread). Repeat the thread path to reinforce. Secure the thread and trim. Round 5, left side: Start 3' of new thread that exits from Round 4, just below the intersection of the Round 4 ribbons and the upper-left swirl. Layer the light gold ribbon and 6" of rose ribbon. Melt the ends as before. String 1H; pass through the ribbons just layered, rose ribbon on the outside, about ¼" from the end.

Neatly tuck and sew these ends of the ribbons under the upper-left swirl. Pass back through the H just added, into Round 4, and then exit out through Round 4, 1 bead’s width away from the last stitch. *String 1H; pass through the ribbons just added, pass back through the H just added, into Round 4, and exit out through Round 4, 1 bead’s width away from the last stitch. Repeat from * ten times for a total of 12H. Pass through the last H added and the ribbons (Fig.3, blue thread). Lower-left swirl: Repeat the upper-left swirl, this time stitching through just 2ribbons. Exit from Round 5, ⅛" above the lower-left swirl. Don’t trim the thread (Fig.3, red thread). Round 5, right side, and lower-right swirl: Repeat Round 5, left side, and the lower-left swirl, this time on the right side of Round 4. Ultrasuede: Place the beadwork onto the Ultrasuede and trace the shape. Carefully trim out the shape; set aside. Round 6: *Use the left thread to string 1J and 3A; pass back through the J and into the ribbons of Round 5. Pass out through the ribbon, 1 bead’s width away from the last stitch. Repeat from * eight times for a total of 9 fringes (Fig.4, blue thread). Repeat on the right side of the beadwork, adding 9 more fringes (Fig.4, red thread). Secure the thread and trim. Back: Use the adhesive to adhere the Ultrasuede to the back of the beadwork; let dry.

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2) ROPES. Use spiral rope to stitch the necklace straps: Stitch 1: Use 6' of thread to string 2I, 3E, 1F, and 3E; pass through the first 2I added to form a circle, with the 2I on the right (Fig.5, orange thread). Stitch 2: String 3E, 1F, and 3E; pass up through the 2I of Stitch 1, pushing this loop to the right (Fig.5, green thread). Stitch 3: String 1I, 3E, 1F, and 3E; pass up through the I at the top of the rope and the I just added. Push the E and F to the left (Fig.5, blue thread). Stitch 4: String 3E, 1F, and 3E; pass up through the 2I at the top of the rope. Push the E and F to the right (Fig.5, red thread). Repeat Stitches 3 and 4 for a total of 54I. Connect: Sew the end of the rope to the ribbon of the pendant’s upper-left swirl, between the bicone and pearl. Repeat this entire step, attaching the rope to the upper-right swirl of the pendant.

3) CLASP RING. Use tubular peyote stitch

to form the clasp ring: Rounds 1 and 2: Use 3' of thread to string

32A; pass through the first 16A to form a tight circle, leaving a 4" tail. Round 3: String 1A, skip 1A of the previous round, and pass through the next A; repeat fifteen times for a total of 16A. Step up for the next and subsequent rounds by passing through the first bead added in this round. Rounds 4 and 5: Work 16 stitches with 1D in each stitch for 2 rounds. Round 6: Work 16 stitches with 1E in each stitch. Weave through beads to exit from Round 1. Rounds 7 and 8: Work 16 stitches with 1D in each stitch for 2 rounds. Zip: Press Rounds 6 and 8 together so the beads interlock like a zipper. Weave these beads together to form a seamless ring. Exit from 1E. Round 9: String 3B and pass through the next E of Round 6; repeat fourteen times. Weave through beads to exit from the next E (Fig.6, green thread). Connect: String 4E and 1J; pass down through the 2I at the end of the left rope. Weave through beads to exit back through the J just added (Fig.6, blue thread). String 4E; pass through the E across the gap formed on the clasp ring (Fig.6, red thread). Repeat the thread path to reinforce. Secure the thread and trim. 4) CLASP BAR. Form the bar half of the

toggle clasp: Rows 1 and 2: Use 2' of thread to string

2E, 2C, 6E, 2C, and 2E, leaving a 4" tail. Row 3: String 1E, skip 1E of the previous

Fig. 6: Adding Round 9 of the clasp ring and connecting it to the chain

row, and pass through the next E. String 1C, skip 1C, and pass through the next C. Continue working peyote stitch across the row, skipping 1 bead and adding that same type of bead, for a total of 7 beads. Rows 4–10: Work 7 stitches, adding the same bead type as the bead below, in each of a total of 7 rows.

Fig. 7: Finishing and connecting the clasp bar

Zip: Fold the strip so the beads of Rows 1

and 10 interlock like a zipper. Weave these beads together to form a seamless tube. Exit out through one end of the tube. Ends: String 1G and 1A, then pass back through the G and through the center of the tube; repeat to embellish the other end of the tube. Repeat the thread path to reinforce, then weave through beads to exit from 1E at the center of the tube (Fig.7, green thread). Connect: String 6E and 1G; pass down through the 2I at the end of the right rope. Weave through beads to exit back through the last G just added (Fig.7, blue thread). String 2E; skip 2E of the 6E previously added and pass back through the next 2E. String 2E; pass through 1E at the center of the tube, next to the last E exited on the tube (Fig.7, red thread). Repeat the thread path to reinforce. Secure the thread and trim.✦ MIRIAM SHIMON is a designer who teaches beadwork and soutache in Israel and internationally. She has won several awards and regularly exhibits her jewelry around the world. RESOURCES Check your local bead shop or contact: Seed beads, Delica cylinder beads, Ultrasuede, Lacy’s Stiff Stuff beading foundation, FireLine braided beading thread, and soutache ribbon: Amee Runs with Scissors, www.amee runswithscissors.com. Rhinestone chain: Artstudio88, www.artstudio88.etsy.com.

BEADWORK

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boho bangle PA M E L A K E A R N S

Create this Bohemian-inspired, very chic bangle by adding diamond-patterned, peyote-stitched tubes, coiled wire, and oval spacers to leather licorice cord.

MAIN COLORWAY

TECHNIQUES odd-count flat peyote stitch wireworking See p. 92 for helpful technique information.

PROJEC T LEVEL See p. 4 for project-level information.

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1) STRIP. Use odd-count flat peyote stitch

to form a patterned strip:

Rows 13–36: Work 24 rows, repeating the

entire pattern shown in Fig.4 twice.

Rows 1 and 2: Use 3' of thread to string a

Test: Wrap the strip around the leather

stop bead, leaving a 4" tail. String 1A, 2B, 2A, 1B, 2A, 2B, and 1A. Row 3: String 1B; skip the last bead of the previous row and pass back through the next bead. String 1A; skip the next bead of the previous row and pass back through the following bead. Continue across the row, following Fig.1 for color placement. For the final stitch, string 1B, snug the beads into position, and tie a square knot with the working and tail threads. Step up for the next row by passing back through the last B added (Fig.1). Row 4: Work 5 stitches with 1 bead in each stitch, following the blue thread in Fig.2 for color placement. Row 5: Work 6 stitches with 1 bead in each stitch, following the red thread in Fig.2 for color placement. Form an odd-count turnaround by looping the thread between edge beads of the previous 2 rows and stepping up for the next row by passing back through the last bead added (Fig.2, red thread), or by weaving through beads in a figure-eight pattern to place the final bead and step up (Fig.3). Rows 6–12: Continue in odd-count peyote stitch with 1 bead in each stitch, following Fig.4 for color placement; at the end of each odd-numbered row, work one of the two turnaround methods shown in Row5.

cord; if necessary, stitch an even number of additional rows to form a tight fit, making sure that the beads of the first and last rows interlock like a zipper. Remove the stop bead and weave the tail thread into the beadwork. Trim any excess tail thread, but don’t trim the working thread; set aside. Repeat this entire step to form a second strip. 2) ASSEMBLY. Assemble the components

into a bangle: Coil: Find the outside center of the cord and hold the center of the wire against the cord at this point. Tightly wrap one end of the wire around the center and to the right one and a half times, then tightly wrap the other end of the wire around the center and to the left one and a half times, completing each wrap on the underside of the cord. Cut each wire end at a 45-degree angle so the tip of each wire will touch the inside of the cord when flattened. Use nylon-jaw pliers to flatten the wires against the cord, taking care that no sharp ends protrude.

MATERIALS 3 g galvanized yellow gold size 11° cylinder beads (A) 3 g metallic raspberry iris size 11° cylinder beads (B) 2 antiqued brass 5mm thick 17×15mm beveled oval large-hole spacers 7" of burgundy 10×5mm leather licorice cord 1 antiqued brass 13×24mm magnetic cordend clasp Burgundy size D nylon beading thread 4½" of bronze 12-gauge aluminum craft wire Clear super glue Facial tissue

TOOLS Scissors Size 10 beading needle Wire cutters Nylon-jaw pliers FINISHED SIZE: 7¼"

Artist’s Tip If you get glue on your fingers, avoid touching the leather, as it will leave a mark.

Fig.1: Adding Row 3 of the peyotestitched strip

Fig.2: Stitching Rows 4 and 5 of the peyote-stitched strip with a looped turnaround

Fig.3: Stitching Rows 4 and 5 with a figure-eight turnaround

Fig.4: Completing Rows 1–12

BEADWORK

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Fig.5: Zipping the strip into a tube around the leather (coil not shown)

Zipping: Wrap 1 peyote-stitched strip

around the cord to the left of the coil just formed. Weave the beads of the first and last rows together to form a seamless tube (Fig.5). Note: If you added extra rows at the end of Step 1 for sizing, position the zipped rows on the inside of the bangle to hide the break in pattern. Secure the thread and trim. Repeat to add the remaining strip to the right side of the coil. Ovals: Slide 1 oval spacer onto the leather so it sits to the left of the first tube. Add the second oval bead to the leather so it

sits on the right side of the second tube. Very carefully dab 1 to 2 drops of glue onto the beads at the inside of the bangle; press the bead against the leather. Hold for 15 seconds, taking care to avoid getting glue on your skin. Use a tissue to wipe any excess glue off of the leather. Clasp ends: Double-check the fit of the bangle by putting one half of the clasp onto each of the cord ends without gluing. Remove the clasp and, if needed, adjust the size by trimming the cord ends. Dab 1 to 2 drops of glue inside one half of the clasp, place it on 1 cord end

and hold for 15 seconds, taking care to avoid getting glue on your skin. Use a tissue to wipe any excess glue off of the leather. Repeat on the other end of the cord, using the other half of the clasp and making sure the clasps are positioned to close properly.✦ PAMELA KEARNS has been beading for the past nine years with a specialty in seed beading. In addition to teaching in Toronto, Canada, Pam creates a variety of peyote-stitch patterns available through www .peyotedreams.ca. Reach her at peyotedreams@ bell.net. RESOURCES Check your local bead shop or contact: Delica cylinder beads, Regalize licorice leather, clasp, oval spacers, C-Lon beading thread, Tulip beading needle, craft wire, and Super New Glue: BeadFX, (877) 473-2323, www.beadfx.com.

IT’S NOT

THE SIZE, IT’S THE

SPARKLE!

SWAROVSKI ELEMENTS

in a sparkling array of styles, sizes & colors

www.beyondbeadery.com

PO Box 460 • Rollinsville, CO 80474 • 800-840-5548

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jewels of atlantis bracelet YA S M I N S A R FAT I

Embellish a band of right-angle-woven crystal pearls with seed beads, bicones, chatons, and rivolis to form this substantial, yet comfortable bracelet.

TECHNIQUES right-angle weave netting See p. 92 for helpful technique information.

PROJEC T LEVEL See p. 4 for project-level information.

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1) FOCAL BASE. Use right-angle weave to

form the base of the bracelet center: Unit 1: Use 6' of thread to string {1D and 1B} five times, leaving a 4" tail. Tie the working and tail threads together to form a tight circle. Pass through the first D (Fig.1, orange thread). Unit 2: String {1B and 1D} four times, then string 1B; pass through the last D exited and the following 1B/1D of Unit 1 (Fig.1, green thread). Unit 3: String {1B and 1D} three times, then string 1B; pass through the nearest D of Unit 2. String 1B; pass through the last D exited and the following 1B/1D of Unit 1 (Fig.1, blue thread). Unit 4: String {1B and 1D} three times, then string 1B; pass through the nearest D of Unit 3. String 1B; pass through the last D exited of Unit 1 and the following 1B of Unit 4 (Fig.1, red thread).

Fig. 1: Forming the focal base

2) RIVOLIS. Bezel the rivolis over each

MATERIALS

focal-base unit:

5 g gold size 15° seed beads (A) 2 g gold size 11° seed beads (B) 16 turquoise 4mm crystal pearl rounds (C) 47 turquoise 6mm crystal pearl rounds (D) 43 Pacific opal AB2X or crystal AB2X 4mm crystal bicones (E) 8 foil-back Pacific opal SS39 (about 8mm) crystal chatons 4 foil-back Pacific opal SS47 (about 11mm) crystal rivolis 2 gold-filled 5mm jump rings 1 gold-filled 6mm magnetic clasp Beige size D nylon beading thread

Bezel 1, Round 1: String 7A and pass

through the next B of Unit 4 to form a net; repeat four times. Step up through the first 4A added in the first net (Fig.2, blue thread). Bezel 1, Round 2: String 4A and pass through the fourth A of the next Round 1 net; repeat four times, using loose tension. Place 1 rivoli faceup into the center of Unit 4 so it tucks under the A added in this round. Pass through the beads of this round again to tighten and reinforce. Weave through beads to exit from 1B of Unit 1 (Fig.2, red thread). Bezels 2–4: Repeat Bezel 1, Rounds 1 and 2, three times, adding 1 bezeled rivoli to each unit of Step 1. Orient the beadwork lengthwise as in Fig.2 so there is a top, bottom, right, and left bezel. Weave through beads to exit from the sixth A of the upper-left net in the bottom (base Unit 3) bezel, toward the center of the work (the green dot in Fig.3 marks the exit point).

TOOLS Scissors Size 12 needles 2 pairs of chain- or flat-nose pliers FINISHED SIZE: 8"

1 2

4 3

Artist’s Tips • Pass through the bicones several times to reinforce; they can abrade the thread.

• For a straight bangle, stitch the bracelet without the large center.

• You can use 12mm rivolis in place of the SS47 rivolis.

3 Fig. 2: Bezeling a rivoli over base Unit 4

BEADWORK

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Fig. 4: Beginning the strap base

Fig. 3: Adding the center embellishments

3) CENTER EMBELLISHMENTS. Use

right-angle weave to add bicones to the center of the focal, then add bicones along the outside edge: Base sides: String 1A, 1E, and 1A; pass through the second A of the lower-left net in the top (base Unit 1) bezel. Weave through beads to exit from the sixth A of the lower-right net in the top bezel. String 1A, 1E, and 1A; pass through the second A of the upper-right net in the bottom bezel. Weave through beads to exit from the first E added in this section (Fig.3, green thread). Center: String 3E; pass up through the last base-side E exited and the first 2E just added. String 1E; pass up through the second E added in the previous section. String 1E; pass down through the second E added in this section (Fig.3, blue thread). Repeat the thread path of the 2 right-angle-weave units just added to reinforce, stitching down the center to the A below to further secure. Weave through beads to exit from the upperright D of the top bezel. Edge: String 1E; pass through the next 1D/1B/1D/1B/1D of the right bezel. String 1E; pass through the next 1D/1B/1D at the bottom of the bottom bezel. String 1E; pass through the next 1D/1B/1D/1B/1D of the left bezel. String 1E; pass through the next 1D/1B/1D at the top of the top bezel (Fig.3, red thread). Secure the thread and trim.

Fig. 5: Embellishing the strap base

4) STRAP BASE. Use right-angle weave to

form the base for one bracelet strap: Unit 1: Start 6' of new thread that exits from the rightmost D of the right bezel. *String 1B, 1C, 1B, 1D, 1B, 1C, and 1B; pass through the last D exited from the bezel and the first 1B/1C/1B/1D just added (Fig.4, blue thread). Unit 2: String {1B and 1D} three times. String 1B; pass through the last D exited from Unit 1 and the first 1B/1D/1B/1D just added (Fig.4, red thread). Units 3–8: Repeat Units 1 and 2 from * three times or to the desired length minus ¾" for the clasp. 5) STRAP EMBELLISHMENTS. Add chatons and bicones to the strap base: Clasp: String 16A; pass through the last D exited to form a loop. Repeat the thread path to reinforce. Weave through beads to exit from the nearest B of strap-base Unit 8 (Fig.5, orange thread). Use 1 jump ring to attach one half of the clasp to the loop just formed. Strap bezel Round 1: String 7A and pass through the next B of strap-base Unit 8; repeat three times. Weave through beads to exit from the first 4A added in this round (Fig.5, green thread). Strap bezel Round 2: String 4A and pass through the fourth A of the next Round 1 net; repeat three times, using loose tension. Place 1 chaton faceup into

the center of strap-base Unit 8 so it tucks under the A added in this round. Pass through the beads of this round again to tighten and reinforce. Weave through beads to exit from 1B of the next strapbase unit (Fig.5, blue thread). Cross: String 2A, 1E, 1B, 1E, and 2A; pass through the B that sits diagonally across the unit from the last one exited. Weave through the beads to exit from the next B of the same base unit. String 2A and 1E; pass through the B added in this section (at the center). String 1E and 2A; pass through the B that sits diagonally across the unit from the last base B exited. Weave through beads to exit from the nearest B of the next base unit (Fig.5, red thread). Repeat the strap bezel and cross sequences three times. Secure the thread and trim. Repeat Steps 4 and 5 on the left side of the focal.✦ YASMIN SARFATI owns a bead store in Holon, Israel, called Beading with Beads. Yasmin has been beading for more than ten years and teaching for five years. She sells kits and materials on her website, www.beading-with-beads.com/?lat=en. RESOURCES Check your local bead shop or contact: Seed beads; Swarovski crystal bicones, chatons (article #1028), rivolis (article #1122), and pearls; jump rings; clasp; and One-G nylon beading thread: Fire Mountain Gems and Beads, (800) 355-2137, www.firemountaingems.com. Kits: Beading with Beads, www.beading-with-beads .com/?lat=en.

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3/27/13 10:31 AM

cross pendant ALICE COELHO

Experiment with color and pattern while making an iconic peyote-stitch pendant.

MAIN COLORWAY

TECHNIQUES flat and circular peyote stitch picot See p. 92 for helpful technique information.

PROJEC T LEVEL See p. 4 for project-level information.

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1) ARM BASES. Use flat peyote stitch

to establish the base of each arm on the cross front: North and east arms, Rows 1 and 2: Add a stop bead to the end of 4' of thread. String 1B, 2C, 2B, 2C, 6B, 2C, 2B, 2C, and 1B, leaving a 4" tail (Fig.1, orange thread). East arm, Row 3: String 1B, skip 1B of the previous row, and pass back through the next C. Work 4 peyote stitches, skipping 1 bead and passing through the following bead, in this color order: 1C, 1B, 1C, and 1B (Fig.1, green thread). South arm, Rows 1 and 2: String 3B, 2C, 2B, 2C, 2B, 2C, 2B, 2C, 2B, and 1C (Fig.1, blue thread). South arm, Row 3: String 1C, skip 1C of the previous row, and pass back through the next B. Work 8 peyote stitches, skipping 1 bead, passing through the following bead, and alternating 1B and 1C stitches four times. Work 1B (Fig.1, red thread). West arm, Rows 1 and 2: String 3B, 2C, 2B, 2C, and 1B (Fig.2, green thread). West arm, Row 3: String 1B, skip 1B of the previous row, and pass back through the next C. Work 4 peyote stitches, skipping

MATERIALS

1 bead and passing through the following bead, in this color order: 1C, 1B, 1C, and 1B. Pass through the nearest B of the north arm (Fig.2, blue thread). North arm, Row 3: String 1B, skip 1B of the previous row of the north arm, and pass back through the next B. Work 3 peyote stitches, skipping 1 bead and passing through the following bead, in this color order: 1C, 1B, and 1C. String 1B; pass down through the first B of the north arm (Fig.2, red thread). Remove the stop bead. 2) FRONT, ROUND 1. Begin working in circular peyote stitch clockwise around the arms: North arm, right: Work 1 stitch with 1B and 1 stitch with 1C; repeat. Pass through the nearest B of the east arm’s Row 2 (Fig.3, purple thread). East arm: Work 1 stitch with 1C and 1 stitch with 1B; repeat. Pass through the next B at the end of the east arm. Work 1 stitch with 1B and 1 stitch with 1C; repeat. Pass through the nearest B of the south arm’s Row 2 (Fig.3, orange thread).

2 g metallic silver size 15° seed beads (A) 1 metallic silver size 11° seed bead 3 g matte blue size 11° cylinder beads (B) 3 g metallic bronze size 11° cylinder beads (C) 1 silver 6×1.5mm daisy spacer Crystal 6 lb braided beading thread

TOOLS Scissors Size 12 beading needle FINISHED SIZE: 1¼ × 2"

South arm: *Work 1 stitch with 1C and

1 stitch with 1B; repeat three times. Work 1C**; pass through the next C at the end of the south arm. Repeat from * to **. Pass through the nearest B of the west arm’s Row 2 (Fig.3, green thread). West arm: Work 1 stitch with 1C and 1 stitch with 1B; repeat. Pass through the next B at the end of the west arm. Work 1 stitch with 1B and 1 stitch with 1C; repeat. Pass through the nearest B of the north arm’s Row 3 (Fig.3, blue thread). North arm, left: Work 1 stitch with 1C and 1 stitch with 1B; repeat (Fig.3, red thread).

Fig.1: Stitching Rows 1 and 2 of the north arm, Rows 1–3 of the east arm, and Rows 1–3 of the south arm

Fig.2: Adding Rows 1–3 of the west arm and Row 3 of the north arm

Artist’s Tips Fig.3: Working Round 1 of the cross front

• Use medium tension in Step 1, and gradually increase the tension as you add rounds in the following step. • Don’t tie knots; they tend to show. Instead, weave tails into the beadwork and cut as close to the beads as you can. BEADWORK

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Fig.6: Attaching the spacer

Fig.4: Adding Round 2 of the cross front

Fig.5: Stitching Round 3 of the cross front

3) FRONT, ROUND 2. Working counterclockwise, peyote-stitch the second round of the cross front: North arm, left: Work 1 stitch with 1C and 1 stitch with 1B; repeat. String 1C; pass through the nearest C of the west arm (Fig.4, purple thread). Note: You will now be working counterclockwise. West arm: Work 1B, 1C, and 1B. String 1C; pass back through the nearest B at the end of the west arm and out through the next end B. Work 1 stitch with 1C and 1 stitch with 1B; repeat. String 1C; pass through the nearest C of the south arm (Fig.4, orange thread). South arm: Work 1 stitch with 1B and 1 stitch with 1C; repeat three times. String 1B; pass back through the nearest C at the end of the south arm and out through the next end C. Work 1 stitch with 1B and 1 stitch with 1C; repeat three times. Work 1B. String 1C; pass through the nearest C of the east arm (Fig.4, green thread). East arm: Work 1B, 1C, and 1B. String 1C; pass back through the nearest B at the end of the east arm and out through the next end B. Work 1 stitch with C and 1 stitch with 1B; repeat. String 1C; pass through the nearest C of the north arm (Fig.4, blue thread).

Fig.7: Adding the first 2 picots to the north-arm end

7) SPACER. Pass through the holes at center of the cross to the front. String the daisy spacer and the silver size 11° seed bead; pass back through the spacer, through the hole at the center of the cross, and into the next B at the center back of the cross (Fig.6). *Pass through the hole at the center of the cross, the spacer, and size 11° seed bead; pass back through the spacer, through the hole at the center of the cross, and into the following B at the center back of the cross. Repeat from * twice to center the spacer. Weave through beads to exit from the end of the north arm. 8) NORTH-ARM EDGE. String 3A; pass down through the next B at the end of the north arm and weave through beads to exit back up through the same B and the last A strung (Fig.7, blue thread). *String 2A; pass down through the following bead at the end of the arm, and weave through beads to exit back up through the same bead and the last A strung (Fig.7, red thread). Repeat from * four times for a total of 6 picots. Weave through beads to exit from the second A of the picot at the front center of the cross.

North arm, right: Work 1B, 1C, and 1B.

String 1C; pass back through the nearest B at the end of the north arm, up through the next B, and down through the first C added in this round (Fig.4, red arm). 4) FRONT, ROUND 3. Working the same

way as Round 2 and following Fig.5 for color placement, work circular peyote stitch counterclockwise around the north, east, south, and west arms of the cross (Fig.5). Secure the thread and trim; set aside. 5) BACK. Repeat Steps 1–3 to form a sec-

ond cross shape. Don’t trim the thread. 6) ZIP. Place the back cross underneath the

front cross so the edge beads interlock like a zipper. Weave the beads together all around to form a seamless connection along the edges. Weave through beads to exit from 1B at the center back of the cross.

9) LOOP. String 11A; pass through the second A of the picot at the back center of the cross. Pass back through the 11A just added and through the first A exited. Repeat the thread path several times to reinforce. Weave through beads to exit from a B at the end of the next arm. 10) REMAINING EDGES. Repeat the edging sequence of Step 7 on the east, south, and west arms. Secure the thread and trim.✦ ALICE COELHO is originally from South Africa and has lived in the United States for sixteen years with her American husband, four kids, and two cats. Alice studied art and graphic design, but crafting is her real passion, and she has been beading in one form or another for more than twenty years. Alice absolutely loves Delicas and peyote stitch. She can be reached at [emailprotected]. RESOURCES Check your local bead shop or contact: Delica cylinder beads, seed beads, daisy spacer, and FireLine braided beading thread: Artbeads.com, (866) 715-2323.

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3/27/13 10:34 AM

peanut pinwheels bracelet

CAROLE RODGERS

Peanut beads form a firm structure for the playful wheels in this easy right-angle-weave bracelet.

TECHNIQUES two-needle right-angle weave stringing See p. 92 for helpful technique information.

PROJEC T LEVEL See p. 4 for project-level information.

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1) RING. Use two-needle right-angle weave to form a flat ring: Unit 1: Place 1 needle at each end of 2' of thread. Use the left needle to string 1C, 1B, and 1C (Fig.1, green thread). Use the right needle to string 1C; pass back through the last C added to form a unit (Fig.1, blue thread). Note: Because of the nature of two-needle right-angle weave, the needle will switch from left and right positions with each stitch.

Unit 2: Use the left needle to string 1B and

1C. Use the right needle to string 1C; pass back through the last C added to form the second unit (Fig.1, red thread). Units 3–15: Repeat Unit 2 thirteen times. Unit 16: Use the left needle to string 1B and pass through the end C of Unit 1 (Fig.2, green thread). Use the right needle to string 1C and pass back through the end C of Unit 1, forming a ring

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(Fig.2, blue thread); secure and trim this thread. Weave the remaining thread through beads to exit from a C on the inside of the ring (Fig.2, red thread). Tighten: Pass through the 16C at the center of the ring, adding no beads, to tighten the inside of the ring (Fig.3). Secure the thread and trim. Set aside. Repeat this entire step for a second goldenrod ring. Repeat this entire step seven more times, using the following colors in place of C: Make 2 rings with D, 2 rings with E, 2 rings with F, and 1 ring with G. Note: Increase or decrease the number of rings to adjust for bracelet size. 2) ASSEMBLY. Join the rings with strands

of seed beads: Clasp socket: Place 1 needle at each end of

3' of thread. Use the left needle to string the socket half of the clasp and 1G; pass the right needle through the G (Fig.4, green thread). Loop 1: Use the left needle to string 10A and 1G. Use the right needle to string 10A and 1 C ring; pass through the last G added on the left needle (Fig.4, blue thread).

Loop 2: Use the left needle to string 6A,

MATERIALS

1G, 6A, and 1G. Pass the right needle back down through the center of the C ring. Use the right needle to string 6A, 1G, 6A, and 1 D ring; pass through the last G added on the left needle (Fig.4, red thread). Loops 3–9: Repeat Loop 2, adding rings in this color order: E, F, G, C, D, E, and F. Clasp ball: Use the left needle to string 10A, 1G, and the ball half of the clasp; pass back through the last G added (Fig.5, blue thread). Use the right needle to string 10A; pass through the last G added on the left needle, the same half of the clasp, and back through the G (Fig.5, red thread). Repeat the entire thread path of the loops and clasp halves to reinforce. Secure both threads and trim.✦

2 g black size 11° Czech seed beads (A) 10 g matte black 4×2mm peanut beads (B) 5 g each 4×2mm peanut beads in goldenrod (C), lilac luster (D), deep purple luster (E), brick red (F), and cornflower luster (G) 1 antiqued copper 9×15mm ball-and-socket clasp Smoke 8 lb braided beading thread

FINISHED SIZE: 8"

CAROLE RODGERS is a designer, author, and teacher who has been involved in the craft and bead industry for twenty-seven years. She is the author of 110 books/booklets on needlework and beading and hundreds of magazine articles. Contact her at [emailprotected]. RESOURCES Check your local bead shop or contact: Seed beads, peanut beads, clasp, and FireLine braided beading thread: Artistic Bead, (515) 334-0020, www.artisticbead.com.

Artist’s Tips • Using a “designer mix” tube of peanut beads is a great way to get all the colors you need for this bracelet, as most mixes have at least five colors of peanut beads. Fig.5: Finishing the end of the bracelet

Fig.1: Forming Units 1 and 2 of the ring

TOOLS Scissors 2 size 10 beading needles

• Create the bracelet in fewer colors for a simpler look.

Fig.2: Stitching Unit 16 to join Units 1 and 15 of the ring

Fig.4: Assembling the bracelet

Fig.3: Tightening the inside of the ring

BEADWORK

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moroccan essence bracelet

BAR BAR A FALKOW I T Z AN D A MY HAF T KOW YC Z

With motifs inspired by Middle Eastern rugs and tapestry, this design also features a combination of rich colors and metallic seed beads influenced by the oldworld jewels of the same region.

TECHNIQUES right-angle weave stringing See p. 92 for helpful technique information.

PROJEC T LEVEL See p. 4 for project-level information.

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Artist’s Tip The base units may seem less than square when you stitch them, but they will tighten up nicely once the embellishment is added.

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1) SQUARE COMPONENT BASES. Use

right-angle weave to form square-shaped component bases: Row 1, Unit 1: Use 6' of thread to string 8A, leaving a 4" tail. Tie a knot with the working and tail threads to form a tight circle; pass through the first 6A (Fig.1, orange thread). Note: Work with tight tension, but keep in mind that the embellishments will also help square the units. Row 1, Unit 2: String 6A; pass through the last 2A exited from the previous unit and the first 4A just added (Fig.1, green thread). Row 1, Units 3–5: Repeat Unit 2 three times (Fig.1, blue thread). Row 1, Unit 6: String 6A; pass through the last 2A exited from the previous unit and the first 2A just added (Fig.1, red thread). Row 2, Unit 1: String 6A; pass through the last 2A exited from the previous unit, the 6A just added, and the top 2A of the next unit in the previous row (Fig.2, orange thread). Row 2, Unit 2: String 4A; pass down through the side 2A of the previous unit, the last 2A exited from the previous row, and up through the first 2A just added (Fig.2, green thread). Row 2, Unit 3: String 4A; pass through the top 2A of the next unit in the previous row, up through the side 2A of the previous unit, the 4A just added, and the top

2A of the following unit in the previous row (Fig.2, blue thread). Row 2, Units 4–6: Repeat Units 2 and 3 once, then repeat Unit 2, this time exiting from the last 2A added (Fig.2, red thread). Rows 3–6: Continue working 6 units in each row for 4 more rows, forming a total of 6 rows. Weave through beads to exit down through 2A at the end of Row6. Don’t trim the thread; set aside. Repeat this entire step twice for a total of 3square bases. 2) RECTANGLE COMPONENT BASES.

Repeat Step 1, Rows 1 and 2; set aside. Repeat to form a second rectangle base. Note: These will be used for connecting the clasp to the bracelet.

MATERIALS 10 g metallic copper size 11° seed beads (A) 28 Caribbean blue opal 3mm crystal bicones (B) 8 turquoise 3mm crystal bicones (C) 40 Caribbean blue opal 4mm crystal bicones (D) 34 Pacific opal 4mm crystal bicones (E) 60 opaque rose topaz 3mm fire-polished rounds (F) 1 antiqued copper 10×26mm 4-strand tube slide clasp Smoke 6 lb braided beading thread

TOOLS Scissors Size 10 or 12 beading needle FINISHED SIZE: 6½"

Round 2: In the same fashion as Round 1, 3) SQUARE EMBELLISHMENTS.

Embellish the square component bases: Round 1: Use the working thread of 1 square component base to string 1D; pass down through the next vertical 2A of this row to seat the bicone diagonally across the unit. Repeat to add 1D in the center of Units 5–2 of Row 6, then weave through beads of Unit 1 to exit from the top 2A, toward the work (Fig.3, orange thread). Add 1D to each unit down the side of the square as before, turning the corner on the last unit; repeat around each edge. Exit down through the inner 2A of Unit 1, Row 5 (Fig.3, green thread).

add 1F to each unit that touches the units embellished by D (Fig.3, blue thread). Round 3: In the same fashion as Round 1, add 1C to each unit that touches the units embellished by F (Fig.3, red thread). Secure the thread and trim. This is a side component. Set aside. Repeat this entire step to form a second side component. Repeat again, substituting E for D and B for C, to form the center component. 4) RECTANGLE EMBELLISHMENTS.

Embellish 1 rectangle base as in Step 3, this time adding 1E to each unit of the first row, then adding 1F to the first 2units of Row 2, 1B to Units 3 and 4, and 1F to Units 5 and 6 (Fig.4). Secure the thread and trim; set this rectangle component aside. Repeat this step to embellish the remaining rectangle base.

Fig. 1: Forming Row 1 of the base

Fig. 2: Stitching Row 2 of the base

Fig. 3: Embellishing a square component base

Fig. 4: Embellishing a rectangle component

BEADWORK

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Option For a pendant, stitch one square with six-by-six units and the two others with four-by-four units. Adjust the connecting strands and finish with filigree and chain as desired.

Fig. 5: Connecting the left side and center components

Fig. 7: Connecting the clasp

Fig. 6: Connecting the left side component to the rectangle component

5) CONNECTION 1. Attach the left side component to the center component: Topmost connection: Turn 1 side component so it is positioned like a diamond. Start 4' of new thread that exits up through the end 2A of the second unit from the top point on the right. String 3A, 1F, 5A, 1B, 5A, 1F, and 3A; pass down through the mirror 2A of the center component (Fig.5, orange thread). String 3A and pass back through the last F added in this section. String 5A; pass back through the B of this section. String 5A; pass back through the first F

added in this section. String 3A; pass up through the first 2A exited in this section. Weave through beads to exit up through the end 2A of the fourth unit from the top point of the side component on the right (Fig.5, purple thread). Top middle connection: String 3A, 1B, 1A, 1F, 1A, 1B, and 3A; pass down through the mirror 2A of the center component. String 3A; pass back through the last 1B/1A/1F/1A/1B added in this section. String 3A; pass up through the first 2A exited in this section. Weave through beads to exit up

through the corner 2A on the rightmost corner point of the side component (Fig.5, green thread). Center connection: String 1A, 1E, and 1A; pass down through the mirror 2A of the center component. String 1A; pass back through the E added in this section. String 1A and weave through beads to exit down through the end 2A of the third unit down from the side component’s corner point (Fig.5, blue thread). Bottom connections: Repeat the top middle and topmost connections to form mirror attachments at the bottom of the side and center components. Weave through beads to exit down through the end 2A of the third unit to the left of the side component’s bottom point (Fig.5, red thread).

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6) CONNECTION 2. Connect the left side component to 1 rectangle component: Bottom connection: Place 1 rectangle component so it sits vertically to the left of the beadwork, with the E-embellished row to the left. String 2A, 1B, 2A, 1B, and 2A; pass up through the side 2A of the bottom unit along the right side of the rectangle component (an F-embellished unit). String 2A; pass back through the next 1B/2A/1B added in this section. String 2A; pass down through the first 2A exited in this section. Weave through beads to exit up through the 2A on the bottom side of the side component’s leftmost corner (Fig.6, green thread). Center connections: String 1A, 1F, and 1A; pass down through the side 2A of the third unit from the bottom along the right side of the rectangle component. String 1A; pass back through the last F added. String 1A; pass up through the first 2A exited in this section and

the next 2A on the corner. Repeat this section to connect to the fourth unit from the bottom of the rectangle component. Weave through beads to exit down through the end 2A of the third unit to the left of the side component’s topmost corner (Fig.6, blue thread). Top connection: Repeat the bottom connection, this time connecting to the top right-side unit of the rectangle component. Weave through beads to exit down through the end 2A of the second unit from the top on the left side of the rectangle component (Fig.6, red thread). Clasp: *String 2A, the top loop of one half of the clasp, and 2A; pass down through the last 2A exited on the rectangle component. Repeat the thread path to reinforce. Weave through beads to exit up through the side 2A of the unit below the last connection point (Fig.7, blue thread). Repeat from *, connecting to the corresponding clasp loops (Fig.7, red thread). Secure the thread and trim.

Repeat Step 5 to connect the other side component to the right side of the center component. Repeat Step 6 to connect the right side of the other side component to the other rectangle component and other half of the clasp, making sure the clasp will close properly when worn.✦ BARBARA FALKOWITZ is co-owner of Artful Beads Studio and Workshop in Pennington, New Jersey, where she is fortunate to have a world of beads at her fingertips and a unique atmosphere to be creative. AMY HAFTKOWYCZ is a self-taught lampworker, certified PMC artisan, and co-owner of Artful Beads Studio and Workshop. Amy likes to dabble in all things jewelry, ranging from metalwork to enameling to beadweaving and everything in between. Contact Amy and Barbara at info@ artfulbeadstudio.com. RESOURCES Check your local bead shop or contact: Seed beads, Swarovski crystal bicones, Czech fire-polished rounds, clasp, and FireLine braided beading thread: Artful Beads Studio, (609) 737-1077, www.artfulbeadstudio.com, www.artfulbeadstudio.etsy.com.

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paisley parade necklace J AYA S H R E E PA R A M E S H

Create stunning paisley and petal components using herringbone and peyote stitches, then combine them to make a necklace with depth and dimension.

TECHNIQUES circular peyote stitch herringbone stitch picot square stitch wireworking See p. 92 for helpful technique information.

PROJEC T LEVEL See p. 4 for project-level information.

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1) SMALL PETAL COMPONENTS. Use

circular peyote stitch, herringbone stitch, and picots to form a small petal-shaped component: Rounds 1 and 2: Use 3' of thread to string 1D, 7C, 1D, 3C, 1D, 3C, 1D, and 7C, leaving a 12" tail; pass through the beads again to form a circle and exit from the first D strung. Round 3: String 1C, skip 1 bead of the previous round, and pass through the following bead; repeat eleven times for a total of 12C. Step up through the first C added (Fig.1, brown thread). Round 4: Work 3 stitches with 1C in each stitch and 1 stitch with 2D. Work 1 stitch with 1C and 1 stitch with 2D; repeat. Work 3 stitches with 1C in each stitch and 1 stitch with 2D. Step up through the first C added in this round (Fig.1, orange thread). Round 5: Work 14 stitches with 1F in each stitch, splitting the pairs of 2D added in Round 4. Work 1 stitch with 2F, splitting the final 2D pair. Work 1 stitch with 1F. Step up through the first F added in this round (Fig.1, purple thread).

Round 6: Work 13 stitches with 1B in each

MATERIALS

stitch. Pass up through the nearest F at the top of the petal. String 1B, 1H, and 1B; pass through the next 2F of Round 5. Work 1 stitch with 1B. Step up through the first B added in this round (Fig.1, green thread). Round 7: Work 12 stitches with 3A in each stitch. String 3A and pass through the top 1B/1H/1B. Work 2 stitches with 3A in each stitch (Fig.1, blue thread). Secure the working thread and trim. Round 8: Pass the tail thread through the next C of Round 1. Work 12 stitches with 1A in each stitch. Weave through beads to exit from the sixth A just added, which sits opposite the petal’s point (Fig.1, red thread). Center: String 1C, 1J, and 1C; pass through the A on the opposite side of Round 8, then pass back through the 1C/1J/1C just added and the first A exited (Fig.2). Repeat the thread path to reinforce; secure the thread and trim. Set aside. Repeat this entire step four times for a total of 5 small petals.

4 g metallic dark gold size 15° seed beads (A) 3 g opaque turquoise size 15° seed beads (B) 5 g silver-lined golden olive size 11° cylinder beads (C) 3 g matte metallic rainbow peacock size 11° cylinder beads (D) 5 g metallic light bronze size 10° cylinder beads (E) 3 g matte metallic rainbow dark green size 10° cylinder beads (F) 2 g matte metallic gold size 8° seed beads (G) 11 metallic gold 3mm drops (H) 15 opaque teal 3mm fire-polished rounds (I) 15 opaque turquoise 6mm pressed-glass rounds (J) 2 copper luster 8mm pressed-glass rounds 1 turquoise 13×17mm puffed oval 2 antiqued gold 3×1mm daisy spacers 1 gold-plated 8×14mm swivel lobster clasp 1 gold-filled 24-gauge 2" ball-end head pin 4 gold-filled 21-gauge 1½" eye pins 3 gold-filled 20-gauge 5×8mm oval jump rings 7" of gold vermeil 3.5–5.5×4.5–9mm long-andshort unsoldered textured oval chain Smoke 6 lb braided beading thread

TOOLS Scissors Size 12 beading needles 2 pairs of chain- or flat-nose pliers Round-nose pliers Wire cutters FINISHED SIZE: adjustable to 18½" (necklace);

21⁄8 × 35⁄8" (pendant)

2) LARGE PETAL COMPONENT. Stitch a

Fig. 2: Adding the small petal’s center

Artist’s Tips

Fig. 1: Forming Rounds 1–8 of the small petal component

• Have fun arranging the components any way you like for a completely new design. • Individual components make great earrings.

large petal component that includes a turquoise dangle: Rounds 1–4: Repeat Step 1, Rounds 1–4. Round 5: Work 3 stitches with 1C in each stitch and 1 stitch with 1D (splitting the 2D pair of Round 4). Work 2 stitches with 1 C in each stitch and 1 stitch with 1D (splitting the 2D pair of Round 4); repeat. Work 4 stitches with 1C in each stitch. Work 1 stitch with 2F, splitting the final 2D pair of Round 4. Work 1stitch with 1C. Step up through the first C added in this round (Fig.3, orange thread).

BEADWORK

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Fig. 3: Stitching Rounds 5–9 of the large petal component

Fig. 4: Adding the dangle

Round 6: Work 13 stitches with 1F in each

Round 10 and center: Repeat Step 1,

stitch. Pass up through the first F at the top of the petal. String 2G; pass down through the next F and the nearest C of Round 5. Work 1 stitch with 1F. Step up through the first F added in this round (Fig.3, purple thread). Round 7: Work 12 stitches with 1E in each stitch. String 1E; pass through the nearest F of Round 5 and through the first G of Round 6. String 1I; pass through the next G of Round 6 and the nearest F of Round 5. Work 2 stitches with 1E in each stitch. Step up through the first E added in this round (Fig.3, green thread). Round 8: Work 12 stitches with 2B in each stitch. Weave through the top 2G of Round 6 and pass through the next E of Round 7. Work 2 stitches with 2B in each stitch. Step up through the first 2B added in this round (Fig.3, blue thread). Round 9: Work 11 stitches with 3A in each stitch, treating the 2B sets of the previous round as 1 bead. String 3A; pass through the top 2G. Work 3 stitches with 3A in each stitch (Fig.3, red thread). Secure the working thread and trim.

Round 8 and center, but don’t trim the thread. Weave through beads to exit from the I added in Round 7 of this step. Dangle: Turn the beadwork so the tip of the petal points down. String 3A, 1spacer, the oval, 1 spacer, and 3A; skip the last 3A added and pass back through the spacer/oval/spacer. String 3A; pass through the I of Round 7 (Fig.4, blue thread). String 1A; pass through all the beads added in this round to reinforce. String 1A; pass through the I (Fig.4, blue thread). Secure the thread and trim. Set the large petal aside.

3) PAISLEY COMPONENTS. Stitch a paisley-shaped component: Rounds 1–5: Repeat Step 2, Rounds 1–5. Round 6: Work 13 stitches with 1F in each stitch. String 1F; pass up through the first F at the top of Round 5. String 1F and 1G; pass down through the next F of Round 5. Work 1 stitch with 1D and 1stitch with 1F. Step up through the first F added in this round (Fig.5, orange thread). Round 7: Work 13 stitches with 1E in each stitch. Pass up through the nearest F of Round 6. String 1F and 1I; pass down

Fig. 5: Forming Rounds 6–10 of the paisley component

through the G of Round 6. Work 3 stitches with 1E in each stitch. Step up through the first E added in this round (Fig.5, purple thread). Round 8: Work 12 stitches with 1E in each stitch. String 1E; pass up through the nearest F of Round 7. String 1F and 1I; pass down through the I of Round 7. Work 4 stitches with 1E in each stitch. Step up through the first E added in this round (Fig.5, green thread). Round 9: Work 12 stitches with 2B in each stitch. Pass up through the nearest F of Round 8. String 1B, 1H, and 1B; pass down through the I of Round 8. Work 1stitch with 4B and 4 stitches with 2B in each stitch. Step up through the first 2B added in this round (Fig.5, blue thread). Round 10: Work 11 stitches with 3A in each stitch, treating each 2B set of Round 9 as 1 bead. String 2A and pass up through the nearest F of Round 8 and the next 1B/1H/1B of Round 9. String 5A and pass through the first B of the 4B in Round 9. String 3A; pass through the fourth B of the 4B in Round 9. Work 5 stitches with 3A in each stitch (Fig.5, red thread). Secure the working thread and trim.

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Fig. 6: Assembling the center of the necklace

Round 11 and center: Repeat Step 1,

Round 8 and center. Weave through beads to exit from the right D of the 2D added at the top of Round 4. Picot (optional): String 2B; pass down through the left D of Round 4 and up through the right D and the first B just added. String 1B and pass down through the second B just added and the left D. Secure the thread and trim. Set the paisley aside. Repeat this entire step twice for a total of 3paisleys. Repeat this entire step three more times, this time allowing the paisley’s tip to point the other direction. Note: An easy way to do this is to follow the same instructions, but work clockwise in-

stead of counterclockwise as shown in the illustrations. Or as you are working counterclockwise, make sure the “cup” is concave as you are building the paisley. 4) CENTER. Square-stitch components

together to form the center of the necklace: Position: Arrange the components according to Fig.6 so the large petal is on the bottom (point down); 1 left-facing paisley is on the left (point up); 1 rightfacing paisley is on the right (point up); 1small petal is centered on the top (point up); and 1 small petal is on the right and 1 on the left of the center small petal (each with its point angling

45 degrees away from the central small petal). Large petal–and-paisley connections:

Start 2' of new thread at the top of the large petal that exits from the center A of the picot opposite the dangle, toward the right. *String 1I; pass through the center A of the picot just left of the right paisley’s center. Pass back through the I and the last A exited on the dangle component (Fig.6, orange thread). Repeat from * to connect to the left paisley in the same manner. Weave through beads to exit from the right paisley’s center A of the picot to the right of the first I just added (Fig.6, purple thread). Squarestitch the last A exited to the nearest

BEADWORK

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Option Fig. 7: Connecting the right-side strap components

This design is also striking in shades of orange, copper, and bronze. Use opaque orange Czech glass rounds in place of turquoise and a carnelian nugget for the center dangle. Check the “bead bowl” in your local bead store for a suitable dangle bead. Something sparkly, like a fire opal crystal teardrop would also work fine.

Fig. 8: Forming the top loop

6) CHAIN. Add chains, links, and the clasp

to the straps: Left strap: Use the head pin to string 1J;

picot’s center A on the large petal, then weave through beads to do the same to the picots to the left of the second I just added. Weave through beads to exit from the picots that touch between the left and right paisleys, above the I just added (Fig.6, green thread). Squarestitch the 2 touching picot points together. Weave through beads along the edge of the left paisley to exit from the center A of the second picot from the one just stitched (Fig.6, blue thread). Small petal connections: Square-stitch the center A of the picot just exited to the touching picot of the center petal; repeat on the touching picots to the left. Continue connecting the remaining petals and paisley in the same manner as indicated in Fig.6, red thread. 5) STRAPS. Assemble the rest of the

necklace: Small petal–to-paisley connection: Start

2' of new thread that exits up through the right B of the 1B/1H/1B at the top of Round 6 on the top-right small petal

stitched in Step 4. String 2A; pass through the center A of the bottom picot on a left-facing paisley. Note: Be sure the H falls toward the front of the small petal. String 2A; pass down through the left B of the 1B/1H/1B at the top of the petal. Weave through beads to repeat the thread path, then weave through beads to exit from the center A of the 5A at the top of the paisley (Fig.7, blue thread). Paisley-to–small petal connection:

Square-stitch the last A exited to the center A of the small petal’s bottom picot (Fig.7, red thread). Secure the thread and trim. Repeat the small petal–to-paisley connection, this time adding a right-facing paisley. Loop: Weave through beads to exit toward the back, up through the I of Round 7 at the top of the paisley just added. Turn the work over. String 10A; pass down through the nearest F of Round 7, forming a loop (Fig.8). Repeat the thread path to reinforce. Secure the thread and trim. Repeat this entire step to form the other necklace strap, starting off of the top-left small petal of the necklace’s center portion; first add the right-facing paisley, then add the left-facing paisley in the final connection.

form a wrapped loop that attaches to one end of one 2" piece of chain. *Attach 1 eye pin to the other end of the chain by opening and closing the eye as you would a jump ring. Use the eye pin to string 1J; form a simple loop that attaches to one end of one ¾" piece of chain. Repeat from * using one 8mm round in place of the J. Use 1 jump ring to attach the free end of the previous chain to the loop at the top of the left paisley component. Right strap: Use 1 jump ring to attach the clasp to one end of one ¾" piece of chain. Repeat from * in the left strap, this time attaching the free end of the chain to the loop at the top of the right paisley component.✦ JAYASHREE PARAMESH’S introduction to the world of beads was through a bead-embroidery class while she was a student at Parsons School of Design in New York. Now she enjoys making beaded jewelry with sparkly crystals and gemstones. Jayashree is inspired by fine jewelry and loves to use gold or silver in her pieces. To see more of her work, visit www .nchantme.com. or contact her at [emailprotected]. RESOURCES Check your local bead shop or contact: Delica cylinder beads: FusionBeads.com, (888) 781-3559. Seed beads, drops, fire-polished and pressed-glass rounds, FireLine braided beading thread, and gold findings: Fire Mountain Gems and Beads, (800) 355-2137, www.firemountaingems.com. Turquoise rounds and oval: Shipwreck Beads, (800) 950-4232, www.shipwreckbeads.com.

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ENTER INTERWEAVE’S 6TH ANNUAL BEAD STAR COMPETITION!

Where being a winner makes you a star! YOU COULD WIN •••

The grand prize: an all-expense-paid trip to Bead Fest Philadelphia, August 23 - 25, 2013 • $500 in prizes for first-place winners in most categories • $250 in prizes for second-place winners in most categories • A one-year subscription to Beadwork or Jewelry Stringing magazine for every third-place winner • National exposure in Beadwork AND Jewelry Stringing magazines • Recognition of winning pieces at Bead Fest Philadelphia

HOW TO ENTER ••• The deadline for Bead Star 2013 is May 24, 2013 at 11:59 p.m. EST.

GLASS Designs created using predominantly pressed-glass, firepolished glass, sea glass, lampworked glass, and/or any other type of glass bead.

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Fig.5: Forming Round 1 of Component 2

3) COMPONENT 2. Stitch the second

4) COMPONENTS 3–6. Repeat

component off of the first one:

Component 2 four times or to the desired length, minus 5⁄8" for the clasp.

Round 1: Turn the work so the thread exits

from the right. String 1E, 1D, 1E, 1B, 1E, 1D, 1E, 1F, 1E, 1D, 1E, 1B, 1E, 1D, and 1E; pass through the last F exited from Component 1 (Fig.5, blue thread). Pass through the next E and D and step up through the second (inside) hole of the first D added (Fig.5, red thread). Rounds 2–3 and center: Repeat Rounds 2 and 3 and the center of Component 1. Weave through beads to exit from the F added in Round 1.

5) CLASP TAB. Repeat Step 2, adding the tab half of the clasp. Note: Take care that the tab is added so it fits into the box properly. Secure the thread and trim.✦ SANDIE BACHAND comes to beading from the world of paper, where she has been a frequent contributor to paper-crafting magazines for more than a decade. Four years ago she wandered into her local bead shop, Bead Gallery, “seeking a new challenge.” Sandie now creates and displays her own beaded designs. She lives in Northern California with her husband, Don, and two kitties.

Option As showcased in the sparkling blue variation, this pattern also works well using thicker 6mm two-hole CzechMate Tiles in place of the 5mm two-hole Tila flat squares. RESOURCES Check your local bead shop or contact: Tila flat 2-hole squares and bugle beads: Caravan Beads, (800) 230-8941, www.caravanbeads .net. Swarovski crystal pearls, wood rounds, and FireLine braided beading thread: Fire Mountain Gems and Beads, (800) 355-2137, www.firemoun taingems.com. Seed beads and clasp: Bead Gallery, (707) 447-1777, www.beadgalleryca.com. Rondelles: Shipwreck Beads, (800) 950-4232, www.shipwreck beads.com.

shoot, share, sell How to Get the Best Jewelry Photos from Your Smartphone Learn expert tips and tricks on how to photograph your own jewelry with your smartphone. Lapidary Journal Jewelry Artist photographer Jim Lawson is back! This time he takes an in-depth look at easily (and conveniently) capturing quality photos of your handmade jewelry with the device in your pocket. Order your copy of this dynamic workshop to: • Discover how quick and easy it can be to achieve excellent photos with your mobile devices. • Watch as Jim walks through an easy lighting setup for maximum results. • Learn how to process and enhance your images using photo editing Apps. • Make online selling more proﬁtable by maximizing your technology. • And much, much more!

Learn more at: shop.beadingdaily.com/CellPhonePhotoDVD 78

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SPOTLIGHT ON SEED BEADS

simply seeds

{ ST. PETERSBURG SPIR AL }

Samx Kilgore

Combine St. Petersburg chain with netting to form a spiraling strand that’s pretty enough to wear alone as a necklace and versatile enough to incorporate into other designs.

TECHNIQUES

1) ROW 1. Work St. Petersburg chain to

St. Petersburg chain netting

Stitch 1: Use 6' of thread to string 1A; slide

See p. 92 for helpful technique information.

PROJEC T LEVEL See p. 4 for project-level information.

MATERIALS 6 g teal-lined clear size 15° seed beads (A) 140 jet 2mm crystal or fire-polished rounds (B) 1 silver-plated 10×14mm toggle clasp 2 silver-plated 4mm jump rings Smoke 6 lb braided beading thread

TOOLS Scissors Size 11 beading needle

FINISHED SIZE: 17"

form the first row of the spiral: it to the center of the thread and pass through it again to form a stop bead (Fig.1, blue thread). String 6A; pass through the third and fourth A just added (Fig.1, red thread). Note: The last 2 beads added form the bottom column; the previously strung beads form the top column. Stitch 2: String 1A; pass back down through the last A exited and the next 2A in the top column (Fig.2, blue thread). Stitch 3: String 1B; pass back up through the nearest 2A of the bottom column (Fig.2, red thread). Stitch 4: String 4A; pass up through the first 2A just added (Fig.3).

Fig. 1: Adding a tension bead and forming Stitch 1 of Row 1

Fig. 2: Working Stitches 2 and 3 of Row 1

Fig. 3: Adding Stitch 4 of Row 1

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Stitches 5 and on: Repeat Stitches 2–4,

ending with a Stitch 3 repeat, until all the B are used or to the desired length minus the length of the clasp. 2) CLASP LOOP 1. String 8A; pass back through the last B added in Row 1 (Fig.4). 3) ROW 2. String 3A and pass through the

next B of Row 1 (Fig.5); repeat across Row 1, keeping the tension firm, but not so tight as to break the thread on the sharp holes of the B. 4) CLASP LOOP 2. Remove the stop bead. Use the working thread to string 5A; pass through the first 4A added in Stitch 1, Row1, to form a loop (Fig.6, blue thread). Secure the thread and trim. Add a needle to the tail and pass back through the 5A just added, through the first B of Row 1, and back through the last 2A added in Row2 (Fig.6, red thread).

Fig. 4: Forming Clasp Loop 1

Fig. 6: Adding Clasp Loop 2

Fig. 5: Adding the first stitch of Row 2

Fig. 7: Beginning Row 3

5) ROW 3. String 3A, skip 2A of Row 2,

and pass through the center A of the next net in Row 2 (Fig.7); repeat across the row. Repeat the thread path of Clasp Loop 1 to reinforce. Secure the thread and trim. 6) ASSEMBLY. Use 1 jump ring to connect

one half of the clasp to each clasp loop.

SAMX KILGORE is the owner of Free Range Beads. She has won several awards for her designs. Contact Samx at www.freerangebeads.com. RESOURCES Check your local bead shop or contact: Seed beads, Swarovski crystal rounds, clasp, and FireLine braided beading thread: Fire Mountain Gems and Beads, (800) 355-2137, www.firemountaingems.com.

Artist’s Tips • If the strand loses its curl, simply twist the piece back into place. • To store this piece, curl it up like spiral confetti before you use it. • To make a shorter or longer necklace, keep in mind that a section containing eleven 2mm crystals makes up 1" of the spiral. • Stitch a larger version of the spiral by using size 11° seed beads and 3mm rounds. This version is not as susceptible to losing its curl, but it doesn’t look quite as delicate as the size 15° seed bead version. • Adjust the degree of curl by playing around with different bead sizes and counts in Rows 2 and 3. • You can also use size 8° seed beads in place of the 2mm crystal or fire-polished rounds. BEADWORK

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Beadtopia—El Segundo (S. of LAX) We are a full-service bead store with knowledgeable staff and friendly service. Find all the newest beading and jewelry trends, plus a large selection of glass, semiprecious, pearls, Delicas, seed beads, and findings. See our website for our ever-changing, exciting classes and party details. Mon, Tue, Fri 11–5, Wed, Thu 11–7, Sat 10–4. Closed Sun.

(714) 639-1611

South Sun Products—San Diego

Just Bead It!—Concord Beads to thread, wire and just admire. All for beading to your heart’s desire. Family owned since 2003. Open Mon, Wed, Thu, and Fri 11–7, Sat 11–6, Sun 12–5.

(805) 499-1377

Beads Beads—Orange

Bead Inspirations—Alameda

2051 Harrison St., Ste C

See our beautiful showroom on our website. We specialize in Swarovski crystals, Delica beads, seed beads, interesting lampwork, creative classes—and much, much more! Join us for our monthly Beadathon. We’re worth a visit! 1660 S. Alma School Rd., #108

www.argentabead.com

Creative Castle—Newbury Park

www.beaddreams.biz

You will love our huge Swarovski selection, stones, pearls, pressed glass, and seed beads of all sizes and varieties. We have a wall of Czech hanks, tubes of Japanese seed beads, as well as all Delicas. Private and group instruction available. Check us out at www.beaddreams.biz. On the Miracle Mile, between I–5 and Hwy. 99. 2103 Pacific Ave. at Dorris Pl.

(209) 464-BEAD

CT’S Beads N Things Inc.—Lancaster

The Spirited Bead & Klews Gallery —Tehachapi and Ridgecrest

Beads from around the world! We specialize in one-of-a-kind beads— dichroic, lampwork, polymer, semiprecious, tagua nut. Friendly, knowledgeable staff invite you to a colorful variety of bead essentials—glass, crystals, tools, and classes. We also now carry fiber.

An artist-owned bead store. Our beads are all hand-selected! Hwy. 58 between Bakersfield and Mojave. From the basic to the extravagant. See our website for details and map. Open every day but Tuesday.

www.ctsbeadsnthings.com

43791 15th St. W.

(661) 729-9450

www.klewexpressions.com

435 W. J St. 104 W. Panamint

(661) 823-1930 (760) 384-2323

Bunches of Beads—Lodi

Beads on Main—Vacaville

Beading experience in the heart of Lodi. Only 5 minutes from Hwy. 99. Vast assortment of beads, stringing supplies, findings, and more. Classes, parties, repairs, and fun! Family owned, offering a bead-friendly atmosphere.

We specialize in unique quality beads and components. Extensive selection of Swarovski, semiprecious, and silver. We also have many gorgeous freshwater pearls and funky glass beads. Come check out our inspiring classes or come and have a beading party. Tue–Thu 10–6, Fri 10–5, and Sat 11–5.

www.bunchesofbeads.com

7 N. Cherokee Ln.

(209) 367-1207

www.beadsonmain.com

313 Main St.

(707) 446-1014

(501) 794-2647

beadworkmagazine.com

BW 84-90 shop.indd 84

3/27/13 11:00 AM

Colorado

Sugarbeads—Ridgefield

The Bead Strand—Ocala

The best bead selection in the High Country! We carry a wide variety of beads, including Delicas, bone, sterling, wood, semiprecious, and glass. We also carry buttons and fine-art supplies. Open 7 days a week.

An elegant bead store with free, open studio, specializing in high-quality beads and “the unusual” at very competitive prices. Extensive collection of sterling and vermeil beads and findings, semiprecious, great pearls, Swarovski, Czech glass, gem-quality precious stones, handmade, vintage. Not just a store; a destination.

Come visit Ocala’s hidden treasure! Offering a wide selection of gemstones, Swarovski crystals, seed beads, and now featuring a huge selection of findings, Czech glass, and lampwork beads. Also newly added is our accessory boutique offering unique gifts and jewelry. Visit our website for more information or to see our class schedules.

113 Danbury Rd. 7 S. Main St. (West Hartford)

6140 SW Hwy. 200

Breckenridge Bead Gallery—Breckenridge

(970) 453-1964

The Colorado Bead Co., —Denver www.thecoloradobeadco.com

We put our expertise, creativity, and inspiration into everything we do. Cabochons, crystals, gemstones, pearls, recycled glass, lampwork, bone, and wood. Tools, findings, resin, and image transfer. Less than a mile from downtown Denver. Open 7 days a week. Visit our website for a list of classes. 1245 E. Colfax (Colfax and Lafayette)

(303) 861-6823

Let It Bead—Englewood

www.accentsgallery.net

Upscale bead store. Established 1994. Superb selection of semiprecious, pearls, crystals, silver & gold beads, and findings. Visitors from around the country say we rank with the best. Hrs: Mon 11:30–5, Tues.– Sat. 10–6 or by appointment. 968 1/2 Farmington Ave.

821 Englewood Pkwy.

(303) 788-1466

South Park Pottery & Back Room Beads —Fairplay www.backroombeads.com

Bunches of beads—lampwork, raku, Czech, Delica, gemstones, and more. Seven days 9–5. Don’t miss the Fairplay Bead & Fiber Show. August 10–11, 2013 417 Front St.

(719) 836-2698

Luna’s Beads & Glass—Frisco www.lunasbeads.com

Vast assortment of beads and supplies. Delicas, seed beads, triangles, cubes, drops, bugles, lampwork, Swarovski, Czech glass, semiprecious, Bali and sterling silver, findings, books, tools, hemp, wire. Friendly, knowledgeable assistance. 416 Main St. (5th and Main)

(970) 668-8001

Old West Leather and Beads Co.—Greeley www.oldwestleather.com

Awesome selection of stone, glass, seed beads, bone, Swarovski crystals, pearls and more! Full selection of leather working supplies, Authorized Tandy dealer. Jewelry and leather working classes available. Mon–Fri 9–5:30, Sat 9–2 102 18th St.

(970) 356-7673

Alley Cat Beads—Northglenn www.alleycatbeads.com

Exciting inventory of gemstones, Czech glass, seed beads, pearls, lampwork, tools, Swarovski crystals, Bali silver, findings, dichroic glass, handmade clay, and one of the largest selections around of different pendants/focal beads. We have wonderful bead-stringing and -weaving supplies at great prices, plus we’re adding new items all the time! Classes and parties available. 11928 N. Washington

(303) 451-1900

Frani’s Beads—Pueblo www.franibeadshoppe.com

Where people and beads come together. Large selection of beads for stringing, off-loom and loom projects, including high-quality Japanese seed beads, most sizes; fringe beads; triangle beads; bugles; Delicas; crystals; Czech glass beads including leaves, daggers, drops; bicones; Charlottes; semiprecious gemstones; freshwater pearls; plated findings; charms; rosary parts; and sterling silver findings. Classes and parties. Open Tue 10–7, Wed. 10–5, Thur.–Fri. 10–6, Sat. 10–4. Closed Sun. and Mon. Beading groups Tue and Fri. 1000 W. 6th St., Suite W

(719) 583-BEAD (2323)

Beadsong—Salida 10–5 Mon–Sat. Czech glass, gemstones, Bali, seed beads, Delicas, bugles, charms, sterling and gold-filled findings and beads, books, tools, supplies, and much more. Email: [emailprotected]. 107 F St.

(719) 530-0110

Connecticut

The Bead Hive—Guilford www.thebeadhivect.com

Exceptional, ever-changing selection of semiprecious and glass beads, silver, findings, seed beads, Delicas, pendants, charms, pearls. Classes and individualized lessons. Daily 10–6, Sun 12–5. beadhive@thebead hivect.com (Strawberry Hill) 1310 Boston Post Rd.

(203) 453-6681

(352) 620-2323

BEADS!—Oldsmar

The Beadoir—West Hartford Center

www.ebeads.com

Voted “Best New Business 2007”—Tampa Tribune. Huge selection of Swarovski crystals, gemstones, freshwater pearls, dichroic glass pendants, lampwork beads, seed beads, and over 750 Delica colors. Check our hours and class schedule online. 3780 Tampa Rd., Ste. C5 (813) 258-3900

(860) 231-8755

Delaware

www.letitbeadcolorado.com

Superior service and selection is what you’ll find. Precious and semiprecious gems, pearls, Czech glass, Swarovski, gemstone and silver pendants. GF and SS, gunmetal, brass and copper findings. Chain, Delicas, and seeds. Tools, books. Classes offered.

(203) 431-6655 (860) 656-6446

www.thebeadstrand.com

Sparkles BEAD SHOP!! and Gallery —Newark www.sparklesbeadshop.com

Featuring sparkling Swarovski crystals and vintage Swarovski, Czech glass, pressed glass, and semiprecious gemstone beads. Sterling and Bali silver beads, tools, supplies, and whatnot. And Sparkles is an authorized Marah Lago Larimar dealer of beads and jewelry. Classes available, see our website! #2 Liberty Plaza

(302) 368-3944

Florida

The Beading Boutique —Altamonte Springs 3,100 sq. ft. of fabulous beading magic. Largest collection of Toho and Delica seed beads in Central Florida. Extensive selection of beads, findings, pearls, crystals, etc. A beader’s dream come true. Must see to believe. Instruction offered daily. Parties, Girls’ Night Out, and so much more. Come in and relax at gourmet coffee bar while choosing a new creation to make and take. Spend the morning, afternoon, or entire day. Open 7 days/week. 224 W. Central Parkway, Suite 1018

(407) 574-7164

Beaded Envisions – Cape Coral www.beadedenvisions.com

Beads & handcrafted creations that embrace your soul. A unique Bead Store offering not only an array of beads but a place that’s also warm, inviting and nurturing to your creativity. Come spend a day with us and enjoy complimentary coffee & soothing music while you shop. Browse through our selection of Miyuki Seed beads, Swarovski crystals, Czech glass, Semi-Precious Stones, Tagua Beads, Greek Leather, tools, findings as well as unique handcrafted jewelry & gifts from our local artists and much more. We offer daily classes, beading & birthday parties. See our website for a list of classes and upcoming events and join us the second Friday of each month fr our “GNO”~”Girls Night Out” and bead the night away with us! STORE HOURS: Sunday & Monday CLOSED, TuesdayFriday 10am-7pm, Saturday 10am-4pm Seasonal Hours: NovemberMarch, Monday 10am-2pm, Tuesday-Friday 10am-7pm, Saturday 10am-4pm, Sunday CLOSED. 130 Del Prado Blvd. S., Ste.7

(239)-673-6096

Dunedin Beads—Dunedin Beads? Tons! Gemstones, Swarovski crystals, Bali sterling, glass, pearls, Delicas, and much, much more. Stop in; take a class; our friendly, experienced staff is here to help you. 730 Broadway, Ste. 3

www.laurasbeads.com

Laura’s Beads is more than just a bead shop, it is a place to gather, to learn, and to create. With a warm and inviting atmosphere, we’re here to assist you in finding what you need for your latest project. Specializing in bead-weaving, we offer a range of classes for both beginners and experienced beaders. Best of all, we are stocked with a gorgeous selection of beads, findings, and supplies at great prices. (727) 495-0803

Bead & Art—Lighthouse Point (Pompano) www.beadandart.com

South Florida’s friendliest bead store. Tons of semiprecious, pearls, Czech, Swarovski, sterling, tools, supplies. Original lampwork beads. Classes and kits. Check out our website for store location and class schedules. 5034 N. Federal Hwy.

(954) 418-3390

Beads Etc.—Maitland

www.beadstoreorlando.com Orlando’s finest full service bead store is now offering wholesale prices on selected strands of gemstones. Large selection of seed beads, sterling, G-F, base metal, Swarovski,pearls, Czech, etc. Classes all levels. Customer service #1! 110 N. Orlando Ave. (New location)

www.beadbar.com

Central Florida’s favorite since 1991. Huge inventory, talented staff, great customer service, and very competitive prices. A beader’s delight. A must-see in Orlando. Online catalog, newsletter, retail, and wholesale. 1319 Edgewater Dr.

(407) 426-8826

Donna’s Beads – Sarasota www.donnasbeads.com

Are you a beginner or advance bead weaver, come in for inspiration or classes. Great selection of Swarovski crystals/pearls, japanese seed beads, fire polish, preciosa and finds. Great prices and the friendliest gals in town. come in and bead with us. 2717 Beneva Road

(941)-444-7457

AA Beads & More—Sebastian Certified PMC studio; large selection of pearls, stones, and glass beads; findings; sterling and gold-filled wire; PMC; tools; jewelry-making supplies; books; and dichroic glass. Classes in PMC, fusing, chain maille, wire wrapping, and beading. Wabasso Plaza. We’re worth the drive! 8802 U.S. Hwy. 1

(772) 581-0515

Tampa Bead Café—Tampa www.tampabeadcafe.com

Largest selection of Delicas and seed beads in Tampa; wide variety of semiprecious stones and Czech glass; the only shop in Tampa for PMC classes and supplies. Enjoy a cup of java while you bead! 320 W. Fletcher #107

(407) 339-2323

Complete bead shop. Large selection of beads—glass, porcelain, crystals, turquoise, sterling, novelty, charms, findings, wire, and books. Classes and workshops daily, including crocheting and knitting with wire and beads. Sears Town Mall. 3550 S. Washington Ave., Ste. 15

(321) 383-1556

Crystal Creations/Beads Gone Wild —West Palm Beach www.beadsgonewild.com

Go Wild in 2,300 sq. ft. of beads. Florida’s largest, most complete bead shop. Leaders in beading education. Over 100 professional classes. Excellent guest/teacher workshops. See why people say Crystal Creations is one of the best bead shops. Now shop online or Email [emailprotected]. 4058 Forest Hill Blvd.

(561) 649-9909

Georgia

Garden of Beaden—Clarkesville www.artfullbarn.com

Your beading headquarters is located just inside the South Entrance to the Art-Full Barn retail sales floor. Rosalyn Hatfield has assembled THOUSANDS of gorgeous Gemstone beads, Japanese Crystals, Findings, Seed Beads as well as Murano Beads and Pendants. Jewelry Making Tools and are IN!! New Items are added on a regular basis. Check out the stunning semiprecious and Wire Wrapped Jewelry or design your own bracelets and necklaces from the huge selection of beads. 583 Grant St., Old Clarkesville Mill

(706) 499-5336

Bead Dreams LLC.—Marietta www.beaddreamsllc.com

1 mile east of the “Big Chicken”, just off I-75, Exit 263. Huge selection of Swarovski, Gemstones, Pearls, etc., from which to choose. Hours: Tue– Sat 11–5:30. 1478 Roswell Rd.

(770) 578-4644

Beads by Design—Marietta www.BeadsbyDesign.US

Atlanta area, full-service bead store. Wonderful selection of loose beads, Czech fire polish, Bali silver, pearls, gemstones, Swarovski crystals, findings, Delicas, books, and patterns. Classroom instruction. Glass beadmaking supplies and more. 585 Cobb Pkwy. S., Ste. L

BEADWORK

BW 84-90 shop.indd 85

(813) 374-9099

Raintree Craft and Design Corp. —Titusville

(727) 738-9000

Laura’s Beads—Hudson

8143 State Rd. 52

Bead Bar® Full-Service Bead Stores— Orlando

the market {stop to shop}

224 S. Main St.

www.sugarbeads.com

(770) 425-3909

june/july 2013

3/27/13 11:00 AM

Gone With The Bead-Watkinsville (Athens)

Facets of Isis—Palatine

Bead Attic—Baton Rouge

Come and see our unique and exciting shop. We have 2,400 sq. ft. featuring artisan beads and focals, Czech beads and buttons, Kumihimo, vintage beads and stampings, Miyuki, Swarovski, Venetian beads, TierraCast, Wire Lace and Wire Knitz, Hill Tribe Silver, Kazuri, African metal and trade beads, pearls, stone, wood, and horn. See our gallery tour at www.gonewiththebead.com. We have magazines. Hours: Wed-Fri 10 a.m-6 p.m., Sat 10 a.m.- 5 p.m.

Beautiful selection of Sterling Silver Findings, Swarovski Crystals, Czech Fire Polish, German Vintage & natural Gemstone beads. BeadSmith authorized dist. Classes, Artist Demos, Trunk Shows.

Your one-stop shop for beads and supplies. Outstanding selection of Delicas, seed beads, Swarovski, semiprecious, freshwater pearls, Bali, sterling, gold findings, cabs, PMC, Chamilia jewelry. Classes/parties/ magazines/books/tools/great service! Mon–Fri 10–5, Sat 10–4. Exit 163 off I-10.

the market {stop to shop}

www.gonewiththebead.com

16 N. Main St., Ste. D (Entrance at the back)

(706) 769-2012

Idaho

Pandora’s Baubles and Beads—Idaho Falls www.pandorasbaublesandbeads.com

Area’s largest selection of German vintage beads, Tibet and silver, Czech glass, trade beads, Japanese and Czech seed beads in all sizes. New beads in daily. Classes available for beginner to advanced. Tue–Sat 11–5:30. 440 Park Ave. 103 S. Main, Pocatella

(208) 529-3696

www.citybeadschicago.com Seed Bead and AIKO Specialists! Nationally renowned teachers, Gary Wilson cabochons, Kathy Hoope lampwork, Czech glass, pearls, and semiprecious stones. DISCOUNT PRICES! Showroom hours by appointment. For class schedules and more information, visit our website or call to be added to our mailing list. (312) 316-1910

Studio Beads—Deerfield www.studiobeads.com

We carry a great assortment of all sizes of seed beads, freshwater pearls, “BASHA” and other nationally known lampwork beads, semiprecious beads, and finished jewelry from artists across the country. We have a great assortment of vintage purses and jewelry. We offer classes and workshops with nationally recognized teachers. Visit us online for more information. Mon, Tue, Wed, Fri 10–5, Thu 10–8, Sat 10–4. (847) 607-8702

bodacious beads—Des Plaines bodaciousbeadschicago.com

Best selection and lowest prices! 260 colors of Swarovski, Japanese, and Czech seed beads. Pearls and stone. Vintage, tribal, and Bali. Chain, findings, and tools. Books. Mon–Sat 10–6. Tue till 8. Near O’Hare airport. 1942 River Rd.

(847) 699-7959

Ayla’s Originals Bead Bazaar—Evanston www.aylasoriginals.com

Time stands still when you enter our sumptuous world of beads. Extraordinary colors, shapes, and creative possibilities await. We welcome you with genuine service and helpful hands. Come and let your imagination run free. 1511 Sherman Ave.

(847) 328-4040

Chicago Bead Inc.—Glen Ellyn www.chicagobead.com

Premium, full-service bead store and jewelry design studio! Finest in sterling, Bali, GF, copper findings, Swarovski, Miyuki, gemstones, pendants, charms, pearls, Czech glass, cubic zirconia, lampwork, books, tools, and supplies. Classes, parties, design services, and repairs. Friendly/knowledgeable staff. Designer originals! Gift certificates and frequent-shopper discounts. Tue and Thu 11–8, Wed and Sat 11–6, Fri and Sun 12–6. 491 Roosevelt Rd.

(630) 858-2626

Chelsea’s Beads—Highland Park www.chelseasbeads.com

Largest bead store on the North Shore. Parties, classes, and everything to make jewelry. Bali, sterling, and gold-filled parts, seed beads, Swarovski crystals, pearls, semiprecious beads, fancy glass beads, tools, and stringing supplies. eBay store. Mon–Fri 10–5:30, Sat 11–5, Sun 12–4. Fax: (847) 681-0681. Email: [emailprotected]. 1799 St. Johns Ave.

(847) 433-3451

Pumpkin Glass—Morton www.pumpkinglass.com

Dazzling original lampwork, crystals, Bali Silver, seed beads, wire and findings. Lampwork glass rods, tools and supplies for beadmakers. Finished Art Jewelry. Lots of Classes! 2059 S. Main St.

(309) 266-7884

Bead In Hand—Oak Park www.beadinhand.com

An extraordinary selection of beads and beading supplies. Birthday parties, classes, and repairs. Space for customers to “stay and play.” Closed Wed. 145 Harrison St.

www.thebeadattic.com

(847) 705-6614

Bead World—Palatine

12654 Perkins Rd.

www.beadworldbeads.com

Jewelry and gift items from around the world, specializing in ancient and new Indonesian glass beads, (Indonesian glass beads available wholesale) and recycled glass beads. Jewelry repair—books—findings— body jewelry—piercings. 8 S. Brockway

(847) 776-BEAD (2323)

Free to Bead—Peoria www.freetobead.com

The only full-service bead store in the Peoria area. We have silver, Bali, semiprecious, crystals, pearls, glass, seed beads, supplies, tools, and classes. Everything you need and more. Come bead with us. (309) 682-2323

SWEET EARTH Jewelry, Engraving & Beads—Sycamore

City Beads—Chicago

816 Waukegan Rd.

225 N. Northwest Hwy

3301 N. Prospect Rd.

Illinois

3928 N. Rockwell St.

www.facetsofisis.com

(708) 848-1761.

www.sweetearthjewelry.com

Gifts•Jewelry•Engraving•Beads. Largest color selection of Swarovski crystals, pearls, Bali, gemstones, Czech sterling 14kt gold-filled findings. Chain by the inch. 900+ charms. Mon–Fri 10–6, Sat 10–5, Sunday 12– 4. GIA graduate gemologist. Engraving in store. We are worth the trip! Bring this ad in for $5 off any $25 purchase of merchandise. 341 W. State St.

BEADS ON THE KENNEBEC— AUGUSTA www.beadsonthekennebec.com

Our customers say we are the “Best Little Bead Shop in ME”. Friendly, helpful atmosphere. Large selection of sterling, Swarovski, glass, stone, bone, and seed beads. Precious metal and Artistic Wire. Tools and Supplies for all your beading needs. Classes and Repairs. Tue–Fri 10–5, Sat 10–3. 333 Water St.

(207) 622-1666

The Beaded Moose—Bangor www.thebeadedmoose.com

Where beads and friends gather. A customer-friendly beading studio/ store with a hand-picked inventory of beautiful beads, Miyukis, Delicas, crystals, semiprecious, Czech, etc. Classes and individualized lessons available. Easy access from I-95. 1460 Outer Hammond St.

Bead Palace—Indianapolis (Greenwood) www.beadpalaceinc.com

Largest selection (5,000 sq ft) of Gemstone & Diamond Beads, Swarovski, Sterling Silver beads & findings in the country. Direct manufacturer from India & China means lowest prices. Beadalon distributor. Mon–Sat 10:30–6. sales@beadpalace inc.com 163 S. Madison Ave. (7 m. S. of Indy)

317-882-5522

Beads Amore’—Indianapolis www.beadsamore.com

Beads, wire, supplies, classes, and parties, by the bead or strand, Czech, Swarovski, seed beads, vintage, silver, semiprecious, cabs, and silversmithing classes and supplies. Mon–Thu 10–8, Fri and Sat 10–6, Sun 10–4. 3834 E. 82nd St.

(317) 595-0144

Imagine Beads—Valparaiso www.labeadalocabeads.com

Largest seed bead and Swarovski dealer in the area. Classes always available. Large selections of books, findings, and stones, from the rare to the unique. Hours: Mon & Wed 10–6, Tues, Thurs, Fri 10–5; Sat 10–4; Drop by to learn and share! 53 South Michigan St

(219) 299-2270

Kansas

Heartland Bead Market—Lenexa www.heartlandbeadmarket.com

Come to browse. Stay to bead. Awesome selection. Friendly service. Swarovski, Czech glass, semiprecious, seed beads, Bali silver, hill tribe silver, and more. We love to help you create. Classes—Parties— Repairs—Custom designs. Open beading always. Visit our other location, The Bead Shop in Overland Park 13964 Santa Fe Trail Dr. 9009 Metcalf (Overland Park)

(913) 888-0231 (913)-642-3131

Beadazzler—Overland Park www.beadazzlerbeads.com

Kansas City’s premier bead shop. We have the most unique selection in town. A relaxed and creative atmosphere for beading, classes, and parties. Open 7 days a week. Beadazzler . . . What a bead shop should be . . . And more! 7315 W. 80th St.

(913) 64BEADS (913) 642-3237

Louisiana

A Bead Boutique—Alexandria www.abeadboutique.com

A beading paradise! Multiple rooms for classes, parties, and get-togethers. Great selection of beads, tools, books, and supplies. Open Mon by appt., Tue–Fri 10–5:45; Sat 10–4. Located on the edge of the Garden District, near Hill St. traffic light. 2924 Jackson St.

(318) 442-2575

East Street Beads—Frederick www.eaststreetbeads.com

Growing Selection of Miyuki & Metal Seed Beads, Swarovski Crystals & Pearls, Czech Glass & Pearls, Lampwork, Tools, Semi-precious, Findings, Wire, Chain Mail, Books, Kumihimo, Fresh-water Pearls, Tools & More! Classes 7 Days a week! 922 N. East St.

(301) 624-2323

Accents Bead Shop—Rockville (White Flint area) www.accentsbeads.com

New 5,000 sq. ft. showroom. Awesome selection of semiprecious, Bali, Swarovski crystals, pearls, seed beads including Delicas, 14k, gold-filled, sterling silver beads—findings—chain, lots of classes. Wholesale to public. Mon–Sat 10–5, Thu till 6:30. 12112 Nebel St.

(301) 881-2003

Marvin Schwab/The Bead Warehouse —Silver Spring www.thebeadwarehouse.com

Wholesale and mail order. Huge selection of semiprecious beads, freshwater pearls, tools, and supplies. Findings in sterling silver, gold-filled, 14k, and plated. Showroom by appointment and special open hours. Fax (301) 565-0489; Email [emailprotected]. 2740 Garfield Ave.

(301) 565-0487

Massachusetts

BEAD + FIBER: gallery . classes . materials —Boston www.beadandfiber.net

A new concept. In the lively SOWA neighborhood. Unique bead and fiber artwork, materials, exciting day and evening classes. Revolving gallery features contemporary and traditional work. Unusual beads and supplies from around the world. Repairs. Parties. Free parking at 500 Harrison Ave. 460 Harrison Ave.

(617) 426-2323

Boston Bead Company—Cambridge & Salem www.bostonbeadcompany.com

Two area bead shops offering vintage and contemporary beads, findings, and tools from around the world. Jewelry-making classes and repairs. Visit our website for locations and hours. 23 Church St, Cambridge. 10 Front St, Salem.

(617) 868-9777 (978) 741-2323

The Bead Emporium of Cape Cod —Hyannis www.capebeademporium.com

With over 15 years in business, we are Cape Cod’s foremost, full-service bead store. We offer an incredible selection of wire, findings, tools, Swarovski, Czech, pearls, charms, vintage, gems, more. Items arrive weekly. Classes, parties. Visit today! 548 Main St.

(508) 790-0005

BeadCache—Mansfield www.beadcache.com

Full-service shop with a fine, upscale selection of beads, findings, wire, and tools. Original lampwork beads also offered and custom orders accepted. Classes, parties, work space, and artistic support offered. Come in and express yourself! Open Tue–Sun. Email: [emailprotected] 457 N. Main St.

(207) 992-2099

Maryland

(815) 895-3011

Indiana

(225) 766-2727

Maine

(508) 339-3330

beadworkmagazine.com

BW 84-90 shop.indd 86

3/28/13 10:56 AM

World of Rocks—Ypsilanti

Ladybead and Rook—Wilton

Fun and classes highlighting wire wrapping, metalworking, chain, and beading. Beginners to advanced. Findings, silver, crystals, tools, supplies, and many rock specialties. Mon, Wed, Thu, Fri 12–6, Sat 10–6, Sun 1–5. Closed Tue. (I-94 to exit 183 go north past Michigan Ave.).

Beautiful, quality beads to inspire your creativity and accentuate your style. Emphasis on European beads: Czech crystals, pressed glass, seed beads, pearls, and semiprecious. Artisan-created jewelry for fine gift giving. Ample parking. Thu–Sat 9–5:30, Sun 11–4. At the Riverview Mill Artist Shops.

(866) 749-BEAD (2323)

Bead Addiction—Walpole www.bead-addiction.com

2000 Main St.

(508)660-7984

Tatnuck Bead Co. —Worcester/Webster/Westborough www.tatnuckbead.com

We sell service! Oh, and beads, too! Truly personal and empowering support for your beading obsessions. Family-owned, full-service stores offering quality products, classes, parties, and online community. Visit our website for store hours and directions. 1099 Pleasant St. 31 Thompson Rd.

(508) 754-0999 (508) 949-7400

Michigan

www.munrocrafts.com

Great prices and discounts. Swarovski, Czech, Bali, freshwater pearls, wood, bone, glass, metal, acrylics, and more. Sterling silver and goldfilled beads and findings. Craft supplies, charms, books, tools, beading supplies, and classes. (248) 544-1590

Raisin River Beads—Dundee www.raisinriverbeads.com

An ever-growing selection of Delicas, charms, Japanese seed beads, buttons, Czech, Bali silver, Swarovski, semiprecious, and findings. Classes and birthday parties. Mon–Sat 11–5, Sun 12–5. 141 Riley St.

(734) 529-3322

Bead Bohemia—Farmington www.facebook.com/beadbohemia

Low prices *friendly service.* Unique selection. A wide variety of beads and components including semi-precious gems and Czech glass to artist pieces, seed beads, designer brass lines, and more. Ask for your free “Bead Addiction” card! 33321 Grand River Ave.

(734) 481-9981

Stony Creek Bead & Gallery —Ypsilanti Twp.

www.stonycreekbead.blogspot.com Supporting the artist inside of you! Huge collection of Seed & Czech Beads. Bali, pearls, and stones. Lampwork & Polymer Clay by MI artists. Classes, kits, books & so much more! I-94 to exit 183. South 1 mile. Closed Mondays. Tue–Fri 10– 6, Sat 10– 4, Sun 10– 2. www.StonyCreekBead.blogspot.com 2060 Whittaker Rd.

(734) 544-0904

Minnesota

www.beadstorm.com

725 Snelling Ave. N.

(651) 645-0343

Missouri

Beads, supplies, and vintage chic. Basic supplies plus many types of vintage including watch parts and Swarovski. Located in a historic setting with close access to wool fiber, roving, and yarn supplies. Open beading; classes available. Mon–Sat 10–5. (816) 415-8750

Lady Bug Beads—St. Louis www.ladybugbeads.net

Midwest’s premier bead shop. 3,000+ seed beads including Toho, Aiko, Czech, and Delicas. Full selection of Swarovski and semiprecious stones. Pearls always on special. U.S. distributor for the Craft Kit Company and Toho Treasure Kits. We are a teaching store. Mon, Wed, Fri 10–6, Tue and Thu 10–8, Sat 9–4, Sun 12–4. 7616 Big Bend Blvd.

(314) 644-6140

Pam’s Bead Garden—Farmington

Bead Jungle—Henderson (Las Vegas area)

We specialize in Japanese seed beads. Full-service bead store featuring Czech glass, pearls, Swarovski crystal, Delicas, silver, and tools. Free classes, visiting artists, and lots more. Open six days, closed Sunday. Call for more information.

Most complete bead shop in the Las Vegas area with the largest variety of beads and findings. Classes, silversmithing, parties, workshops, and volume discounts. Minutes from the Strip. Open 7 days a week 10–6. Extended hours Tue, Wed, and Thu 10–8.

22836 Orchard Lake Rd..

1590 W. Horizon Ridge Pkwy., Ste.160

www.pamsbeadgarden.com

(248) 471-2323

www.beadjungle.com

(702) 432-2323

Too Cute Beads—Farmington

Bead Haven—Las Vegas

Our business is based on one principle—giving everyone the opportunity to create beautiful and unique jewelry at a reasonable price. We carry Swarovski crystal, pendants, pearls, gold-filled beads, chain, sterling silver beads, cultured pearls, Murano glass, artist glass, tools and wire, kits, and much more. Visit our website for class schedule and for our sale of the week.

Nevada’s most comprehensive bead store, catering to all bead enthusiasts. Huge selection of findings, pressed glass, seed beads. Full line of Swarovski. Free classes daily. Mon–Sat 10–6. Closed Sun.

www.beadhavenlasvegas.com

www.toocutebeads.com

31711 Grandriver

7664 W. Lake Mead Blvd., #111

www.beadhaven.com

Come shop 5,000 sq. ft. of Michigan’s largest bead store! Filled with the best selection of beads from around the world, no matter what type of beading you’re doing. Free classes, open 7 days, and now shop online! We carry everything! 925 S. Main St., E-1

www.thecreativefringe.com

We’re a full-service bead shop offering an extensive collection of beads, findings, wire, tools, books, lampworking, silver, clay, and metalsmithing supplies. Cultivate your creative side with classes and parties. Open workstations available. Come to the Fringe! Your creativity awaits you. Open 7 days a week. 210 Washington

(616) 296-0020

Wicks and Stones - Downtown Wyandotte www.wicksandstones.com/ - Find us on Facebook

Everything for your beading needs! Celebrating 10 years in business! Seed beads, Swarovski, Czech glass, semi-prescious, tools, Sterling Silver, artistic wire, kits, PMC Certified. Let us answer all of your questions!! Monthly stitch and wire groups, individual classes, birthday parties, ladies nights, open studio time, free classes. Call for more information or come in to show off your creation! 3138 Biddle Avenue

www.sojourner.biz

Sojourner stocks freshwater pearls, semiprecious stones, Swarovski crystals, Czech glass and seed beads, sterling beads, Chinese enamel beads, castings, charms, ethnic beads, findings—including our own design sterling silver box clasps bezel set with vintage and semiprecious elements. Open daily 11—6. 26 Bridge St. (609) 397-8849

The Birds & the Beads—Morganville Surround yourself in beads! Incredible collection of hand-selected stone, pearl, glass, and shell beads. Plus, all the best seed beads, tools, books, findings, and PMC. Please call or stop by for further information and our extensive class schedule. 411 Rt. 79

(732) 591-8233

Multi Creations (NJ) Inc.—Old Bridge www.MultiCreationsNJ.com

All kinds of silver, gold-filled, and 14/18k gold findings, chains by foot, Bali silver beads, hill tribe silver, gemstone and glass beads, pearls and Swarovski crystals, beading accessories, tools, and much more at wholesale prices. Tue–Sat 10–6, Sun 11–3. Closed Mon. MultiCreationsNJ@ aol.com; mobile (732) 642-2260; fax (732) 607-6416. 1405 Rt. 18 S., Unit #102

Quality, variety, and friendly service! The best findings, tools, books, and beads: Delicas, seed beads, glass, ethnic, semiprecious, sterling silver and gold-filled, Thai silver, dichroic, lampwork, bone; unique and collectible. Classes/worktable/parties. Open seven days a week. beadnow@ yahoo.com; fax (609) 921-3920. 41 Witherspoon St.

(609) 921-8050

Bazaar Star Beadery—Ridgewood www.bazaarstarbeadery.com

Take a journey into the colorful wonderland of beads galore. Eclectic collection gathered from around the world awaits you! Come one, come all, sit and stay, we’ll help you create it all. Ladies’ parties/ birthdays/original kits and instructions. 216 E. Ridgewood Ave.– (201) 444-5144

New Mexico

Bella Beads—Meredith “The Chic Boutique on the Bay” Bella’s features and takes pride in the finest beads, findings, and tools from around the world. We’ve expanded our seed bead collection.Now offering master guest teachers. Come by car or by boat, we’d love to meet you! Handicap accessible.

A beader’s candy store. Albuquerque’s largest and most complete bead store! Filled with findings, Bali beads, strands, seed beads, and stringing and wire-wrapping supplies. We carry a complete line of fabricated silver and gold-filled sheet and wire product. Mon–Fri 8:30–6, Sat 10–5.

www.thunderbirdsupply.com

www.bellabeadsnh.com

48 Main St.

(603) 279-0122

Bead It!—Concord www.beadit.biz

Worth the trip? You bet! Fabulous shop, chock-full of semiprecious, freshwater pearls, Swarovski crystal, Venetian and lampwork glass, Czech fire-polished, and hanks, sterling, gold-filled, vermeil. Gorgeous clasps. Sun–Mon 12–5, Tue–Wed 10–6, Thu–Fri 10–8, Sat 10–6. 146 N. Main St.

(603) 223-0146

Just Beading Around—Epping www.justbeadingaround.com

We carry a huge selection of high quality beads, findings and beading supplies. Miyuki and Toho seed beads, Swarovski, Preciosa, Pearls, Kazuri, Czech, Lampwork, Gemstones & more. Classes and Parties. Plenty of parking. Handicap accessible. Awesome staff!! 285 Calef Highway, Rte 125

603.734.4322

2311 Vassar NE

(505) 884-7770

The Beaded Iris—Albuquerque Specializing in Japanese seed beads, Delicas, rare vintage beads, and handmade beads, just to name a few. A relaxed atmosphere with cheerful gals to help you! 1512 F Wyoming Blvd. NE

(505) 299-1856

Thunderbird Supply Company—Gallup www.thunderbirdsupply.com

Our main showroom store is just off I-40, located just minutes from the Navajo and Zuni Nation, and is filled with over 13,000 items; fabricated silver and gold-filled findings, Bali beads, metalsmithing tools, beading supplies, natural and man-made strands. Catalog available online or at any of our 3 store locations; Gallup, Albuquerque, or Flagstaff. Mon–Sat 8:30–6. 1907 W. 66 Ave.

(800) 545-7968

734 759-0112

BEADWORK

BW 84-90 shop.indd 87

(732) 607-6422

The Place to Bead—Princeton

Thunderbird Supply Company —Albuquerque

(989) 652-3566

The Creative Fringe LLC—Grand Haven

www.beadsbyblanche.com

(Only miles from NYC.) Visit East Coast’s premier bead shop. 3,000+ colors/styles of Japanese seed beads, glass, crystal, semiprecious, lampwork, and more! Classes by local and nationally known artists. Extensive inventory for unlimited possibilities! 106 N. Washington Ave. (201) 385-6225

(702) 233-2450

New Hampshire

(866) 342-3237

Bead Haven—Frankenmuth

Beads by Blanche—Bergenfield

www.beadnow.com

Nevada

(248) 474-9264

(603) 654-2805

New Jersey

www.thebirdsandthebeads.com

Bead Browsery—Liberty

131 S. Water St. (Corbin Milll)

29 Howard St.

Sojourner—Lambertville

Stormcloud Trading Co. (Beadstorm) —St. Paul 20+ years of experience shows in our vast selection of seed beads, pressed glass, Swarovski crystals, Bali silver, sterling, and gold-filled beads. Shop in-store or online. Mon–Fri 10–6, Sat 10–5. No print catalog.

Munro Crafts—Berkley

3954 12 Mile Rd.

42 N. Huron St.

www.ladybeadandrook.com

the market {stop to shop}

2000 sq ft of fabulous beads and beading supplies. We carry many name brands, including Czech glass, Kazuri, Lillypilly, Miyuki, Thunderpolish crystal, Swarovski, Fuseworks, TierraCast, Artistic wire. Huge tool selection and tons of wire choices. We also offer classes, Ladies Night Out, birthday parties, or any event you can think of. We are open Tue–Sun, closed on Monday. Check our website for hours and directions or call or email us at [emailprotected] .

www.worldofrocks.com

june/july 2013

3/27/13 11:00 AM

The Beading Heart of Santa Fe—Santa Fe

the market {stop to shop}

www.beadingheartofsantafe.com

Ain’t Miss Bead Haven—Mooresville www.aintmissbeadhaven.com

Largest selection of SEED BEADS in Santa Fe as well as numerous semiprecious strands, pearls, crystals, and Czech glass. We provide instruction and feature finished jewelry by well-known local artists. We offer weekly classes in a variety of techniques for all skill levels, and we carry many pre-made kits. Our staff is friendly and knowledgeable and always welcome beaders to our “Community Table.” Mon–Sat 10–5:30. Email [emailprotected]

We are a full-service bead store offering classes, handmade jewelry, and beading supplies. Birthday and private parties, Wine & Bead Night, BYOB Socials (bring your own beads), and Girls Night Out. We offer a large variety of Vintage jewelry and components, Seed beads, Swarovski Crystals, Precious and Semi-precious gemstones, Crystals strands, Sterling Silver, Silver filled, Gold filled, and Vermeil findings. Hours: Monday–Saturday 10–6; Email: [emailprotected]

939 West Alameda St.

152 N. Main St.

(505) 988-8961

New York

Beads and Other Fancy Stuff—Morganton

Let’s Bead!—East Rochester www.letsbead.com

3,200 sq. ft. bright full-service bead shop. Ever-growing selection of tools, books, beads, stringing materials, findings, wire, chain mail, kumihimo, Swarovski crystals, classes, and more! Relax, use our tools, and get friendly help at our in-store design station. 349 W. Commercial St. (585) 586-6550

Beads Mosaic—Nanuet www.BeadsMosaic.com

Exclusive beads boutique! Huge selection of quality semiprecious, precious and gem stones, sterling silver beads, charms and findings, copper and brass beads/findings, seed beads, pearls, shell pearls, raku, Swarovski, Kazuri, artist lampwork, beading supplies, tools, and more! Open 7 days/week. Exit 14 off I-87/NY Thruway, 40 minutes north of NYC. Beading classes and store hours at www.BeadsMosaic.com. 78 S. Middletown Rd..

(845) 501-8295

Beads World Inc.—New York www.beadsworldusa.com

From beads to crystals to leather cords and more. Beads World is your one-stop shop. Quality selections in the heart of NYC’s fashion district. Mon–Fri 9–7, Sat–Sun 10–5. 1384 Broadway

(212) 302-1199

Toho Shoji (NY) Inc.—New York www.tohoshoji-ny.com

Exclusive selection of findings, chain, and beads. Swarovski, Japanese seed beads (Miyuki, Delica, Matsuno), glass, fire-polished, and more! Mass-production price available. Mon–Fri 9–7, Sat 10–6, Sun 10–5. 990 6th Ave. (212) 868-7465

I Dream of Beading—Poughkeepsie www.idreamofbeading.com

Hudson Valley’s premier source for beads and more. Stop by for the selection and inspiration to fulfill your wildest beading dreams! Classes/ workshops. Kit selection available online. Tue–Fri 10–6, Wed till 8, Sat 10–4. (in Freedom Executive Park). Rt. 55, Ste. 107

(845) 452-7611

BEAD SHOP at Lady Jane Craft Center— Queens (Ozone Park) www.ladyjanecraftcenter.com

Largest selection outside Manhattan. Classes, Swarovski, Preciosa, Pearls, Thunder & Fire Polish, 1,000’s of Semiprecious Strands, Myuki, Delicas, TOHO, Hanks, Pendants, Cabochons, Donuts, Findings, Chain in all Metals & Finishes. Tools & Books. Open 7 Days. Belt Pkwy, Exit 17. 137-20 Crossbay Blvd. (718) 835-7651

North Carolina

Beads & Beyond—Asheville www.beads-and-beyond.com

Open 22 years. Asheville’s first and oldest bead store. Unsurpassed and inspiring collection of modern, vintage, and ancient beads. Specializing in stone beads and pearls, books, tools, and supplies for beading and metalsmithing. Mon–Sun. 37 Wall St.

(704) 746-9278

(828) 254-7927

Chevron Trading Post & Bead Company —Asheville

Bead-stringers destination! Huge variety of quality beads and findings, friendly new staff, repairs, on-site work area, classes, low prices. Welcome novices or experienced beaders! I-40 near Exit 103. 408-A W. Fleming Dr

(828) 439-9935

Ornamentea—Raleigh www.ornamentea.com

Visit us for our wide selection of beads in glass, stone, pearl, and metal with worktables, classes, and the most helpful staff anywhere. We also carry art clay silver, Kato clay, glass-soldering supplies, paper-craft supplies, books, and unusual ribbons. We will be your favorite bead store! 509 N. West St.

(919) 834-6260

Cindale Beads—Smithfield www.cindale.com

Everything you need to bead. Free training. Over 100 different kinds of gemstones. No customers, just friends that visit. Mon–Sat 10–7, Sun 11–5. 150 B S. Equity Dr.

Oklahoma

Beadles—Broken Arrow www.beadlesbeadshop.com

Beads to beat the band! Beads take center stage in our showroom and classroom. Whether you are looking for a rock-star centerpiece or some great back-up beads, our selection and service are sure to make you twist and shout. 114 W. Dallas St.

www.thespiralbeadery.com

Beads, findings, and supplies; glass, crystal, vintage, ethnic, furnace, freshwater pearls, semiprecious and precious gemstones, silver, gold, and more! Great selection and prices with a courteous, experienced staff. Check us out on Facebook! 4327 N. Western Ave.

Specializing in Swarovski, Miyuki, Beadalon, WigJig, silver, gold, 10,000+ findings, and 1,000s of strands of stones. Designing, manufacturing, repairs, and much more. Our specialty is designing/beading education. Email [emailprotected]. Tue–Fri 10–6, Sat 10–5, Sun, Mon (closed). 2834 Reynolda Rd.

(336) 723-3465

Ohio

Bead Q!—Chagrin Falls www.bead-q.com

Bead Q! now has Ohio’s widest selection of beads! Swarovski crystal, sterling silver findings, semiprecious bead strands. Classes and parties. 8584 E. Washington

(440) 708-1771

Beaded Bliss Designs —Cincinnati (Harrison)

www.followyourbeadedbliss.com The tri-state’s best bead shop: create your own jewelry from our evergrowing selection of Swarovski crystal, semiprecious, glass, metals, pendants, lampwork, clay beads, books, tools, and much more! Project assistance, classes & parties, too. Always follow your bliss! 1151 Stone Dr., Ste. E

(513) 202-1706

1 Stop Bead Shop—Columbus www.1stopbeadshop.com

Central Ohio’s largest bead store! Ohio’s premier bead class headquarters with over 90 classes per quarter in beadweaving, wire wrapping, lampworking, PMC, and more. We offer the area’s largest selection of Czech glass and Japanese seed beads. Silver, Swarovski, semiprecious, and much more! NEW—shop our online store! Email: info@1stopbeadshop. com. 6347 Sawmill Rd.

Ph./Fax: (405) 525-5454

Alouette-a unique bead shoppe —Oklahoma City Metro www.alouettebeadsok.com

The area’s largest collection of beads & findings—2,400 sq. ft. of stock, featuring Japanese Seed Beads & a full selection of Czech Hanks. Swarovski, Tierra Cast, Natural Stones, Czech Glass Beads, and Tools. Full service from a Professional Staff in a Creative Environment. 2150 S. Douglas Blvd., Ste H

(405)733-5300

Oregon

Azillion Beads—Bend

(919) 934-2900

Ding’s Fashions & Gifts—Winston-Salem

(918) 806-8945

The Spiral Beadery & More —Oklahoma City

www.azillionbeads.net

“More beads than you can imagine!” NEW LOCATION IN BEND. Over 2,000 sq. ft. of beads. Call for directions. Email azillionbeads@ gmail.com. 910 Harriman St., #100 (541) 617-8854

Azillion Beads—Eugene www.azillionbeads.net

“More beads than you can imagine!” Over 2,000 sq. ft. of beads. Call for shop hours. 1011 Valley River Way #108

(541) 338-8311

Harlequin Beads & Jewelry—Eugene www.harlequinbeads.com

Huge selection and great service. Czech and Japanese seed beads and bugles, Czech pressed glass, Swarovski crystals, gemstones, vintage German, antique African trade, and metal beads. Charms, findings, books, tools, classes, and more! Beads you won’t believe. 1027 Willamette St.

(541) 683-5903

Sparkling Creations—Hood River A kaleidoscope of colors! New, fun, funky, and bead store. Offering a variety of gemstones, Swarovski, Czech, blown glass, pendants, metals, wood, findings, etc. Helpful, friendly, experienced staff, workspace, and classes. Mon–Sat 10–6, Sun 11–5. 416 Oak St. Mall

(541) 387-4367

Beads At Dusti Creek—Portland www.beadsatdusticreek.com

Portland’s Premier Bead Shop. High quality Unique & Unusual products, as well as the basics. Friendly, Helpful, Experienced Staff & Outstanding Instructors. Everything you expect a Quality bead store to be! Mon–Fri 10–6; Sat 10–5; Sun 12–4 4848 SE Division Ave.

(503)235-4800

Pennsylvania

(614) 573-6452

Gahanna Bead Shop—Gahanna

KAT‘S BEAD BOUTIQUE—Allentown

Vast selection of glass and semiprecious beads, crystals, and Miyuki seed beads. Sterling, pewter, and gold-filled findings for all your beading needs! Distributor of UnicorneTM and KazuriTM beads. Open studio area with friendly, knowledgeable staff.

Biggest Little Bead Shop in PA. Full selection of crystals, seed beads, findings, books, tools, unusual items, and one-of-a-kind jewelry. Classes by local and nationally known teachers. Once a month stitch-for-free day.

1024 N. Hamilton Rd.

725 N. 19th St.

www.gahannabeadstudio.com

(614) 933-8948

www.katsbeadboutique.com

(610) 432-7545

www.chevronbeads.com

Potomac Bead Company—Medina

The Rolling Bead—Carlisle

With over 20 years in the bead business we are Asheville’s premier bead store offering an incredible selection of beads, findings, wire, tools, silk ribbons, buttons, books, and gifts. Cultivate your creative side by making your own jewelry. Our friendly, helpful staff awaits you! Classes/parties/ workspace. Direct importer. Wholesale/retail. Mon–Sat 10–6. Call for Sun openings.

Visit the largest bead store in Ohio! Our two-story 4,000 sq. ft. urban loft in historic downtown Medina has an extensive selection of Swarovski crystal, Miyuki, gemstones, glass, sterling silver, findings, copper, wire, and tools. We offer classes, parties, and workspace. Open 7 days a week.

40 N. Lexington St.

109 West Washington Street

Your bead headquarters in Central PA offering a wide selection of seed beads, Miyuki Delicas, and Swarovski crystals. 2,000 sq. ft. of inventory with over 4,500 items. We also carry a wide variety of Czech pressed glass, fire polished beads, findings, clasps, threads, tools, books, and magazines. Beading classes offered. Shop Mon–Fri 10–6, Sat 10–4. Easy access from I-81.

(828) 236-2323

www.potomacbeads.com

(330) 722-2555

Meant to Bead—Toledo www.meant2bead.com

You are meant to bead—and we can help! We offer a wide selection of seed beads, Swarovski, Delicas, Bali, semiprecious, pearls, art beads, charms, etc. Design assistance, classes, and parties in a friendly atmosphere. Mon–Thu 10–7, Fri and Sat 10–6, Sun 1–5. 6536 W. Central Ave.

(419) 842-8183

www.therollingbead.com

200 S. Spring Garden St. Toll-free

The Bead Garden—Havertown www.thebeadgarden.com

Friendly, full-service bead store for all of your jewelry-making needs. Classes for all levels of experience, including beginners. Birthday parties and group outings. Knowledgeable staff that is delighted to help. 2122 Darby Rd.

(717) 243-5300 (877) 315-2323

(610) 449-2699

beadworkmagazine.com

BW 84-90 shop.indd 88

3/27/13 11:00 AM

Beadweaver’s—Luzerne (Wilkes-Barre) www.beadweaver.com

Japanese (Miyuki), Delicas, seed beads, bugles, squares, triangles, and drops. Swarovski, fire polish, window beads, pressed glass, Bali, and marcasite. Beadalon, Nymo, C-Lon, hemp, tools, books, storage, and more! Now offering classes. Tue–Sat 11:30–6. (570) 714-6700

www.beadoholique.net

Fabulous selection of gemstones, pearls, Swarovski, silver, Delicas, findings, tools, books, and classes. Now carrying silver metal clay and dichroic glass-making supplies. Friendly, knowledgeable staff. 5020 Louetta, #170, Spring 14315 Cypress Rosehill #110, Houston

(281) 257-0510 (281) 256-0904

Blue Santa Beads—Media

Spring Beads—Houston/Spring

A newly located artistic venue. Classes available. Customers always come first and always return.

Best full-service bead store in Texas where we feed your need to bead! Great selection of Swarovski crystals, pearls, gemstones, Czech glass, lampwork, sterling silver, gold-filled, pewter, and copper findings, tools, leather, books, Kazuri and Tagua beads, wire, and so much more! Classes, parties, jewelry design, and repair services offered. Outstanding customer service with friendly faces and bead smart! Old Town Spring.

www.bluesantabeads.net

1165 W. Baltimore Pike

(610) 892-2740

Crystal Bead Bazaar—Pittsburgh www.crystalbeadbazaar.com

A world bazaar of beads. Swarovski, Czech, Venetian, lampwork, sterling and gold-filled, freshwater pearls, and semiprecious. Largest selection of seed beads in area. Classes and custom designs. Mon–Sat 10–6, Thu 10–9, Sun 12–5. 4521 Butler St.

(412) 687-1513

Buttercup Beads—Pottstown www.buttercupbeads.com

Let your creativity blossom in our cozy cottage setting. Classes, parties, oh-so-pretty sparkly things, fun! No experience necessary. Service with a smile and always free chocolate. Something for everyone. Lampwork artisan/bead addict owned and operated. Guilds/bead society discounts, too! 2151 E. High St., Ste. A

(484) 524-8231

South Carolina

MB Jewelry & Beads—Aiken www.mbjewelryandbeads.com

Located in the heart of historic downtown Aiken. Phenomenal selection of Semiprecious Stones, Pearls, Swarovoski, Chinese Crystal, Toho seed beads, tools, findings. You’ll be shocked at all our stock! We are the CSRA’s largest bead shop! mbjewelryandbead@bellsouth. net 145 Laurens St. SW (803) 502-0200

Your Place to Bead–Horse Feathers— Campobello www.horsefeathers1.com

South’s best source for the best selection of Delicas, trim beads, gold and silver findings, Swarovski, semiprecious beads, cabochons, dichroic glass and wire. We offer classes daily or by your schedule. Mon–Fri 11–5, Sat 10–2:00. 18845 Asheville Hwy.

(866) 228-7600 (864) 457-2422

South Dakota

Moonshadow BEAD Studio—Rapid City Handmade lampwork beads • semiprecious • sterling silver and goldfilled beads and findings • Swarovski crystals • Delicas • triangle, hex, square, faceted beads • books and patterns • one-on-one CLASSES • finished, exclusive, beaded art to wear • Come sit and bead with us! Contact us via Email at [emailprotected]. 318 Mt. Rushmore Rd., Ste. B

(605) 348-2510

Tennessee

White Fox Beads—Knoxville whitefoxbeads.com

White Fox Beads is moving this October! Our new location is at 5111 Homberg Dr. in Knoxville. We have the jewelry making supplies you need for your next project and those “must haves” for your stash! Come in today and discover why our awesome classes, expert staff, and superb service are well known throughout the region. Visit us on the web at www.whitefoxbeads.com for the latest information on our move, classes, and products. 5111 Homberg Drive

(865)-980-0237

Texas

Ny6design Beads & Supplies—Allen/Plano www.Ny6design.com

Wholesale Beads showroom—Open to public. Semi-gemstone beads, supplies & findings. Beading Class (Beginning–Advanced). $25/person, 2nd person 1/2 price. —Sign up Online or In Store 1023 S. Greenville Ave., (Allen)

(214) 509-6700

Beads of Splendor—Dallas www.beadsofsplendor.com

www.springbeads.com

421 Gentry, #202

(281) 288-9116

Nova Beads and Creations—Houston www.novabeads.net

A happy, cozy bead shop tucked in beautiful historic Heights, filled with a wide variety of beads and findings. Check out our website for a schedule of fun classes and shop online for stylish kits. 3518 White Oak Dr.

(713) 868-1310

Vermont

Bead Crazy LLC—Williston www.beadcrazyvt.com

Northern Vermont’s only full-service bead store. Beads of all types, shapes, and sizes—tubes, strands, singles. Stringing materials, books, tools, containers, charms, watches, findings. Birthday and adult parties. Evening classes. Instruction always available. 21 Tafts Corners Shopping Center

(802) 288-9666

Virginia

Studio Baboo® “A Big Little Bead Store” —Charlottesville www.studiobaboo.com

Full-service bead store with a huge selection of Delicas, seed beads, glass, semiprecious, pearls, polymer clay, French beaded flower supplies, and more. Friendly, knowledgeable staff. Visit website for class schedule. Tue, Wed, Fri, Sat 10–5; Thu 11–7; Sun 12–4. www.studiobaboo.com STUDIO BABOO® “A Big Little BeadTM Store” 321 East Main St. (On the Downtown Mall)

(434) 244-2905

Beads on Parade—Fredericksburg www.beadparade.com

Just getting started or a pro, come be inspired by our huge selection of Czech glass, seed beads, silver, pewter, pearls, semiprecious stone, and Swarovski. Great prices and the friendliest staff in town. Classes ongoing. 10013 Jefferson Davis Hwy., Ste. 105 (540) 710-0705

Beadworkz—Portsmouth www.Beadworkzstore.com

A friendly, full-service store with a fantastic selection of semiprecious stones, crystals, pearls, seed beads, and more. We carry a wide variety of gold-filled, sterling silver, and copper beads; findings; chain; and wire. We offer wonderful classes—from stringing and pearling knotting to wire working, as well as bead weaving and fiber arts—taught by excellent instructors. We teach a unique and wonderful Copper Loom class for beads and fiber. A large variety of wonderful lampwork beads by local artist Linda Campbell is available. 3258 Academy Ave.

(757) 483-7800

The Bead Goes On—Virginia Beach www.beadgoeson.com

Travel the world; passport not required. Experience world cultures without leaving home. Exotic, unique, rare beads and artifacts from around the world. Www.beadgoeson.com. Experience retail in a zen atmosphere, wholesale showroom or online shopping. It’s always a BEADIFUL day in Virginia Beach. 2700 Avenger Dr.

(866) 861-2323

The Bead Cottage—Virginia Beach www.thebeadcottage.com

“A Beading Paradise”—1,000s of beads, Swarovski crystals, Bali, sterling silver, gold-filled, seed beads, Delica beads, magnetic hematite, semiprecious stones, findings, beading supplies, tools, classes, and more—all in a “paradise-like setting.” 5350 Kempsriver Dr., Ste. 106 (757) 495-5400

Washington

Beads and Beyond—Bellevue www.quiltworksnw.com

Now partnered with QuiltWorks Northwest Full range of seed beads, charms, sterling, vintage, books, Swarovski, tools, trade beads along with unique fabrics and patterns for the quilter and sewer. This is your shop for creative inspiration. Great local and national instructors. Mon, Wed, Fri, Sat 10–6; Tue, Thu 10–9; Sun 12–5. 121A 107th Ave NE

(425) 453-6005

Wynwoods Gallery & Studio —Port Townsend www.wynwoods.com

A beautiful and unique bead shop that has everything the beader could need or want. Also, a line of sterling charms and components designed by the shop’s owner, Lois. Daily 10–7. 940 Water St.

(360) 385-6131

Rings & Things Wholesale—Spokane Visit our Spokane, WA, warehouse for hands-on access to our entire line of cataloged items (everything in our print catalog and online store) plus special cash and carry gemstones, red-tagged sale items, African art, and more! Reseller Permit or $50 minimum purchase required Mon–Fri 10–6 (except first Tue of each month). First Tuesday of each month noon–6, Sat 11–4. 304 E. 2nd Ave.

(509) 252-2900

Wonders of the World Beadshop —Spokane

the market {stop to shop}

487 Bennett St.

Beadoholique—Houston

Best little bead shop in Spokane. Incredible gemstones, crystals, charms, seed beads, chain, findings, and books for your creative needs. Friendly staff and great prices. Make us your first stop! In the historic Flour Mill. 621 W. Mallon, Ste. 412

(509) 325-2867

Wisconsin

Bead Bucket—Door County www.themotherbead.com

Must-see destination bead shop! Exquisite jewelry, inspirational atmosphere, compelling designs. Incredible selection. Private classes upon request. Come and create in our outdoor bead garden. Open daily June, July, and August 10–5. Call ahead for May, September, and October hours. Established 1997 under same ownership as The Mother Bead. Hwy. 42, Ephraim

(920) 854-7047

The Mother Bead—Green Bay www.themotherbead.com

A well-organized, extensive inventory in a welcoming environment. Helpful, knowledgeable, and professional staff. Classes and demonstrations. Always something new. Call for newsletter. Established 1998. 419 Dousman

(920) 437-2821

JSM Bead Coop—Sheboygan www.jsmbeadcoop.com

Sheboygan County’s bead store! Offering a wide variety of beads, findings, tools, books, and more. Workspace, tools, and a friendly, knowledgeable staff available—create right in the store! Classes and special events. Tue–Sat 10–7. 931 N. 8th St.

(920) 208-BEAD (2323)

Meant to Bead—Sun Prairie www.Meant-to-Bead.com

Full-service bead shop. Featuring classes, large selection of beads, books, tools, etc. Specializing in PMC, semiprecious stone and vintage beads. Mon–Fri 10–8, Sat 10–5, Sun 12–4. 1264 W. Main St.

(608) 837-5900

Canada

TreasureStone Beads - Edmonton, AB www.treasurestonebeads.com

Huge selection of pewter findings. Exceptional quality & unique-shaped gemstones, chains, crystals, pearls, shells, pendants, lampwork beads, magnetic beads & clasps, sterling silver & plated findings, charms, stringing supplies & more. (780) 486-7543

Capilano Rock & Gem —North Vancouver, BC www.capilanorock.ca

Stone beads, pearls, Swarovski, Czech glass, sterling silver/gold-filled findings and chains. Distributors for Grobet, EuroTool, Pepe Tools, Soft Flex, Beadalon, Lortone. Wholesale/retail. We are known for our great prices and friendly staff! Close to downtown Vancouver. 1406 Pemberton Ave.

(604) 987-5311

Upscale, designer-inspired inventory & classes. Soldering & Silversmithing tools & supplies. Gorgeous semi-precious beads & findings. 1900 Abrams Pkwy

(214) 824-2777

BEADWORK

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BeadFX—Toronto

the market {stop to shop}

www.beadfx.com

A must-see destination. Open 7 days a week. Breathtaking selection, great prices, and knowledgeable, bead-obsessed staff. We are a full-service bead store with classroom, design area, and lampworking studio. From Art Glass to Zircon (Blue), Zoisite (Ruby), and Zinnias (Swarovski). New stuff every week. Crystals, Seedbeads, Stone beads, Pearls, Sterling, Copper, Wire, Metal Clay, Tools—way too much to list! If you want it, we have it. If we have it, you want it. 19 Waterman Ave., Unit 2

(877) 473-2323

Country Beads—Vancouver www.countrybeads.com

Semiprecious stones, freshwater pearls, sterling silver and gold findings, and beads. Chain by the foot, Swarovski crystals, Delicas, Czech fire-polished, and more. Books, tools, and classes. Wholesale prices to public. A unique shopping experience! Now you can conveniently shop online at our new updated website www.countrybeads. com. 2015 W. 4th Ave. (604) 730-8056

POCO Creations & Beads—Winnipeg www.pocobeads.com

Your full-service bead store. Freshwater pearls, gemstones, porcelain, metal, wood, Swarovski, glass, and shell; sold by strand or individually. Findings, wire, tools, books, Jewelry Workshop Kits, magazines, and displays. Workshops, private parties, custom design, repairs, and handmade consignment jewelry. 575 Archibald St.

(204) 219-2528

CLASSIFIED WORD INSTRUCTION INSTRUCTIONAL VIDEOS for polymer clay, Precious Metal Clay, and bead weaving. Online catalog available at www.abbadabbavideo.com. Order online, toll-free (877) 7440002 or (603) 744-0002 abba dabba Productions LLC.

SCHOOLS & EDUCATION WILLIAM HOLLAND LAPIDARY SCHOOL of Arts. PO Box 980, Young Harris, GA 30582. Call for information (706) 379-2126; [emailprotected]; www.lapidaryschool. org. Week-long classes from April–October.

BEAD SOCIETIES California

Central California Bead Society P.O. Box 895 Clovis, CA 93613 Web address: Web address: www.CentralCaliforniaBead Society.org We meet the 4th Saturday of the month January–October, at the Ramada, 324 E. Shaw Ave and Highway 41, Fresno, from 9:30–2. We have workshops by local and national teachers. Contact Rhonda (559) 276-2336. Check us out; we’re the fun Society that does stuff!

Michigan

Great Lakes Beadworkers Guild PO Box 1639 Royal Oak, MI 48068 Web address: www.greatlakesbeadworkersguild.org Sponsors numerous workshops and programs during year BEAD BONANZA SALE with 80 vendors twice annually. Meets 6:30 on 3rd Tuesdays January–November First Presbyterian Church, 1669 W. Maple, Birmingham, MI.

New Jersey

PO Box 1365 Merchantville, NJ 08109 Email: [emailprotected] Web address: www.southjerseybeadsociety.org Meetings are held the 1st Thursday of the month September–June, at Mount Laurel Fire House, 69 Elbo Ln., from 7–9. SJBS also offers workshops taught by local and national teachers.For more info see the web site.

713 Haddon Ave. Collingswood, NJ 08108 Ph. (856) 858-7844 Email: [emailprotected] Website: www.jubilibeadsandyarns.com

South Jersey Bead Society

Texas

Dallas Bead Society Email: [emailprotected] Web address: www.dallasbeadsociety.org Yahoo Group: http://groups.yahoo.com/group/dallas beadsociety/ Join DBS for camaraderie, learning and sharing the love of beads. Meetings are the first Saturday of the month, subject to holidays. We gather at 10 and have a short meeting at 10:30 followed by a program. Bring your lunch and stay after the program for open beading until 4 Check out our website or Yahoo group for specifics on meeting dates, location and programs. DBS brings in national teachers twice a year and regional teachers more frequently. We can’t wait to meet you.

Jubili Beads & Yarns®

Crafter’s ecstasy! Great classes in all levels of beaded jewelry making, bead weaving. Featuring state-of-the-art, 8–torch flame-work studio. Open studio rental available. Mixed-media specialists offering classes and supplies in knitting, crocheting, loom weaving, PMC, wirework, and more! Vintage attic now open!

Shows

BEAD SHOWS IN SOUTHEAST FL (just north of Orlando) Dates and locations on our website, www.thedownthestreetbeadshow.com or (866) 667-3232 (bead, soldering, cold fusion, fused glass, PMC, and wire-wrapping classes offered at most shows).

To be listed in the classified section, contact Monica Turner at (800) 272-2193 x424

[emailprotected].

Canada

Toronto Bead Society Ste. 43, 155 Tycos Dr. (mail only) Toronto, ON, Canada M6B 1W6 Email: [emailprotected] Web address: www.torontobeadsociety.org Meetings 2nd Wednesday 7 p.m., September–June. Ryerson University, 380 Victoria St. (East of Yonge, between College and Dundas), Toronto Bead Society has a fair twice a year, 1st weekend in May and 2nd weekend in November. All info on our website, under Fairs.

BEAD BROWSER

www.FusionBeads.com Your online destination for an inspiring selection, exceptional quality, guaranteed service, and volume discount pricing. Free shipping on domestic orders with no minimum order! www.jubilibeadsandyarns.com Don’t miss our easy-to-use e-commerce website with everexpanding inventory! Seed beads coming soon! Check out our beautiful focal beads, vintage treasures, finished jewelry, and mixed media kits. Come back often as we’re growing fast! www.thebeadcagebeads.com The Beadcage. Large selection of seed beads, Crystalized Elements recommended store, large classroom with national instructors often, large gemstone strand selection, and most available with designer discounts. Freshwater-pearl importer. Mon–Sat 10–7. www.toocutebeads.com We carry Swarovski crystal, pendants, pearls, gold-filled beads, chain, sterling silver beads, cultured pearls, Murano glass, artist glass, tools and wire, kits, and much more. Visit our website for class schedule and for our sale of the week.

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Beading Projects to Learn How to Bead

CLASSES

Florida

The Down the Street Bead Shows

Orange City, FL Ph. (866) 667-3232 Email: [emailprotected] Website: www.thedownthestreetbeadshow.com

The Down the Street Bead Shows, with stops in DeLand (Orlando area), Tampa, St. Augustine, Pompano, West Palm, and Ft. Myers, have ongoing classes in basic beading, seed beading, wire wrapping, cold fusion, soldering, fused glass, kumihimo braiding, and more.

GET YO U R F R EE PROJECTS AT:

www.BeadingDaily.com/ FreeStringingProjects

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The Beading Connection To advertise here call Monica Turner at (800) 272-2193 x424 or e-mail at [emailprotected] BEADS & FINDINGS A Grain of Sand

www.agrainofsand.com (704) 660-3125 Unique collection of beads & findings abeadstore.com

www.abeadstore.com Shop online for great deals on beads, jewelry findings, and beading supplies! Artbeads.com

www.artbeads.com (866) 715-2323 Bead Paradise

Merchants Overseas Inc.

Jubili Beads & Yarns

www.merchantsoverseas.com [emailprotected] (800) 333-4144

www.jubilibeadsandyarns.com (856) 858-7844

Michaels

www.michaels.com Red Panda Beads

www.redpandabeads.com Miyuki Japanese Seed Beads & More 10% Disc—use Promo code: BWJUN13 Rings & Things

www.rings-things.com (800) 366-2156 Rio Grande

www.beadparadise.com [emailprotected] (440) 775-2233

www.riogrande.com (800) 545-6566

Bead World (IL)

Stormcloud Trading (Beadstorm)

www.beadworldbeads.com [emailprotected] (877) 802-2401

www.beadstorm.com (651) 645-0343

Charm Factory

www.tohoshoji-ny.com [emailprotected] (212) 868-7465

www.charmfactory.com (866) 867-5266 Custom charms and jewelry tags. Fire Mountain Gems

www.firemountaingems.com (800) 355-2137 Fusion Beads

www.fusionbeads.com (888) 781-3559 Gaea

www.gaea.cc (805) 640-8989 Land of Odds

www.landofodds.com Retail/Discounts/Wholesale Lima Beads

www.limabeads.com (734) 929-9208 Marsha Neal Studio

www.MarshaNealStudio.com www.MarshaNealStudio.Etsy.com www.MarshaNealStudio.Blogspot.com

NATURAL BRASS BEADS /FINDINGS Cindy’s Wicked Good Beadz

www.wickedgoodbeadz.com Full selection of Vintaj Natural Brass, Trinity Brass, and more! Great prices, fast shipping.

SHOWS Ayla’s Wonderful World of Beads

www.awwbshow.com Bead Fest 2013

www.beadfest.com Philadelphia August 23– 25 Bead Mercantile Shows

www.beadmercantile.com (423) 639-7919

Toho Shoji (NY) Inc.

Too Cute Beads

www.toocutebeads.com [emailprotected] TreasureStone Beads, Canada

www.treasurestonebeads.com (780) 486-7543 Exceptional quality gemstones & pewter findings.

SUPPLIES Easy Earring Cards

www.easyearringcards.com Easy Earring Cards Punch Kit. JewelrySupply.Com

www.jewelrysupply.com (866) 499-4227 Soft Flex Co.

www.softflexcompany.com (866) 925-3539

Twisted Sistah Beads and Fibers

www.twistedsistahbeads.com (267) 254-4845 Bling For Your String U Bead It

www.ubeaditsacramento.com (916) 488-2323

KITS & MORE BuytheKit.com

www.buythekit.com [emailprotected] (505) 620-7492

BEADWORK

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techniques

These basic instructions are for techniques used in this issue’s projects and are from The Beader’s Companion (Interweave, 2005). Don’t have this popular book? Call (800) 272-2193 or visit interweavestore.com.

PA S S T H R O U G H V S PA S S B A C K T H R O U G H Pass through means to move the needle in the same direction that the beads have been strung. Pass back through means to move the needle in the opposite direction.

Begin tubular herringbone stitch with a foundation ring of one- or two-needle even-count ladder stitch. String 2 beads. Pass down through the next bead and up through the following bead. Repeat around the ring. At the end of the round, pass through the first beads of the previous and current rounds to step up to the new round.

F I N I S H I N G A N D S TA R T I N G NEW THREADS Tie off the old thread when it’s about 4" long by making an overhand knot around previous threads between beads. Weave through a few beads to hide the knot and trim the thread close to the work. Start the new thread by tying an overhand knot around previous threads between beads. Weave through several beads to hide the knot and to reach the place to resume beading. STOP BEAD A stop bead (or tension bead) holds your work in place. To make one, string a bead larger than those you are working with, then pass through the bead one or more times, making sure not to split the thread. LADDER STITCH For one-needle ladder stitch, string 2 beads and pass through them again. Manipulate the beads so their sides touch. String 1 bead. Pass through the last stitched bead and the one just strung. Repeat, adding 1 bead at a time and working in a figure-eight pattern.

Two-drop peyote stitch is worked the same as one-drop peyote stitch, but with 2 beads at a time instead of 1 bead.

NETTING String a base row of 13 beads. String 5 beads and pass back through the fifth bead from the end of the base row. String another 5 beads, skip 3 beads of the base row, and pass back through the next; repeat to the end of the row. To turn, pass back through the last 3 beads (one leg of the last net). String 5 beads, pass back through the center bead of the next net, and continue.

FRINGE Exit from the foundation row of beads or fabric. String a length of beads plus 1 bead. Skipping the last bead, pass back through all the beads just strung to form a fringe leg. Pass back into the foundation row or fabric.

HERRINGBONE STITCH Form a foundation row of one- or two-needle even-count ladder stitch and exit up through the final bead. String 2 beads, pass down through next bead in the ladder, and up through the following bead; repeat to the end of the row. Step up for the next row by wrapping the thread around previous threads to exit up through the last bead strung. To form the next row, string 2 beads and pass down through the second-to-last bead of the previous row and up through the following bead. Repeat, stringing 2 beads per stitch, passing down then up through 2 beads of the previous row, and stepping up as before. The 2-bead stitch will cause the beads to angle in each column, like a herringbone fabric.

PEYOTE STITCH For one-drop even-count flat peyote stitch, string an even number of beads to create the first two rows. Begin the third row by stringing 1 bead and passing back through the second-to-last bead of the previous row. String another bead and pass back through the fourth-tolast bead of the previous row. Continue adding 1 bead at a time, passing over every other bead of the previous row.

For odd-count flat peyote stitch, string an uneven number of beads to create Rows 1 and 2. String 1 bead, skip the last bead strung, and pass through the next bead. Repeat across the row (this is Row 3). To add the last bead, string 1 bead and knot the tail and working threads, clicking all beads into place. Start the next row (Row 4) by passing back through the last bead added. Continue in peyote stitch, turning as for even-count, shown above, at the end of this and all even-numbered rows. At the end of all odd-numbered rows, add the last bead, string 1 bead, pass under the thread loop at the edge of the previous rows, and pass back through the last bead added.

For circular netting, string a multiple of 4 beads; pass through them again to form the foundation round. String 3 beads, skip 3 beads in the foundation round, and pass through the following bead to form a “net”; repeat around the foundation round. Step up for the next round by passing through the first 2 beads added in this round. *String 3 beads and pass through the center bead of the next net in the previous round; repeat to connect all the nets from the previous round. Step up through the first 2 beads added in this round. Repeat from * to the desired length.

Begin a midproject peyote-stitch increase by working a stitch with 2 beads in one row. In the next row, work 1 bead in each stitch, splitting the pair of beads in the previous row. For a smooth increase, use very narrow beads for both the two-drop and the one-drop between.

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To make a midproject peyote-stitch decrease, simply pass the thread through 2 beads without adding a bead in the “gap.” In the next row, work a regular one-drop peyote stitch over the decrease. Work with tight tension to avoid holes.

For circular peyote stitch, string 3 beads and knot the tail and working threads to form the first round; pass through the first bead strung. For the second round, string 2 beads and pass through the next bead of the previous round; repeat twice. To step up to the third round, pass through the first bead of the current round. For the third round, string 1 bead and pass through the next bead of the previous round; repeat around, then step up at the end of the round. Continue in this manner, alternating the two previous rounds. It may be necessary to adjust the bead count, depending on the relative size of the beads, to keep the circle flat.

For even-count tubular peyote stitch, string an even number of beads and knot the tail and working threads to form the first 2 rounds; pass through the first 2 beads strung. To work Round 3, string 1 bead, skip 1 bead, and pass through the next; repeat around until you have added half the number of beads in the first round. Step up through the first bead added in this round. For the following rounds, work 1 bead in each stitch and continue to step up at the end of each round.

R I G H T - A N G L E W E AV E For single-needle right-angle weave, string 4 beads and pass through the first 3 beads again to form the first unit. For the rest of the row, string 3 beads and pass through the last bead exited in the previous unit and the first 2 just strung; the thread path will resemble a series of figure eights, alternating directions with each unit. To begin the next row, pass through beads to exit the top bead of the last unit. String 3 beads and pass through the last bead exited and the first bead just strung. *String 2 beads, pass back through the next top bead of the previous row, the last bead exited in the previous unit, and the 2 beads just strung. Pass through the next top bead of the previous row, string 2 beads, pass through the last bead of the previous unit, the top bead just exited, and the first bead just strung. Repeat from * to complete the row, then begin a new row as before.

To begin double-needle right-angle weave, add a needle to each end of the thread. Use one needle to string 3 beads and slide them to the center of the thread. *Use one needle to string 1 bead, then pass the other needle back through it. String 1 bead on each needle, then repeat from * to form a chain of right-angle-weave units. To turn at the end of the row, use the left needle to string 3 beads, then cross the right needle back through the last bead strung. Use the left needle to string 3 beads, then cross the right needle back through the last bead strung. To continue the row, use the right needle to string 2 beads; pass the left needle through the next bead on the previous row and back through the last bead strung.

PICOT A picot is a decorative net, most often made with 3 beads, used to embellish a beadwork surface.

HALF-HITCH KNOT Half-hitch knots may be worked with two or more strands—one strand is knotted over one or more other strands. Form a loop around the cord(s). Pull the end through the loop just formed and pull tight. Repeat for the length of cord you want to cover.

OVERHAND KNOT This is the basic knot for tying off thread. Make a loop with the stringing material. Pass the cord that lies behind the loop over the front cord and through the loop; pull snug.

S Q UA R E K N OT This knot is the classic sturdy knot suitable for most stringing materials. Make an overhand knot, passing the right end over the left end. Make another overhand knot, this time passing the left end over the right end; pull snug.

S Q UA R E S T I TC H String a row of beads. For the second row, string 2 beads; pass through the second-to-last bead of the first row and through the second bead just strung. Continue by stringing 1 bead, passing through the third-to-last bead of the first row, and through the bead just strung. Repeat this looping technique to the end of the row. Work odd-count tubular peyote stitch the same as even-count tubular peyote stitch, but it isn’t necessary to step up at the end of each round.

STRINGING Stringing is a technique that uses beading wire, needle and thread, or other material to gather beads into a strand.

BACKSTITCH BEAD EMBROIDERY Tie a knot at the end of the thread. Pass up through the foundation from back to front. *String 4 beads and lay them against the foundation. Pass down through the foundation next to the last bead added. Pass up through the foundation between the second and third beads just added, then pass through the third and fourth beads. Repeat from *.

BEADWORK

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techniques (continued) SPIRAL ROPE The basic formula for a spiral rope has larger beads as the center core, with smaller and more beads in the outer loops. String 4A (core) and 5B (loop). Pass through the As again, forming a D shape. *String 1A and 5B; pass through the top 3A and the 1A just strung. Repeat from *.

MORE STITCHES & TIPS! Watch free videos at beadingdaily.com to learn valuable beading tips and techniques.

CRIMPING Crimp tubes are seamless metal tubes used to secure the end of a beading wire. To use, string a crimp tube and the connection finding (i.e., the loop of the clasp). Pass back through the tube, leaving a short tail. Use the front notch of the crimping pliers to gently press the length of the tube, causing the tube to form into an oval and the wire ends to line each side of the tube. Move the tube to the back notch of the crimping pliers and firmly press the tube down, enclosing the wire ends in separate chambers of the crescent shape. Rotate the tube 90° and use the front notch to fold the two chambers onto themselves, forming a clean cylinder. Trim the excess wire.Twisted crimp tubes are added to wire and findings in the same way, but they are secured by squeezing once with chainor flat-nose pliers.

For a simple loop, use flat-nose pliers to make a 90° bend at least ½" from the end of the wire. Use round-nose pliers to grasp the wire at the tip; roll the pliers toward the bend, but not past it, to preserve the 90° bend. Adjust the pliers as needed to continue the wrap around the nose of the pliers. Trim the wire next to the bend. Open a simple loop by grasping each side of its opening with a pair of pliers. Don’t pull apart. Instead, twist in opposite directions so that you can open and close it without distorting the loop’s shape. To form a wrapped loop, begin with a 90° bend at least 2" from the end of the wire. Use round-nose pliers to form a simple loop with a tail overlapping the bend. Wrap the tail tightly down the neck of the wire two or three times. Trim the excess wire to finish. Make a thicker, heavier-looking wrapped loop by wrapping the wire back up over the coils, toward the loop, and trimming at the loop.

WIREWORKING To open a jump ring, grasp each side of its opening with a pair of pliers. Don’t pull apart. Instead, twist in opposite directions so that you can open and close it without distorting the ring’s shape.

ADVERTISERS’ INDEX

A Grain of Sand. . . . . . . . . . . . . . . . . . . . . . . . 25 Accent Bead Design/Kumihimo To Go . . 82 AD Adornments . . . . . . . . . . . . . . . . . . . . . . . 82 Adam Beadworks . . . . . . . . . . . . . . . . . . . . . . 11 Antelope Beads . . . . . . . . . . . . . . . . . . . . . . . . 44 Artbeads.com. . . . . . . . . . . . . . . . . . . . . . . . . . ifc Bead On It Boards. . . . . . . . . . . . . . . . . . . . . . 82 Beadaholique . . . . . . . . . . . . . . . . . . . . . . . . . . 25 Beadalon/Wire & Cable Specialtie. . . . . . . 19 Beaded Bungalow . . . . . . . . . . . . . . . . . . . . . . 84 Beadfx . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84 Beading Heart Of Santa Fe . . . . . . . . . . . . . 25 BeadsRfun.Com/Odyssey Beads . . . . . . . . 82 Beaducation . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7 Best Bead Show . . . . . . . . . . . . . . . . . . . . . . . . 25 Beyond Beadery . . . . . . . . . . . . . . . . . . . . . . . 44 CraftOptics. . . . . . . . . . . . . . . . . . . . . . . . . . . . 17 Creative Castle. . . . . . . . . . . . . . . . . . . . . . . . . 83 Crystal Creations-Beads Gone Wild . . . . . 82 Cynthia Rutledge . . . . . . . . . . . . . . . . . . . . . . 83 94

Designer's Findings . . . . . . . . . . . . . . . . . . . . 82 Fire Mountain Gems . . . . . . . . . . . . . . . . . . . bc Fusion Beads . . . . . . . . . . . . . . . . . . . . . . . . . . . 7 Gem & Lapidary Wholesalers Inc . . . . . . . 83 Grace Lampwork Beads & Jewelry . . . . . . 44 Green Girl Studios . . . . . . . . . . . . . . . . . . . . . 82 Helby Import/Beadsmith . . . . . . . . . . . . . . 17 Innovative Beads Expo, The . . . . . . . . . . . . 11 Interweave . . .7, 9, 11, 15, 16, 18, 25, 29, 49, 53, 59, 65, 69, 78, 79, 84, 95, ibc John Bead Corp. . . . . . . . . . . . . . . . . . . . . . . . . 1 Kabela Design . . . . . . . . . . . . . . . . . . . . . . . . . 83 Kandras Beads. . . . . . . . . . . . . . . . . . . . . . . . . 83 LanaiKinsky.com . . . . . . . . . . . . . . . . . . . . . . 83 Leather Cord USA. . . . . . . . . . . . . . . . . . . . . . 45 Leslee Frumin . . . . . . . . . . . . . . . . . . . . . . . . . 83 Lumina Inspirations . . . . . . . . . . . . . . . . . . . 82 Manek-Manek Beads. . . . . . . . . . . . . . . . . . . 82 Merchants Overseas . . . . . . . . . . . . . . . . . . . 15 Nina Designs . . . . . . . . . . . . . . . . . . . . . . . . . . 17

Quilt-Pro Systems . . . . . . . . . . . . . . . . . . . . . 83 Rings & Things . . . . . . . . . . . . . . . . . . . . . . . . 79 Rio Grande . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11 Royalwood LTD. . . . . . . . . . . . . . . . . . . . . . . . 83 School Of Beadwork. . . . . . . . . . . . . . . . . . . . 83 Shipwreck Beads, Inc. . . . . . . . . . . . . . . . . . . 29 Soft Flex Co. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Starman, Inc. . . . . . . . . . . . . . . . . . . . . . . . . . . 33 Sun Country Gems. . . . . . . . . . . . . . . . . . . . . 83 Swarovski North America . . . . . . . . . . . . . . . 2 Tamara Scott Designs . . . . . . . . . . . . . . . . . . 83 Tambrook Bead & Trade. . . . . . . . . . . . . . . . 79 TierraCast . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11 Tulip Beading Needles. . . . . . . . . . . . . . . . . . 15 U Bead It . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7 Universal Synergetics/Beadcats . . . . . . . . . 82 US Craft. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82 Venetian Bead Shop. . . . . . . . . . . . . . . . . . . . 82

beadworkmagazine.com

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BEAD ALL ABOUT IT !

bead buzz

Kate Wilson

The Beaded Body Comes to Life Darcy Horn’s model of The Beaded Body

Bead artist Darcy Horn is on a mission to cover a life-size mannequin entirely with freeform peyote- and brick-stitched seed beads in her recent project, The Beaded Body. In 2012, she raised more than $3,000 on the fund-raising website Kickstarter to fund the estimated 1,000 hours of work and 5,200 grams of seed beads it will take to cover the 5' 7" form. She chose a red, blue, and purple color palette, inspired by the 2012 U.S. election maps, to communicate her message of “uniting people.” Darcy plans to complete the project by December 2013 for entry in The Figure Now/Exhibition 2014 in St. Louis, Missouri. Visit her website at www.thejadedog.com.

for Beading Inspiration DARCY HORN

If you love finding and sharing new beading ideas, take a look at the new beading boards popping up on Pinterest—a website that enables users to search for, save, share, and organize ideas onto a virtual pinboard. We’ve just discovered a board full of great two-hole seed bead inspiration! Check it out at www.pinterest.com/naspirale/ beading-twin-superduo.

Tales Attic from the

EX PLOR E A TR EA SUR E TROV E

of vintage objects in this exquisite mixed-media jewelry book by Melanie Doerman. Remake your personal treasures into 15 beautifully detailed pieces that tell their own story.

Art of Forgotten Things: Creating Jewelry from Objects with A Past Melanie Doerman 160 pages, 8½ × 9, $24.95 ISBN: 978-1-59668-548-2

BEADWORK

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bead artist

by Chloe Chatenever

Paul Medeiros began creating beaded tapestries as a hobby in the 1960s. As one of just a handful of people practicing beadweaving on such a large scale, Paul has been an innovator as well as an artist, inventing and fine-tuning many of the techniques required to craft large beadwoven images. Bead artist Paul Medeiros at work on one of his bead tapestries

Ginger Jar (103⁄8 × 127⁄8" unframed)

PAUL MEDEIROS

Q: How do you start your projects? A: With modern technology and a computer, you can create any picture in beads. After deciding on a subject, I go to the computer and scan in a picture. Software then graphs the picture in a cross-stich pattern. Then comes color selection, which can be as time-consuming as doing the tapestry itself. This is where you decide what colors you will use to create different effects. [Next, I] break down the pattern into row numbers with bead counts plus color codes, thus creating a “road map.” Finally, I build my own looms out of scrap lumber.

Blue Rose (9½ × 11½" unframed)

PHOTOS BY PAUL MEDEIROS

Q: What inspires you? A: I would have to say that what inspires me to do what I do is to make my pieces look more like a picture than a picture made of beads. Just like the artists that are doing wonders in jewelry with beads, I am trying to take loomwork to a new level. New Mexico Organ Mountains (115⁄8 × 195⁄8" unframed)

Q: What do you find most rewarding about the process of creating your woven tapestries? A: The finished tapestry is obviously very rewarding, but seeing the tapestry slowly start to take form and become what I envisioned is rewarding as well. Of course, being able to show my tapestries to people who have never seen beadwork done in this medium and on this scale is also rewarding. After spending as much time as it takes to create a tapestry, you definitely want others to see it. Q: Beadweaving sounds like a labor of love for you. Can you tell us about what makes beadwoven artwork so unique? A: When I finish any tapestry, the recipient of that tapestry will have a one-of-akind piece of artwork. Even though the loomwork is very time-consuming, I can take a relatively simple process and expand on the size to get more detail out of my work, which is ultimately my goal.

Q: How long does it usually take you to finish a project? A: [My] original tapestries were created using size 11° Czech seed beads and required more time to select the beads that were used. Through the years, my working stock of beads improved, which meant I could select beads quicker and finish the tapestries sooner. My last two tapestries, Mount Rainier and New Mexico Organ Mountains, were done with Japanese Delica seed beads. I can tell you that even though I still hand-select each bead and it took 680 hours to complete New Mexico Organ Mountains, it was still faster than when I was using the Czech seed beads. No matter the amount of detail in the pattern or the size of the tapestry you decide to create, you have to be very patient with the process. ✦

beadworkmagazine.com

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Beading Inspiration . . . Wherever you are.

2 0 A L L- N E W B E A D E D J E W E L R Y D E S I G N S

INSPIRED DESIGNS FOR THE PASSIONATE BEADER

Now your favorite jewelry-making magazines are available in digital format, powered by Zinio, the world’s largest digital newsstand. That’s expert instruction and inspiration you can take with you!

Easy Spiral Netting! Create these sparkling bangles today

MAKE A SIMPLE, STYLISH BRACELET WITH BEAD CROCHET

Clinging Vine Bracelets by Cristie Prince

p. 76

More Beaded Beads! p. 20

Get edgy! 4 WAYS TO STITCH PICOTS

presents

MAKE THIS

GRAND PRIZE NECKLACE

PRIZE-WINNING

WITH GEMSTONES

Jewelry Designs

— PAGE 51 —

Our Contest Winners Revealed!

6 tips for creating

STANDOUT JEWELRY! — PAGE 8 —

beadworkmagazine.com

see voters’ favorite jewelry entries inside + learn to make them

41 MOST POPULAR PROJECTS | EASY PEYOTE

™

FAVORITE BEADED JEWELRY DESIGNS! THE BEST OF STEP BY STEP BEADS

20 SPEC11 IA ISSUE L !

Favorite Beaded Jewelry Designs! the by step

step best of

COLOR SAVVY How to Choose the Right Colors for Your Pieces PAGE 94

EASY PEYOTE STITCH!

MOST POPULAR PROJECTS to stitch, string, and wirework

9 gorgeous peyote designs

learn beadwork step-by-step!

bead-by-bead tutorials

MAKE THIS:

“Equator Beads” necklace PAGE 18

BONUS!

7 Stunning Polymer + Metal Clay Projects

Be on the go, but in the know at Zinio.com

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Ask the Experts Your Questions A nswered

One Fire Mountain Way, DEPT C027 Grants Pass, OR 97526-2373 1-800-355-2137

Request your Free 448 page catalog online Over 250 design ideas featured inside

America’s Favorite Beading and Jewelry Supply Company® You supply the creativity, we supply everything else!®

Joanie Whitehead, TX joaniesjewelry.com Bronze Medal Winner 2012 Metals Jewelry-Making Contest

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